Collections : [University of Michigan William L. Clements Library]

This commonplace book belonged to Emile M. Tauzin of Natchitoches, Louisiana, and at least one other author in the 1850s and 1860s. The volume contains French poetry and horoscopes, parlor games, and a letter draft about a Natchitoches resident's experiences during the Civil War.

This commonplace book (37 pages) belonged to Emile M. Tauzin of Natchitoches, Louisiana, and at least one other author in the 1850s and 1860s. The volume contains French poetry and horoscopes, parlor games, and a letter draft about a Natchitoches resident's experiences during the Civil War.

Four French poems (pages 1-2 and 34-36) include a tribute to the state of Louisiana, a poem dedicated to the author's father (dated September 6, 1854), and a poem about a small fowl. One poem, entitled "Tous les Braves," is attributed to Charles D. Paradis, who dedicated the poem to Tauzin. Horoscopes for men and women, also in French, appear on pages 19-29; the men's horoscopes are incomplete. One owner used the book to record several questions for a parlor game (pp. 3-18), each accompanied by 40 possible answers, both humorous and serious. The questions are supposed to foretell topics such as personality, marriage, future disposition, and the number of slaves the respondent would own.

A later owner used the volume for a draft letter to his or her aunts Mary and Josephine (pages 30-37). The letter begins on page 32, and is written over the French poetry on pages 34, 35, and 36. After expressing pleasure about hearing that the recipients also sympathized with the Confederacy, the author recounted his or her experiences during the Union Army's occupation of Natchitoches during the Civil War. According to the letter, federal troops raided stores for goods to distribute to former slaves, threatened to shell the town, and disinterred a child's body to search for valuables.

The Irene Levis Roberts album, entitled "Flowers of Loveliness," contains poems by W. H. Green and A. H. Roberts of Smyrna, Delaware, and Edmund Brewster Green of New York, New York. A note about Roberts's baptism is also present.

The Irene Levis Roberts album, which has the title "Flowers of Loveliness" imprinted on the cover, includes 9 entries (17 total pages): 8 poems and 1 note. The poetry, mostly written by A. H. Roberts, concerns topics such as nature and the seasons, religion, travel, and death (see below for a full list of titles). The note by Thomas C. Murphy, pastor of the Methodist Episcopal church in Smyrna, Delaware, pertains to the baptism of Irene L. Roberts on performed on March 11, 1855. Colorful crayon scribbles appear over one of the poems and on several of the later pages.

The book contains a series of colored prints show women dressed and decorated as flowers, each representative of a virtue.

• "To My Niece," by W. L. Green, November 25, 1852 (1 page)
• "The Flight of Time," by Edmund Brewster Green, September 7, 1844 (2 pages)
• "To My Friends," by A. H. Roberts, undated (2 pages)
• "On the Death of Mrs. S. M. of This Place," by A. H. Roberts, undated (2 pages)
• "Lines Suggested on Witnessing the Burial of Mr. D. Carr, Respectfully Addressed to His Widow," by A. H. Roberts, undated (2 pages)
• "The Home of the Christian," by A. H. Roberts, undated (2 pages)
• "The Hindoo Mother," by A. H. Roberts, undated (3 pages)
• "Reflections on My Past Visits to Cantwells Bridge, Addressed to E. D. Clark," by A. H. Roberts, copied by I. Roberts, May 1863 (2 pages)

The Manuscript Sheet Music collection is made up of manuscript music scores, correspondence, and composers' autographs.

The Manuscript Sheet Music collection (approximately 140 items) contains manuscript music scores and composers' autographs, as well as correspondence and other items.

The bulk of the collection is comprised of around 80 music scores, which range in length from one line to several pages; some are complete works, and some are fragments. Most of the brief melodies are accompanied by the composers' signatures and may have been intended as autograph gifts. The longer works are mainly piano and/or vocal scores, and some include lines for violin with piano accompaniment. Lyrics, when present, are written in English and German. Some of the scores are dated and signed, and a few were written in German cities. The cover of the score for "Barcarola" includes an engraving of "The Great Western crossing the Atlantic," and Harry Keyser's "Two Etudes for Pianoforte" is accompanied by a letter by the composer. A manuscript music book belonging to "Th. Hämb, Junior" contains several short pieces with lyrics in a Nordic language.

Additional autographed items include 25 autograph cards, 8 autograph musical quotations, 10 sheets of paper (some with inscriptions), and a photograph of violinist A. Rivarde. Many of the autographed cards, which are the size of business cards or visiting cards, are dated at Chicago in the mid- to late 1880s. The collection's 8 letters (in English, German, and Italian) include one man's opinion of a performance of "Wanda" and a letter illustrated with lines of music. Additional items are a program for a Manchester, New Hampshire, performance of the comic opera Jonah, an ink drawing of a decaying stone building, and lines of poetry or musical lyrics.

This collection is made up of diary entries, letters, and prayers by a woman who lived in Morris County, New Jersey, in the early 19th century. She discussed her religious convictions and activities, her social activities, and daily life. Internal evidence suggests that the materials may have belonged to Abigail Harrison.

This collection is made up of 90 pages of diary entries, letters, and prayers written by a woman who lived in Morris County, New Jersey, between December 25, 1815, and January 1, 1820. She discussed her religious convictions and activities, her social activities, and daily life.

The collection includes 3 diaries (67 pages). The first has paper covers with engraved illustrations and a multiplication table. The author wrote about her Christian faith, particularly with respect to good and evil and deliverance from sin. Her religious activities included reading the Bible and published sermons, attending church services, and attending prayer meetings. A few entries contain personal reflections on the death of the author's husband (January 1, 1819, pages 31-32) and her conversion to Christianity (June 27, 1819, page 66, and others).

The diary entries occasionally refer to missionary work; one entry mentions an extract from the Boston Recorder about a schoolteacher working with Native Americans in the west (January 4, 1819, page 36). The journal includes two religious poems (pages 12-13 and 21), one of which is attributed to Mrs. Isabella Graham. Additional manuscripts include one letter addressed to a sister and several prayers.

The Phebe Plant collection is mostly made up of personal correspondence between Plant and her friend Martha Barnes, especially regarding their religious convictions, as well as letters to Plant's mother, Rebecca Hearsey. Other items include a religious diary and poetry.

The Phoebe Plant collection (53 items) is mostly made up of personal correspondence between Plant and her friend Martha Barnes, as well as letters to Plant's mother, Rebecca Hearsey. Martha Barnes wrote to Phebe Plant from 1814-1819, often discussing her religious convictions and, on one occasion, a religious experience with an auditory component (April 21, 1818; in letter dated April 16, 1818). In a letter dated March 1815, she discussed her reaction to a book about Harriet Newell. Plant's letters to Barnes are mainly contained in an 18-page set of retained copies, which includes entries dated from December 19, 1814-November 30, 1815. Plant wrote about her Christian convictions. Other items by Plant include a religious diary with infrequent entries (July 2, 1816-June 15, [1817], 12 pages) and a poem "composed on the death of a wife" (1818).

After Plant's death in 1819, Martha Barnes occasionally wrote to Plant's mother, Rebecca Hearsey, offering condolences and reflecting on her friendship with Plant. The collection also contains letters that Rebecca Hearsey received from members of the Judd family and others; an account about the estate of Joseph Plant of Southington, Connecticut; and an invoice addressed to the Hearsey family (June 12, 1815).

This album contains autograph manuscripts and signatures of famous American politicians, military figures, authors, artists, actors, and religious figures, begun by Boston resident "Mrs. Russell" in 1859. A small number of contributors wrote directly into the volume, which also includes pasted-in letters, documents, poetry, excerpts, and signatures.

This album (145 pages) contains autograph manuscripts and signatures of famous American politicians, military figures, authors, artists, actors, and religious figures, begun by Boston resident "Mrs. Russell" in 1859. The first few pages include notes and signatures written directly into the volume, mostly dated at Boston in 1859. The majority of the album consists of pasted-in letters, poems, fragments, and standalone signatures written as early as 1759 and as late as 1920; 3 items from 1912, 1917, and 1920 are addressed to James C. McCabe of Bay City, Michigan. The correspondence refers to politics and current events, the memory of George Washington, and other subjects. One letter from Maria Mitchell to "My Dear Emily" assured the recipient that she had consulted the stars for auspicious signs (p. 100). The contributions from John Quincy Adams and James Madison are unsigned handwriting samples. The album includes a financial document signed by Jenny Lind regarding the distribution of proceeds from a charity performance (p. 6). A small number of materials are accompanied by clippings containing biographical information about the contributors. A complete index is available in the Manuscripts Division.