Collections

The Civil War Battlefields photograph album contains pictures of broken wooded landscapes and military cemeteries.

The Civil War Battlefields photograph album (17cm x 29cm) contains 34 pictures of broken wooded landscapes, Arlington National Cemetery in Virginia, and views of a river, likely the Potomac. Each numbered print is mounted in a 11.5cm x 16.5 cm window, framed by a thin gold border with decorations at the corners. Most images are views of wooded landscapes, many showing evidence of possible military activity and earthworks, taken in unidentified flat and hilly regions. Streams, small wooden buildings, and fences are sometimes visible. The album begins with a camping scene, presumably a self-portrait of the album's unidentified compiler in the field. Another view shows a group of three posed on a house's porch. Two photographs show a three-story domed public building, adjacent to what appears to be a war monument. Four pictures show Arlington National Cemetery, one including a plaque with lines from Theodore O'Hara's poem "Bivouac of the Dead." Of particular note is a group portrait of seven African American schoolchildren with their young teacher, taken inside a crude schoolhouse; the following picture shows the exterior of two wooden buildings, possibly in the same unknown location.

The Clarke family photograph album contains photographic prints taken during trips to New England, New York, and other locales from 1898-1902. The photographs show natural scenery, buildings of interest, soldiers, and family members.

The Clarke family photograph album (25cm x 32cm) contains 240 photographic prints, including cyanotypes, taken during trips to New England, New York, and other locales from 1898-1902. Of the prints, 232 are pasted onto the album's pages (usually four to a page) and eight are laid in; each mounted photograph has a caption, sometimes humorous. The title "Photographs" is stamped in gold on the album's brown leather cover.

The photographs depict buildings, street scenes, and natural scenery in places such as Marshfield, Vermont; Weirs, New Hampshire; Halifax, Nova Scotia; Lynn, Massachusetts; Catskill, New York; and Washington, D.C. The compiler noted places of interest in the family's history, such as Erastus Burnham's grave and the Burnham family farm in Marshfield, Vermont. Some interior views of private residences and schoolhouses are included, as are photographs of prominent locations such as the Vermont State House, the United States Capitol, Independence Hall, the Lee family home in Arlington, Virginia, "Rip Van Winkle's house," and the New York City skyline. Sailing ships, the paddlewheel steamer Mount Washington, and the battleships Indiana and Massachusetts are also pictured.

The photographer attended parades featuring elephants from the Forepaugh-Sells Brothers' Circus, celebrating the 50th anniversary of Lynn, Massachusetts, and the welcoming of United States soldiers as they returned from Cuba after the Spanish-American war. Group portraits include men, women and young schoolchildren. Women are shown riding bicycles, playing the piano, and wearing costumes such as a soldier's jacket and a puritan's dress. One picture, entitled "Dr. Jekyll and Mr. Hyde," is a double exposure of a woman in different poses.

This collection is made up of a letter book, stenographer's notes, and scrapbook pertaining to the trials of Clark W. Hatch of Boston, Massachusetts. Hatch was accused of murdering his uncle, Henry Hatch of Kit Carson County, Colorado, and, later, of defrauding his employer, the Travelers Insurance Company.

This collection is made up of a letter book, stenographer's notes, and scrapbook pertaining to the trials of Clark W. Hatch of Boston, Massachusetts. Hatch was accused of murdering his uncle, Henry Hatch of Kit Carson County, Colorado, and, later, of defrauding his employer, the Travelers Insurance Company.

The letter book (102 pages) contains correspondence regarding Hatch's arrest and trial for the murder of his uncle, Henry Hatch. Most items are copies of letters by William J. Lewis, an acquaintance of Clark W. Hatch. Lewis requested information from officials involved in the case, including a local sheriff, and on at least one occasion provided information on Hatch's movements around the time of the murder (September 5, 1889). Lewis also affirmed his loyalty to Hatch and urged the accused to maintain a calm demeanor, lest he raise suspicions about the funding of his legal assistance (March 3, 1890). The letter book also includes letters from Hatch and other parties interested in the case; some of these are pasted onto the letter book's pages.

H. C. Hollister, the official stenographer for Clark W. Hatch's initial trial under Judge Lewis C. Greene in Burlington, Colorado, in May 1889, composed typed copies of witnesses' testimonies (189 pages). Witnesses included Henry Hatch's acquaintances, the boys who discovered his body, and several people who had seen Henry Hatch or Clark Hatch around the time of the murder. Clark W. Hatch and his father-in-law, Orrin Poppleton, also testified. The testimonies provide details about Henry Hatch's life, Clark W. Hatch's life and occupation, and their mutual histories.

A 70-page scrapbook contains newspaper clippings about Clark W. Hatch's murder trials and his later legal difficulties. Most clippings are from the Burlington Blade, the Burlington Boomerang, and the Rocky Mountain News. The editors of the Burlington papers wrote about the case and its background, and shared their stances regarding Hatch's guilt. The scrapbook also contains recapitulations of Hatch's arrests and trials. Later clippings detail a late investigation into the forgery charges against Clark W. Hatch. The final clipping, dated May 1891, pertains to Hatch's disappearance.

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the material concerns Markham's attempt to cultivate cinchona plants in India, as well as the Amazon basin and rainforest.

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the manuscripts concern Markham's attempt to cultivate cinchona plants in India, and it contains notes on the Amazon basin and rainforest.

The bulk of the collection pertains to Markham's work with Great Britain's India Office in the 1860s, including a lengthy printed report and supplementary memoranda about his efforts to introduce the cinchona plant, native to Peru, to India. Other reports and memoranda concern Indian coffee plantations, cotton production, oyster fisheries, and irrigation projects. The volume also includes descriptions of the Suez region, Abyssinia, and Bombay. Manuscript notes and translations in the back of the volume largely pertain to South America, including letters to Markham from an acquaintance in Lima, Peru, and notes on the missionary work of Antonio Machoni. Other manuscripts concern the Amazon region, cocoa plantations, the Napo River, and an Arctic expedition. The documents are calendared and indexed.

This collection contains correspondence and printed advertisements related to the operation of the Clifton Springs Sanitarium in and around the year 1892.

This collection contains 3 letters and 8 printed advertisements related to the operation of the Clifton Springs Sanitarium in and around the year 1892. In 2 manuscript letters to Mrs. M. E. Donaldson of Charlestown, Ohio, superintendent Dr. Henry Foster, responded to queries about the sanitarium's services, prices, and room availability. "The Sanitarium" sent a similar printed letter to Mrs. S. E. Greenleaf, originally accompanied by advertising circulars. A pair of printed circulars provide room prices, discuss the composition of the sanitarium's healing waters, and mention the institution's commitment to prayer and religious devotion. Each has an illustration of the sanitarium's main building. Other items are 2 dinner menus, a newspaper article about "A Mid-summer Week at Clifton Springs," 2 blank bath tickets with prices for various water-based therapies, and a pamphlet about the history of the sanitarium, with endorsements from former patients.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia. The album (18 x 28 cm) is half bound in black leather. Images of particular interest include photographs related to diplomatic functions, such as views of the British and Spanish consulates, interiors of the American consulates in Barranquilla and Cartagena, two portraits of the British Consul and family, and a series of portraits of the large family of the Spanish Consul, "Familia Zubiria Stevenson." Other images of note include photographs of a bullfight, the tomb and former home of Rafael Núñez, street and architectural views, churches, thatched huts, local inhabitants including mule drivers and cemetery workers, guns at the Baluarte de San Javier, soldiers in formation, and harbor views including views of passanger sternwheel ferry Alicia and a clipper ship. Some photographs have handwritten captions in Spanish.

The Colonial Parson's notebook is a small bound volume of sermon and prayer notes kept by a New England minister from 1713 to 1714 and in 1741.

The Colonial Parson's notebook is a small bound volume (approximately 3.5"x4", 62 pages) of sermon and prayer notes kept by a New England minister from 1713 to 1714 and in 1741. Several of the notes were written in "East Windsor," [Connecticut]. The volume opens with thoughts about Thanksgiving Day 1713, and continues with a large number of short reflections, often accompanied by relevant Biblical verses. One of the notes is addressed "To young persons" [1741], and another is about church news. A later note mentions several people who wished to "Joyn with this Church," including an African American named "Job Elswth" [1741].

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included.

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included. Some of the attractions mentioned include:

• Manufactures and Liberal Arts Building, in particular exhibits on Japan, Italy, France, Russia, Germany, and Austria
• United States Government Building
• Fisheries Building
• Children's Building
• Art Galleries
• Horticultural Building
• Agricultural Building
• Dairy Building
• Machinery Hall, with a brief aside about "industrial education" for African Americans
• Krupp Gun Pavilion
• Electricity Building
• Forestry Building
• Shoe and Leather Building
• Anthropology Building
• Administration Building
• Transportation Building
• Choral Hall
• Music Hall
• Woman's Building
• Convent of La Rábida
• Columbus' Caravel
• Foreign Government Buildings

This photograph album contains 19th-century carte-de-visite, photomechanical print, and tintype portraits of residents of Kent and Oakland Counties, Michigan.

This photograph album (14cm x 11cm) contains 18 cartes-de-visite, 4 halftone photomechanical prints, and 2 tintypes, which are portraits of residents of Kent and Oakland Counties, Michigan, taken during the 19th century. Most of the items are studio portraits of men, women, children, and infants. The halftone photomechanical prints are montages, including one portrait of a woman placed behind a drawn window. A number of the subjects are identified. A decorative design is embossed on the album's brown leather cover, and the title "Album" is stamped in gold on its spine; the volume also has a metal clasp.

This commonplace book contains 21 poems, 1 pressed flower, and 4 pages of manuscript music. Items originally laid in the volume, a map of United States Army encampments near Corpus Christi, Texas, and a drawing of a Spanish house in St. Augustine, Florida, are housed separately. Many of the poems relate to romance, and 3 are attributed to Johann Wolfgang von Goethe.

This commonplace book contains 21 poems, 1 pressed flower, and 4 pages of manuscript music. Most poems are 1-2 pages in length, and the longest is 4.5 pages. Five poems are accompanied by epigraphs, including one in Greek from Aeschylus's Oresteia, one from a Latin elegy by Sextus Propertius, and one from Chaucer's Anelida and Arcite. The book is divided into three sections, with 56 blank pages separating the first two sections, and 1 page separating the final two sections.

The first section (24 pages) contains 12 poems, three of which were inspired by the poetry of Johann Wolfgang von Goethe (1749-1832). Subjects include nature, knights of "A hundred Years ago," and love. The second section (22 pages), entitled "Poems under various dynasties," has 9 poems about a man's love, grief, loss, and longing for his beloved. The third section (4 pages) consists of manuscript sheet music for 3 songs

The book came with two illustrated items. Two manuscript maps were drawn on the same page by Ann Maine Wells: a view of the "Camp of the Army of Occupation, Texas," near Corpus Christi, Texas; and a portion of the Texas Gulf Coast shoreline from the Rio Grande to Corpus Christi. The second item is an ink drawing by W. H. B. of an "Old house at St. Augustine" built of coquina stone and plaster (1857).

• First section
  • "Little Mosses, Golden Mosses"
  • "Daiduchus" (with German epigraph from Goethe’s poem "An den Mond")
  • "At the Ford"
  • "A Hundred Years Ago"
  • Untitled ("O foolish flowers!...")
  • Untitled ("It is over; let me rest...")
  • "From Goethe"
  • "Evening" (with note: "On Lake Horicon")
  • Untitled ("Yesterday is dead!...")
  • Untitled ("I drew it to its full soft length...")
  • "From Goethe"
  • "From Goethe (Book of Zuleikha)" (with Greek epigraph from Aeschylus's Prometheus Bound)
• Second section: Poems Under Various Dynasties
  • Untitled ("Ours is a simple tale of love...")
  • Untitled ("Thou art my morning and my evening star...")
  • Untitled ("Evening shades are falling...")
  • Untitled ("Winter's in love with the springtime...")
  • Untitled ("I have a little darling, a winsome little pet...")
  • Untitled ("Oh gentle, uncomplaining face...") (with Greek epigraph from Aeschylus's Libation Bearers)
  • Untitled ("Dear, forgive me if I weep...") (with Latin epigraph from Propertius's Elegiarum)
  • Untitled ("Without a word, without a sign...") (with penciled epigraph from Chaucer's Anelida and Arcite)
  • Untitled ("Ah, the fearless little heart...")
• Third section
  • "Melody" (with lyrics)
  • "Nevermore" (without lyrics)
  • "Would thou wert here!" (without lyrics)