Search

The Andrews' Raid scrapbook and telegraph ledger contains newspaper clippings dating from 1887 that recount the story of Andrews' Raid written by William Pittenger. Other clippings, almost all of which focus on the United States Army, are also included in the scrapbook. The majority of these clippings are glued onto the page, but some are loose. This scrapbook, whose compiler is unknown, was originally used as a telegraph ledger book for the Baltimore and Ohio Railroad, and more than half of the volume still has these records visible.

The Andrews' Raid scrapbook and telegraph ledger contains newspaper clippings dating from 1887 that recount the story of Andrews' Raid written by William Pittenger, a Union soldier who survived the raid and was awarded the Medal of Honor. Other clippings, almost all of which focus on the United States Army, are also included in the scrapbook. Most of these are Civil War related but they include some Indian Wars material as well, including an account of Sitting Bull and Running Bear's raid on Fort Buford on August 20, 1868. The majority of these clippings are glued onto the page, but some are loose. This scrapbook, whose compiler is unknown, was originally used as a telegraph ledger book for the Baltimore and Ohio Railroad, and more than half of the volume still has these records visible.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The volume (32 x 19 cm) has brown leather covers (front cover detached) and contains 176 pages, all of which bear pasted-in engravings that were clipped from various newspapers, magazines, journals, advertisements, etc. Two inscriptions are present on the inside of the front cover; one states “This book is the property of W. W. Everett - 76 Winter St. Norwood, Mass.” while the other reads “The book was made by Mrs. W. W. Everett’s aunt Helen, probably in the 1880s. WWE.” The volume appears to have originally served as some type of accounting ledger before being repurposed.

Notable individuals represented within the volume include Joseph Jefferson, Sarah Bernhardt, P. T. Barnum, Lillie Langtry, Genevieve Ward, J. H. Haverly, E. A. Sothern, Sol Smith Russell, Ada Gilman, James H. Wallick, Adelaide Neilson, Buffalo Bill, Mittens Willett, Henry Clay, Susan B. Anthony, Wendell Phillips, Henry Wadsworth Longfellow, Elizabeth Cady Stanton, and Louis Pasteur.

This scrapbook, titled "The Examination of Benjamin W. Greene," contains clippings of three short articles published in the Hartford Courant newspaper of testimony given at the trial of accused murderer Benjamin W. Greene in early 1866. Greene was charged with the murder of Eunice North Greene, his wife, on November 5, 1865, and the court sought to determine whether the homicide (and Benjamin's subsequent suicide attempt) was due to insanity.

This scrapbook, titled "The Examination of Benjamin W. Greene," contains clippings of three short articles published in the Hartford Courant newspaper of testimony given at the trial of accused murderer Benjamin W. Greene in early 1866. Greene was charged with the murder of Eunice North Greene, his wife, on November 5, 1865, and the court sought to determine whether the homicide (and Benjamin's subsequent suicide attempt) was due to insanity.

An investigation of the Greene household allowed witnesses to piece together the progression of events on November 5, 1865. As Eunice was reading, Benjamin approached her from behind and cut her neck with a razor. She was able to call for help after Benjamin fled and to name him as the perpetrator, but her wounds were too severe to overcome. After a brief search, two men found Benjamin inside of a locked room, lying next to the same razor used to kill Eunice. Despite having cut his own wrists and neck in a suicide attempt, he was able to be stabilized and survived.

The loss of Eunice and Benjamin's eldest daughter, Harriet North Day (1831-1864), was consistently cited as the reason for the sharp decline in Benjamin's mental and physical health. The family physician, Dr. Beresford, held Benjamin's "singular and peculiar delusions with regard to his domestic affairs" (p. 2) as evidence of his mental instability. Often centered around Eunice, or supposed financial burdens, the validity of those claims was challenged by what Dr. Beresford and other witnesses observed prior to the homicide (p. 7, 11, 12, 14).

Before the murder, Benjamin repeatedly denied help from his family and friends, blocking at least one attempt by physicians to inform Eunice (p. 4) of his mental state. His nephew, William D. Wyatt (1828-1884), tried several times to intervene and help his uncle—both at his own behest and at Eunice's—but ultimately failed. William did not deem it safe to be alone with Benjamin, and testified that during one visit, Eunice told him that her husband was "a crazy man" and "had been a deranged man for years" (p. 11).

The scrapbook does not include the final ruling of the court, but the following is a quotation from an article [not present] containing the verdict, published in the Hartford Courant on March 14, 1866:

"The finding that Mr. Greene was insane at the time he killed his wife, will undoubtedly render his will, which was made in July last, and which was referred to in the testimony offered during his examination, of no account. In this will he bequeathed all his property to Robert E. Day, his son-in-law, and Mr. Day's little daughter. His action, in this respect, would seem to show that he labored under the delusion claimed that his whole family, with the exception of Mrs. Day, was leagued against him. After her death he said he had lost his best friend, and from that time forward declined in health rapidly."

This scrapbook includes clipped articles and images, original drawings, and written entries within the pages of a 1850s blankbook of receipts. Contextual clues indicate that individual(s) added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine. Original drawings primarily center on themes of violent encounters between scouts and Native Americans, romantic entanglements, and conflict. Sometimes illustrated newspaper and magazine clippings are pasted throughout the volume, many relating to themes of marriage, love, women, family, and memory. Several pages were used to copy a portion of an undated letter, an essay, and a manuscript poem.

The individual(s) who created this scrapbook pasted items, drew scenes, and wrote entries within the pages of a 1850s blankbook of receipts, seemingly created for use by a Boston shipping or exportation company. Contextual clues indicate that persons added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine.

Penmanship exercises and short notes are written on many of the pages, either where no additional content has been added or where clippings have been pasted on top. The names James Randall Reeves and Orren Cunningham appear on some of these pages, as well as place names of Bennington and Windsor, Maine, possibly indicating one of the early owners of the volume. The handwriting appears to match the text that accompanies the original illustrations.

Original drawings made using pencil, colored pencil, and ink can be found throughout the volume, sometimes with dates added, ranging from 1863 to 1869. Remnants of clippings that had previously been affixed to the page indicate that an owner of the volume must have pasted items into the scrapbook at a later date than the drawings were originally produced. Many of the images depict scenes of conflict or relate to two fictional characters, Hezekiah and Ezekiel. The two men appear to be scouts, and the images depict their encounters with villains, Native Americans, and a love interest, Flora. Violence, unrequited love, and emotional disappointment are central themes, and the concept of a "gas of hope" that spontaneously streams from Ezekial's head appears several times when the character experiences excitement or distress.

• Page 1: "Back Villains for your lives, says Peter, or you shall all die at the break of day by Cats." At the base of the page: "Indifference.". The illustration shows a man carrying a revolver in one hand while a woman holds his other arm. She extends an arm out behind her towards two men following them, one with a darker complexion and a machete raised over his head and the other pointing a musket at them.
• Page 3: "As the Villains again leaped against the door, an arm was thrust through the broken hand, and a voice cried out." The illustration is a nighttime scene with three men with a battering ram striking at a closed door of a house, where a man points a pistol out of an opening at them.
• Page 6: "Rescued from fire..." (the text is partially obscured by remnants of a newspaper clipping). The drawing depicts a firefighter descending a ladder from second story that is ablaze, holding a woman in his arm.
• Page 8: "...burly scout. A Sioux Chief captured" (the text is largely obscured by affixed clippings). The drawing shows a mustachioed man in military garb, a fur hat, and a cape who is holding a knife covered in blood. He is grabbing the arm of a Native American man who has dropped his knife and who is bleeding from a wound in his arm. Two ink drawings of insects (a beetle and a dragonfly) are pasted on the page.
• Page 10: "Perrilous adventure of Hezekiah the Scout, under cover of the darkness at the haunted schoolhouse." The image is a nighttime scene of a small building with a man climbing through a window. Another man runs behind him saying, "stop villain stop."
• Page 12: "The fate of Hezekiahs beaver is inevitable" and "Wonderful adventure of the Scout, Hezekiah cries out with a loud voice Ezekiel come here, help me bind these knaves." The drawing is of a bare-chested man in a green hat, holding two Native American men by the throat, one in each hand. A pencil marking indicates the year 1865.
• Page 16: "...The robber of the Rhine" (at least one additional word is partially obscured). The drawing depicts a balding man smoking a long pipe, wearing a musket on his back, and holding a bloody sword in front of him. A pencil marking indicates the year 1866.
• Page 18: "Death of Heavy [?]" and "Desperate adventure of Hezekiah, Slatt down in Kintuck..." The image is of a shirtless man (with a green hat) facing off with a Native American man, the former wielding his musket overhead and the latter his tomahawk each to strike the other. They stand over three dead or dying Native American men.
• Page 21: "Ezekial, & he knows who, on sunday eve, at the schoolhouse coming from meeting, by cats." The drawing depicts a man kneeling beside a seated woman who is holding a handkerchief or piece of cloth. One of his hands is on her shoulder, the other holds one of her hands. Another man lies face down in the corner.
• Page 24: "Weep stricken one your sorrows will have an end." Text at the bottom of the page is largely obscured by clippings, but "Ezekiel" and "Flora" are both visible. The drawing shows an upset man with mussed hair and arms akimbo, holding a handkerchief. One of the clippings over the man's head is "FIRST LOVE." A pencil marking indicates the year 1866.
• Page 26: "A streak of hope for Ezekial." The drawing shows a smiling man wearing a yellow hat that is releasing a stream of green gas, labelled "gas of hope."
• Page 27: "weep on str[i]cken one thy sorrows shall never end." The image depicts two men standing before a small grave with headstone reading "Dead Hope." Ezekiel, wearing a yellow hat from which "gas" spews, points down to the grave, saying, "What Have You Buried There Hezekiah." Hezekiah, barefoot, wearing a green hat and ragged pants, and holding a shovel, replies, "A. Dead Hope. I. Thought. She. Loved Me. But. She Did. Not Oh. Dear. What. Shall. I. Do Boo Hoo Boo Hoo." The illustration is marked in ink: "Drawn by Ezekiel himself in 1867."
• Page 30: "N.E. View of the royal oak of Shag Town, May 2d 1867." The drawing is a landscape featuring a large barren tree with a wooden plank/case/contraption and musket leaning against it. A sun smiles in the sky.
• Page 32: "View of Mud Pond, & Poccihog Hill, Sketched on the eastern rock, At half past three O'Clock." A landscape drawing shows a lake and a heavily wooded hillside. A smiling sun is in the sky and a person rows a boat on the lake.
• Page 36: Portrait of a bearded man in military uniform, with blue and gold epaulettes.
• Page 38: "A sorrowful meeting of the two scouts, Dialogue. Ezekial - 'Oh the letter, the letter, she loves me not.' Hezekiah - "Weep not Bro Scout, I pronounce it a forgery, by cats." The image is of two men wearing hats, muskets, and powder horns. One holds a slain animal in his hand, and the other cries while holding a letter and gas spews from his hat.
• Page 40: "Tallow plenty, or courting by candle-light, Stebbins telling Flora about his farm, out west." The drawing is an interior scene of a room with wallpaper, curtains, chairs, and a table. A man and woman embrace while holding candles, and additional candles are located on the table, chair, and floor.
• Page 44: Text at the top of the page is partially obscured but reads in part, "Bachelor . . . the famous scout," while additional text at the bottom reads "The inocent subject of my contempt by day, and my dreams by night." The drawing is a portrait of a man in a rumpled green hat, shirt, and suspenders, likely representing Hezekiah. A printed, pasted-on caption reads "THE GHOST OF OAK GROVE."
• Page 46: The letters "P.L.L." appear at the top of the page, and the note "Signed in the first degree, P.L.L." appears beside a highly stereotyped pencil portrait of an African American man.
• Page 48: Portrait of a bearded man.
• Page 50: Portrait of a man with moustache and goatee, with the text, "Art. Miller, California" written beside him.
• Page 52: "Poor old maniac, but once powerful scout, now dwindled away with sorrow for the lost Flora." The image shows Ezekial holding a wooden cane and a large "grief bag" on his back that has a vent spewing gas. On the bag is a printed, pasted-on caption reading "THE HAND OF FATE". He is wearing ragged pants and his hat spews green gas. Hezekiah wears his green hat and proffers something to Ezekial, saying, "Poor old fellow you must be hungry. Can I do anything for you, you seem to be weary of life. I guess I take you to a place of safety at once." Ezekial: "Answers with great vigor. I'm not hungry it is grief that gnaws like hunger at my very vitals. No never. You are the man that ruined me, if I was a smart man as I [...] I would kill you."
• Page 54: "Ezekial goes home with -- gets near home when the old scout jumps through the gateway inclosed in a sheet, See the consequences, of his rush act." The image shows a man draped in a white sheet standing in the doorway of a round stone structure. A well-dressed man and woman run apart from each other, leaving their hats on the ground. On the opposite page, several notes are written: "The identical hat worn by Hezekiah at the siege of Tattletown"; "The hat worn by Hezekiah at the destruction of Troy"; and "The sad effects of first love."
• Page 56: A man wearing a feathered hat and cape brandishes a sword while standing with one foot on the back of a slain man who has dropped his sword. He continues to fight with a man in a robe with a cross on it. A woman sits on the ground with a hand to her head. A printed, pasted-on caption reads "WHO''S TO WIN." A pencil marking indicates the year 1869.
• Page 58: "The burly scout, the stabbed scout, & Frankrifle, outscouted, by the bank scout at the old barn . . . gets valuable information concerning the conspiracy, by cats." The image shows four men in a hayloft, one, likely Ezekial, wears a yellow hat that is expelling gas. A printed, pasted-on caption reads "HUNTED DOWN."
• Page 60: "In dishabille," and at the bottom of the page: "Stebbins - 'Get out of my bed, Oh get out of my bed!" The drawing is of a woman wearing a shift and draped with a blanket reclining in a bed. A man in a nightshirt is seated on floor gesticulating at her.
• Page 62: "Who's Been here?" The drawing shows a woman looking out the window, while a man in a nightshirt, carrying the rest of his clothes, flees from the open door. A nicely dressed man with cane approaches him. A printed, pasted-on caption reads "TAUGHT BY EXPERIENCE."
• Page 64: "My idea of domestic bliss. or High life in the Lowlands." Text at the bottom of the page reads, "Stebbins about played out. 20 years hence." The drawing shows a man holding a hatchet in one hand, while wearing ragged clothing and a green hat spewing gas. A woman hits him over the head with a broom, while many small children are strewn about the floor and pull on the adults. A pencil marking indicates the year 1864.
• Page 66: A flying lizard/dragon with a shouting sun.
• Page 90: A checkerboard.

Newspaper and magazine clippings are pasted throughout the volume. While content varies, many relate to themes of marriage, love, women, family, and memory. Poetry is heavily represented. A fair number of the clippings include jokes, humor, and wordplay. Several are directions for household maintenance or preventing pests, and a number of others relate to scientific topics.

In addition to articles and written text, the compiler also pasted in clipped illustrations from newspapers and magazines. Several feature Union Army officers, most of whom appear to have a connection to New York State. Landscapes of New York City and the Amazon River are also included, as well as several satirical illustrations and animals.

A number of the printed images relate to women, including Tennie C. Claflin, Victoria C. Woodhull, and Elizabeth R. Tilton. Rev. Henry Ward Beecher's image appears twice in the volume, including once where he is placed facing Elizabeth R. Tilton and a chain connecting the figures by the nose has been added in by pen (page 14). A short poem written in ink appears below it, reading:

Henry W. B., so buoyant with glee,

And Lizzie R. T., so innocent and free,

As happy as bees in the sweet apple trees

Raised a slight (?) breeze and made the whole world sneeze!

Several pages appear to have been used to copy a portion of an undated letter, which referenced a trip from Portland to Augusta, Maine, on the Maine Central Railroad, attitudes towards funerals, the teaching profession, arguments, and placebos (beginning page 57). Another passage appears to be an essay entitled, "to old Bachelors & maids" (pages 86-88) and a manuscript poem is written on the back inside cover that seems related to scouts and Native Americans.

These 12 scrapbook pages contain announcements, reward and wanted advertisements and circulars, typed notes, and police letters and telegrams for individuals wanted by the law. The crimes include illegally collecting subscription money, destruction of a powder magazine at the Navy Yard on Mare Island, family desertion, failure to provide for the family or minor children, auto theft, murder, embezzlement, horse stealing, larceny, bank robbery, burglary, fraud, and others. The primary geographical locations are Sacramento and San Francisco, California; other advertisements are from Georgia, New York, Massachusetts, Oregon, Colorado, Illinois, and other California locations. The bulk of the wanted individuals are white, but several represent Japanese, Greek, and Mexican perpetrators. One letter from the William J. Burns International Detective Agency, Inc., dated April 20, 1918, includes a pasted-on mugshot photograph of Manuel Schenone.

These 12 scrapbook pages contain announcements, reward and wanted advertisements and circulars, typed notes, and police letters and telegrams for individuals wanted by the law. The crimes include illegally collecting subscription money, destruction of a powder magazine at the Navy Yard on Mare Island, family desertion, failure to provide for the family or minor children, auto theft, murder, embezzlement, horse stealing, larceny, bank robbery, burglary, fraud, and other crimes. The primary geographical locations are Sacramento and San Francisco, California; other advertisements are from Georgia, New York, Massachusetts, Oregon, Illinois, and other California locations. The bulk of the wanted individuals are white, but several represent Japanese, Greek, and Mexican perpetrators. One letter from the William J. Burns International Detective Agency, Inc., dated April 20, 1918, includes a pasted-on mugshot photograph of Manuel Schenone. Schenone, "a well known Bunko man", served four years in Folsom Prison and now is wanted for holding up the Yokohama Specie Bank.

The scrapbook pages were once part of a larger volume and bear the printed page numbers 79, 80, 147, 148, 155, 156, 157, 158, 161, 162, 165, and 166; plus one unpaginated partial page.

The Rowland Stephenson scrapbook contains numerous clippings, engravings, illustrations, notes, and ephemera primarily related to British banking and finance, the Royal Family, and prominent political and historical figures.

The Rowland Stephenson scrapbook contains numerous clippings, engravings, illustrations, notes, and ephemera primarily related to British banking and finance, the Royal Family, and prominent political and historical figures.

The scrapbook (23 x 18 cm) has brown board covers, is lacking a spine, and contains 184 pages in total. While it is unlikely that Stephenson himself created the scrapbook, it does appear that it may have been compiled by a close associate or relative of Stephenson's. Dated contents range from ca. 1767 to 1840 and generally speaking include numerous engraved portraits of various individuals (mainly royal personages, aristocrats, politicians, military and religious leaders, writers, artists, doctors, scientists, athletes, eccentrics, criminals, and historic figures), engravings and illustrations of buildings and other scenes, handwritten notes and ephemeral materials related to various subjects including royal finances and banking, multiple pasted in signatures, and newspaper clippings regarding various subjects including a reward notice for information on Stephenson's whereabouts after his disappearance following his embezzlement scandal. A number of engravings appear to have been clipped from European Magazine as well as R. S. Kirby’s Wonderful and Eccentric Museum; Or, Magazine of Remarkable Characters. Many undated engravings of pre-18th century historic figures were likely produced prior to 1767.

• Pressed plant life remnants of a “Willow from the grave of Buonaparte at St. Helena. 1838” (pg. 1)
• Engraved portraits of King George III, Aleksandr Suvorov, and the Duke of Wellington (pgs. 2-4)
• Handwritten list of debts held by Prince Regent George IV coupled with a newspaper clipping expressing caution about how to deal with being in debt (pg. 7)
• Engraved portrait of Prince Regent George IV with handwritten notes summarizing "Debts of this King paid by Parliament"; includes juxtaposed clipped engraving of a man with hand-drawn sight lines drawing attention to the total debt amount of £3,113,061 (pg. 8)
• Handwritten list of expenses for the coronation of King George IV, July 19, 1821 (pg. 9)
• Invitation to the coronation of King George IV (pg. 10)
• Printed poem about death of Princess Charlotte of Wales, November 6, 1817 (pg. 13)
• Handwritten list detailing pensions paid to certain dukes, duchesses, princes, and princesses (pg. 15)
• Two engravings showing portraits of Queen Victoria (ca. 1837) and the 1st Earl of Munster (ca. 1834) encircled by statistical references regarding “The Population of the British Empire according to the last census” (pgs. 16 & 48)
• Handwritten list showing stats related to the “Total personal charge of a King of England, on the scale of the reign of George the Third” (pg. 17)
• Engraved portrait of surgeon Charles Aldis (pg. 19)
• Engraved view of the comet of 1811 (between pgs. 19 and 20)
• Clipped handwritten cookery list dated December 29, 1767 (pg. 20)
• Engraved portrait of “Her late Most Excellent Majesty Sophia Charlotte, Queen of Great Britain,” dated December 1818 (pg. 23)
• Engraved view of “Frogmore, the favorite residence of Her late Majesty” coupled with smaller engraving of people ice skating (pg. 24)
• Handwritten notes detailing the history and operations of the Bank of England (pgs. 25, 27, 29, & 31)
• Three Bank of England checks dated February 14, 1826, Dec 10, 1818, and March 6, 1818, all marked with “Forged” stamps, accompanied by handwritten notes (pgs. 26, 28, & 30)
• Two unfilled stock certificates for £1 and £10 from the Hibernian Bank, Dublin, illustrated with vignettes (pg. 32)
• Handwritten statement detailing the Bank of England’s net profits from 1797 to 1816; includes tipped-in engraved portrait from 1803 of Abraham Newland, Chief Cashier for the Bank of England (pgs. 33-35)
• Handwritten note about scented “love letter paper” made in New Jersey alongside an engraved portrait of Raphael (pg. 37)
• Engravings including depictions of four honorary medals and views of “The Car on which the Remains of Lord Nelson were conveyed to St. Paul’s Jany. 9, 1806,” the "Palaquin presented by the Marquis Cornwall to Prince Abdul Calic, Eldest Son of Tippoo Sultaun…Sepr. 1796," and "A West View of the Iron Bridge over the Wear near Sunderland" (pgs. 39-41)
• Handwritten notes detailing the history of the Rothschild Family (pgs. 43 & 44)
• Engravings of Thomas Coram and the Foundling Hospital as well as a funding solicitation notice seeking contributions for the Foundling Hospital (pgs. 45 & 46)
• Tickets and other ephemera related to various lotteries (pgs. 49, 50, 52, 54, 55, 56, & 58)
• Engraved view of the Globe Theater (pg. 53)
• Clipping regarding election anecdote related to Lord Chief Justice John Holt accompanied by a tipped-in engraved portrait of Holt (pg. 62)
• Handwritten notes on the "Character of a Good Woman" (pg. 63)
• Handwritten notes on Freemasonry (pg. 64)
• Hand-drawn view of the comet of 1811 (pg. 65)
• Engraved portraits of Benjamin Thompson, the Count Rumford; John Elwes; Joanna Southcott; Thomas Paine; Rev. Thomas Raffles; Richard Carlile; Sir Richard "Dick" Wittington and his cat; Joseph Priestley; Prince Albert; engraver John Rowe; and London eccentric Ann Siggs (pgs. 74-85)
• Engraved depiction of a sleeping woman named Elizabeth Perkins of Morley, Norfolk, accompanied by handwritten notes detailing her sudden and mysterious entrance into a coma in 1788 (pg. 86)
• Ca. 1839 advertisement for a showing of Brother Jonathan, the mammoth ox from America (pg. 87)
• Engraved portraits of boxer James Belcher, eccentric dentist Martin van Butchell, and Madame de Staël Anne-Louise-Germaine Necker (pgs. 88-90)
• Plan of the King’s Theatre (pg. 94)
• Engraving showing the three defendants in the 1823 Radlett Murder: John Thurtell, Joseph Hunt, and William Probert (pg. 101)
• Handwritten copy of a letter sent from Rotterdam, Netherlands, dated August 18, 1817, instructing Stephenson’s firm to pay £100 to someone who was purpsoefully injured by one of their clients (pg. 103)
• Engraved portraits of Thomas Hobson accompanied by a printed poem, Henry Jenkins of Ellerton in Yorkshire “who lived to the Surpizing Age of 169,” and Thomas “Old Tom” Parr (pgs. 110-112)
• Engraved view of London and the observatory erected over the cross of St. Paul's Cathedral that was used by Thomas Hornor to create his panoramic view of London accompanied by a handwritten note about an individual nearly falling to their death after slipping on top of the cathedral's dome (pgs. 115 & 116)
• Engraved portraits of Lady Morgan Sydney Owenson and Charlemagne (pg. 117)
• Ca. 1840 advertisement for London-based rubbish collector John Allford attached to French cologne advertisement (between pgs. 117 & 118)
• Clipping regarding Edmund Burke's description of the Bible, an engraved portrait of Burke and an engraving of two Biblical-era priests preparing sacrifices (pgs. 123 & 124)
• Engraved portraits of Rev. Rowland Hill and George Savile, Marquis of Halifax (pgs. 125 & 128)
• Cut and pasted signatures of various individuals (pgs. 129-168)
• Engraved portraits of Governor Joseph Wall, Sir Francis Burdett, Lord Brougham and Vaux, Lord Durham, John Bellingham, T. S. Duncombe, Colonel George De Lacy Evans, Lord Thomas Erskine, George Canning, Granville Sharp, Henry Hunt, Richard Watson, Joseph Hume, William Cobbett, Daniel O'Connell, Charles Lennox the Duke of Richmond, Lord Palmerston, Thomas Spring-Rice, William Henry the Duke of Portland, Sir James Shaw, Lord Bexley Nicholas Vansittart, Sir Matthew Wood, Robert Waithman, W. T. Raynal, Sir Richard Birnie, Joliot de Crebillon, John Gully, Sir John Oglander, John Soane, Sir Nicholas Conyngham Tindal, Hippocrates, Josiah Ricraft, Dr. Herman Boerhaave, Henry Hastings, Marie and Catherine de Médicis, James Cook, Rev. Obadiah Sedgwick, Lord Burghley, King William IV, and Queen Victoria (pgs. 133-183)
• Hand-colored engraved portrait of Stephenson accompanied by his own clipped signature as well as a newspaper clipping of a reward notice offering £1000 pounds for Stephenson's apprehension following his alleged embezzlement and flight from London (pg. 171)
• Four tipped-in manuscript items including an undated note from Stephenson quoting "Lev: 12: Blair" about choosing one's path in life; a letter dated January 9, 1804, from B. Pratt to Stephenson regarding the importance of being careful with money; a letter dated August 29, 1827, from “Rody Moroney” to Stephenson thanking the latter for favors; and a letter dated March 23, 1822, from "the Independent Inhabitation of West Looe" to innkeeper Robert Reath inquiring about the whereabouts of Stephenson's friends and remarking on business matters impacted in the wake of a contested election (between pgs. 171 & 172)
• Clipping of a poem dated January 10, 1829, regarding Stephenson's alleged embezzlement and lamenting the volume of negative newspaper coverage devoted to Stephenson as well as to the Duke of Wellington (pg. 173)
• Loose letter dated March 19, 1828, from Michael Meredith to Stephenson expressing the former's willingness to work for Stephenson again in Leominster "if it should happen that your Honour should call on me again at any future Election" (between pgs. 173 & 174)
• Handwritten notes regarding the "Expenses of the Coronation of Queen Victoria" accompanied by a clipping that details the approximate value of the jewels found in Her Majesty's Crown (pg. 184)
• Engraved view of the passenger steamboat SS British Queen (pasted inside back cover)