Collections

The Arizona photograph album contains 70 images taken by an unknown photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area.

The Arizona photograph album contains 70 images taken by an unidentified photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area. The album (21 x 31 cm) has black pebbled cloth covers and a leather spine. Images of interest include views of men visiting cliff dwellings near Flagstaff; a group visiting the Grand Canyon by carriage and horseback; past the John Hance house and trail; scenic shots of the Grand Canyon taken from the Grand View Hotel; trailside cooking; and a wagon breakdown on the return trip. Additional photographs show Timothy Riordan, president of the Arizona Lumber & Timber Company, and his family at the rustic Thomas' Hotel in Oak Creek Canyon; an excursion to the lava beds including amateur photographer Father Daniel McGillicuddy of Worcester, Massachusetts, who is shown setting up his camera among the rocks; 11 views of the 1902 Fourth of July celebrations in Flagstaff, with masked participants, horse-drawn floats, soldiers in formation, and the former homes of Michael and Timothy Riordan decked out in bunting. Also present are photographs of the home of Frederick Sisson, a manager with the Arizona Lumber & Timber Company, including views of a porch or interior decorated with Native American rugs, pottery, textiles, baskets, and animal skins.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia. The album (18 x 28 cm) is half bound in black leather. Images of particular interest include photographs related to diplomatic functions, such as views of the British and Spanish consulates, interiors of the American consulates in Barranquilla and Cartagena, two portraits of the British Consul and family, and a series of portraits of the large family of the Spanish Consul, "Familia Zubiria Stevenson." Other images of note include photographs of a bullfight, the tomb and former home of Rafael Núñez, street and architectural views, churches, thatched huts, local inhabitants including mule drivers and cemetery workers, guns at the Baluarte de San Javier, soldiers in formation, and harbor views including views of passanger sternwheel ferry Alicia and a clipper ship. Some photographs have handwritten captions in Spanish.

The Hawaii photograph album contains approximately 130 photographs, including snapshots and commercially produced prints, that document a trip to Hawaii in 1924.

The Hawaii photograph album contains approximately 130 photographs, including snapshots and commercially produced prints, that document a trip to Hawaii in 1924. The album (18 x 30 cm) has tapa cloth covers. Images include views of a row of submarines at Pearl Harbor; surfers on Waikiki Beach; the Laie Mormon Temple on Oahu; the steamships Matsonia and Haleakala; scenic waterfalls and coastal views; and shots of tourists picnicking, swimming at the beach, and posed wearing grass skirts.

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The album (40 x 28 cm) has black paper covers and 305 pages, 14 of which do not contain any photographs. The photographs are generally arranged in chronological sequence and depict loading the Liberty Bell onto parade floats and train cars, celebratory parades, gathered crowds, and individuals and groups posing with the Liberty Bell. Numerous pictures include captions referencing the locations in which they were taken. The album also contains two small maps, each showing one of the routes of the cross-county trips that the Liberty Bell took, as well as landscape photographs of scenes in the western United States. Notable persons photographed with the Liberty Bell include Thomas Edison, members of the Daughters of the American Revolution, and groups of Native Americans in Cayuse, Oregon. Landscapes pictured include views of Wyoming, Pulpit Rock, Bear River Canyon, Mount Shasta, Shasta Springs, Horseshoe Curve, Royal Gorge, the Rockies, Salt Lake, and Feather River Canyon.

The MacMillan Arctic Expedition photograph album contains approximately 160 photographs related to the Arctic Expedition to Greenland in the summer of 1925 led by Donald Baxter MacMillan aboard the ships Peary and Bowdoin.

The MacMillan Arctic Expedition photograph album contains approximately 160 photographs related to the Arctic Expedition to Greenland in the summer of 1925 led by Donald Baxter MacMillan aboard the ships Peary and Bowdoin. The photographs were removed from the journal of Chief Boatswain Earl E. Reber, an expedition pilot, and stored in plastic sheets in a green three-ring binder (30 x 30 cm). Images of interest include scenes from the departure out of Boston, Massachusetts; a stop at Labrador; many views of native peoples and landscapes of Greenland; and shipboard photographs including individual and group crew portraits, crew members playing pirate, and a view of the captain's table with officers and servants. Landscape views include rocky shorelines, glaciers, drift and pack ice, icebergs, and aerial photographs of Etah harbor, the Greenland ice cap, and Ellesmere Island. Crew members are shown in various images interacting with native Greenlanders onboard ships, showing a group of children how to use a camera, and visting a native Greenlander residence. Additional images include views of an Inuit summer hut and permanent shelter, sled dogs, and natives kayaking and cleaning a walrus carcass; the unloading and assembly of the Loenig amphibious aircraft; and waterfront views of Battle Harbor, Labrador, and of Gotthaab, Godhavn, and Umanak, Greenland.

Expedition members identified by typewritten captions include: Floyd Benney, Richard Byrd, Leo Max Davidoff, Albert Francis, Jacob Gayer, John La Gorce, Donald MacMillan, E. F. McDonald, A. C. Nold, W. D. Publicover, Earl E. Reber, Charles Rocheville, M. A. Schur, Nels Sorensen, and G. F. Steele.

The Railroad construction photograph album contains approximately 300 photographs taken by an unidentified railroad engineer showing construction projects on the White River Railway, Gordon & Fort Smith Railway, Wabash Southern Railraod, and the Chicago, Burlington & Quincy Railway in Northern Arkansas, southern Illinois, and Missouri.

The Railroad construction photograph album contains approximately 300 photographs taken by an unidentified railroad engineer showing construction projects on the White River Railway, Gordon & Fort Smith Railway, Wabash Southern Railraod, and the Chicago, Burlington & Quincy Railway in Northern Arkansas, southern Illinois, and Missouri.

The album (18.5 x 28 cm) has black cloth covers, and many of the photographs have manuscript captions. Photographs of interest include images of engineers' and contractors' camps on the Antoine River in Arkansas and the Big Muddy River near Zeigler, Illinois, including interiors and exteriors of tent offices and living quarters; work parties (one of which includes a Japanese man identified as "K. Okora") relaxing and eating in camp, using survey equipment, building concrete piers, operating grading machinery, unloading equipment, laying track, and repairing bridges and tunnels, including sections damaged by flooding. Also of note is a photograph labeled "G. M. Callaway on his speeder, 1907," showing a man riding a Fairbanks velocipede railroad handcar. Several family photographs are also present, showing the unidentified engineer who created the album and his wife in their tent "home" at Antoine River, Arkansas, and with their young child at home in Chicago. Additional photographs include street views from Carthage and Kansas City in Missouri as well as Chicago and Benton in Illinois. Also present are three images of Wabash Southern Railway maps that are affixed to the inside of the back cover.

Railroad employees identified in photographs include: R.C. Larimore, Geo. Gentry, J. F. Reidnaar, Ernest Cameron, K. Okora, Carlos Dunn, Don Bradley, Braun, Wherry, Humber, Guy Hardin, Jno. P. Sanderson, Dick Armstrong, H. W. Perstrup, Geo. N. Lampley, Roy Watson, W. R. Smith, H. Rohmer, S. L. Morrow, F. Hammond, and C. L. Moorman.

The Raymond family travel and portrait photograph album contains approximately 315 items (including photographic prints and illustrated postcards) related to the family, acquaintances, and travels of Francis J. Raymond, Jr., of St. Louis, Missouri.

The Raymond family travel and portrait photograph album contains approximately 315 items (including photographic prints and illustrated postcards) related to the family, acquaintances, and travels of Francis J. Raymond, Jr., of St. Louis, Missouri. The album (25 x 34 cm) has black cloth pages and is largely disbound. The majority of photographs have printed or typewritten captions. Many images are posed individual and group portraits of men, women, and children wearing fashionable clothing in a variety of settings, including on porches, patios, indoors, and beside trains. Several photographs appear to have been taken at the Antler Hotel in Colorado Springs, Colorado, over a number of years, including images taken of a children's party on the hotel lawn replete with a group of Native American performers wearing war bonnets and carrying drums. Francis Raymond, Jr., is also shown visiting Charles L. Raymond and family in Detroit, as well as the Keelyn family and other friends in Los Angeles and Riverside, California. Other images show a golf outing; numerous cats and other animals; attractions in Colorado Springs, including the Cheyenne Mountain Lodge; scenes from Hawaii, including colored commercial prints of Mt. Muana Loa and a portrait of "Phillip Abdul" playing a ukelele on a Honolulu beach; several photographic silhouettes; a beach scene at Northport Point, Michigan; and a cottage at Topinbee, Michigan. Laid in images include two photographs of children's parties in 1917 and 1919, and two family groups from the same period.

The Schlegelmilch family cottage photograph album contains 107 photographs related to the Schlegelmilch family vacation home on a wooded island or point (likely on a lake in Wisconsin) including views of natural scenery, Schlegelmilch family members and cottage guests, and various recreational activities taken during the late 1890s to 1920.

The Schlegelmilch family cottage photograph album contains 107 photographs related to the Schlegelmilch family vacation home on a wooded island or point (likely on a lake in Wisconsin) including views of natural scenery, Schlegelmilch family members and cottage guests, and various recreational activities taken during the late 1890s to 1920. The album (18 x 27 cm) is half bound in tan leather with four rivets along the edge. Images of interest include scenic views of the lake, cottage exterior, and surrounding forested area; views of cottage visitors boating, gathering on the veranda and indoors for meals, swimming, using rifles for target practice, fishing, picnicking, and taking part in outdoor excursions; a posed portrait of people holding musical instruments, a fishing net, and a megaphone; photographs of boats including small steamboats or lake ferries, a sailboat, and a large canoe holding 13 passengers; interior views of the cottage during winter; and two photographs of Native Americans including a family sitting outside of a wigwam shelter and a group portrait dated 1901 showing two people sitting in a wallpapered interior with a beaded bandolier bag hanging from the wall behind and a small animal pelt on the shelf.

Cottage visitors identified by handwritten captions include: Agnes Barland, Mable Welke, Isabel Rutherford, Gordon Barland, H. F. Schlegelmilch, L. Schlegelmilch, Jennie Dunnigan, and Lillian Dunnigan.

This photograph album contains pictures taken during trips to Arizona, California, Colorado, Minnesota, and Michigan around the turn of the 20th century. Subjects include Native American homes, dress, and customs; western scenery; and Midwestern waterfronts and steamships.

The Tourist photograph album (15 x 21 cm) contains approximately 245 pictures from around the Southwest and Midwest United States taken by an unknown photographer around the turn of the 20th century. Southwest photographs include mission churches in California and New Mexico, rock formations, cliff dwellings at Canyon de Chelly and Mesa Verde, Balanced Rock in the Garden of the Gods, and a pueblo. Several photographs feature Native Americans, including: women with traditional squash blossom hair styles; a man carrying a small child in a sling on his back; a woman in a shop with baskets, wool and dry goods; a woman seated in front of a loom with partially finished cloth; a man sitting in a white-washed interior with skeins of wool, holding a spindle with a hand carder at his feet. One photograph shows mummified human remains posed next to a bottle of whiskey and skull, indicating likely tomb desecration. Also included are unidentified Southwestern streets, beach scenes, and the storefront of J.M. Archuleta in Colorado. Midwest photos include images of the Palace of Fine Arts (Museum of Science and Industry) in Chicago, Mackinac Island, the Marquette Monument in St. Ignace, Soo Locks, and the Great Lakes steamer North Land, and a lake and cottage. The Grand Hotel on Mackinac Island and the SS Chief Wawatam are also pictured. Many photographs are significantly faded. Some manuscript captions are included.

The album includes two cyanotypes and a postcard with a cartoon satirizing the Brigham Young's polygamy.

The album has a half bound pebbled leather cover and is stored in a three-part wrap with brown cloth spine.

The Traveling photographers collection contains approximately 245 examples of photographs produced by various traveling photographers that operated in the United States primarily during the latter half of the 19th-century.

Works by approximately 145 different traveling photographers are present in this collection and include cartes de visite, cabinet cards, stereographs, tintypes, and a small number of larger format images. For many of these photographers there is only a single example of their work included in the collection. Locations of operation include a wide range of regions across the United States, with eastern states such as Pennsylvania being particularly well-represented. Most of these photographs are typical individual and group portraits of men, women, and children.

The collection has been divided into two volumes. Volume 1 contains cartes de visite and tintypes while Volume 2 contains cabinet cards, stereographs, and a few other images with larger mounts of varying sizes. Volume 1 also includes two clippings and one photocopied page from an article about traveling photographers written by Eaton S. Lothrop, Jr., for Popular Photography magazine as part of his "Time Exposure" column series.

• “Wm. Johnson” - taken by N. L. Stone (Vol 1)
• “F. W. Huling” - taken by C. S. Roshon’s Mammoth Union Photograph Car (Vol 1)
• “Jimmie McCool Taken in 1889” - taken by S. R. Miller’s Photograph Car (Vol 1)
• “J. B. [or J. R.?] Enders” - taken by A. J. Miller, Keystone Traveling Gallery (Vol 1)
• “Uncle John Grimes” - taken by H. F. Knoderer & Bro (Vol 1)
• “J. P. Seip & Bro” - taken by Josiah Knecht (Vol 1)
• “Angalina Seip” [Angelina Seip] - taken by Josiah Knecht (Vol 1)
• “Julie Hamlin” - taken by Huested Bros. (Vol 1)
• “Timo Moyer?” - taken by Geo. V. Knecht (Vol 1)
• “Sam Rhenis Martin” and “Probably Sam Rhenis Martin’s Wife” - taken by Callahan’s Traveling Gallery (Vol 1)
• “Mrs. R H Blodget 236 35th St. Denver Col. Formily Mary Neil” - taken by King & Co.’s Traveling Gallery (Vol 1)
• “[?] Adaline Temple” - taken by F. J. Aiken (Vol 1)
• “Presented to Mr. & Mrs. Silas Boyer” - taken by B. Breslow’s Empire Movable Photograph Gallery
• “C. H. Holmes May 2nd 1881” - taken by J. B. Silvis (Vol 1)
• “Lou House - Graham’s Baby” - taken by the Erik Borklund Photo Car (Vol 2)
• “Olive Woodward” - taken by A. Couturier (Vol 2)
• “Geo. H. Dunham” and “Fredd Harry Dunham” - taken by Currier & Parkinson (includes stamp depicting Landing of Columbus on verso) (Vol 2)
• “Will Duning of Dresden” - taken by F. M. Foster (Vol 2)
• “Pansy Lovewell” - taken by the Hutchings Rail-Road Photo-Car (Vol 2)
• “Jabez Willes brother of Julia Willes Thrall” - taken by F. L. Hale (Vol 2)
• “Charlie, Mary, & Bruce Blaney Claysville Washington Co Pa.” - taken by Gibson & Myres (Vol 2)
• “Mrs. James J. Connelly #10 McConnellsburg PA” - taken by S. R. Miller’s Photograph Car (it is unclear if this inscription is related to the couple depicted) (Vol 2)
• “Carrie and Mattie Ewan”- taken by the National Art Company’s Railroad Palace Photographic Studio (Vol 2)
• “George & Sarah Kistler” - taken by Rollow’s Art Car (Vol 2)
• “Leo Martin” and "Jim Martin" - both taken by the Pacific Photograph Car, Rockford, Washington (Vol 2)
• “Arron Smith Children” - taken by the Pacific Photograph Car, Rockford, Washington (Vol 2)
• “Miss. Kittie M. Newell July 22nd 1889” - taken by Abel J. Whalen’s Accommodation Photo. Car (Vol 2)
• “Will Schnegg” - taken by H. C. Williams’ Floating Gallery (Vol 2)
• “Jonas Heim” - taken by B. L. Wilson’s Traveling Gallery (“Christina Waltz Williamsport Pa.” likely a relative of the subject and former owner of the photograph) (Vol 2)
• “April 1891 - Maggie Austin April 1891. A. M. Austin 43. E. G. ‘ ‘ 43 Mag ‘ ‘ 14 Edd ‘ ‘ 18 May ‘ ‘ 21.” - taken by W. H. Yant (Vol 2)
• “Howard J. Martin about 1893” - taken by Boston and Albany R.R. Photo Car (Vol 2)
• “Wash’s Daughter Pearl” - taken by F. M. Steele (Vol 2)
• “The Boy Preacher, Age 14: John E. De Merritt” - taken by Winslow and Shobe (Vol 2)
• “Maurice (Moe?) Boynton Alice Price } 2nd buggy” - taken by Carson Bros (Vol 2)
• “Mrs. J. C. Boxley” - taken by Newton & Sprague Photo Car (Vol 2)

Other items of interest include 14 tintypes including a group portrait taken at the Algonquin Bon Ton Tent by W. H. Pearce and a miniature tintype produced by Douglass’ Travelling Car (Vol 1); several photographs with revenue stamps; and 10 cartes de visite by C. G. Blatt, including three items containing humorous poetry in their backstamps (Vol 1); a stereograph view of "the old Block House at Annapolis Royal" by the Palace R.R. Photograph Car Co. (Vol 2); a stereograph view of Bridgewater, Vermont (Vol 2); a stereograph view of the "Steam Packet 'Minnesota' at Hastings [Minnesota] (Vol 2); a portrait of a pet pug taken by Will. H. McMillan, R. R. Palace Photo Car that bears an inscribed caption reading: “For my dear ‘Missis’ from her Devoted ‘Brownie’” (Vol 2); a group portrait of a man and women taken by Keil & Matula with an inscribed caption reading “Czechlovakia Couple Fayetteville, TX” (Vol 2); several portraits of children that appear to show hidden mothers in the background; two studio portraits of unidentified individuals produced by Civil War veteran turned photographer Capt. J. B. Shane (Vol 2); a number of photographs that appear to be copies of earlier images, including a portrait of a man produced by the Hutchings Railroad Photo Car bearing an inscribed caption reading: “Copied from original” (Vol 2); and a possible self portrait of photographer Abel J. Whalen on a mount stamped "Whalen's 'Accommodation' Photo. Car."

The following lists contain names of photographers represented in the collection as well as the total number of images included for each photographer:

• F. J. Aiken [2 images]
• Aldhizer & Eutsler [2 images]
• Atkinson’s Photographic Railroad Gallery [1 image]
• L. K. Bair [1 image]
• B. Billian [1 image]
• C. G. Blatt [10 images]
• A. F. Bonine [1 image]
• E. A. Bonine [2 images]
• J. K. Bottorf [1 image]
• Bowdish's Traveling Gallery [1 image]
• B. Breslow’s Empire Movable Photograph Gallery [2 images]
• Brown & Huard [1 image]
• Burchfield & Bottorf [1 image]
• J. Bushong [1 image]
• Callahan’s Travelling Gallery [3 images]
• H. P. Carnes [1 image]
• Coggeshall’s Excelsior Photographic Car (John Ingersoll Coggeshall) [2 images]
• G. W. Dibert [1 image]
• W. A. Dietrich [4 images]
• Doran's Photographic Car [1 image]
• Dougherty (Mammoth wagon) [2 images]
• Dougherty & Cope (Mammoth wagon; J. L. Cope) [3 images]
• J. W. Fothergill's Mammoth Photograph Car [1 image]
• F. Z. Fritz [2 images]
• William R. Godkin [1 image]
• M. C. Goodell [4 images]
• William Griffin [2 images]
• Harry Gurlitz’s Photograph Car [1 image]
• W. H. Heiss [2 images]
• J. J. Hodge [2 images]
• J. M. Horning & Co. [2 images]
• Huested Bros. [1 image]
• Johnson & Sullivan’s Portable Railroad Gallery [1 image]
• King & Co.’s Traveling Gallery [1 image]
• George V. Knecht [5 images]
• Josiah Knecht [8 images]
• H. F. Knoderer & Bro. [1 image]
• C. L. Leonard [3 images]
• J. Loveridge [1 image]
• C. D. Luccock [1 image]
• J. H. McGowan (U.P.R.R. Photographic Car) [1 image]
• A. J. Miller [1 image]
• S. R. Miller's Photograph Car [2 images]
• William Nick [3 images]
• Nick & Knecht [2 images]
• E. W. Peirce (The Railroad Photograph Coach) [1 image]
• Lewis P. Peter [7 images]
• Peter & Kresge [1 image]
• Peters & Brother [1 image]
• F. B. Pine's Floating Photographic Studio, of the St. John's River, Fla. [1 image]
• S. Place [1 image]
• Portable Picture Palace [1 image]
• G. M. Primrose [2 images]
• W. H. Rector [4 images]
• C. S. Roshon (Mammoth Union photograph car) [1 image]
• J. B. Silvis (U.P.R.R. Photographic Car) [2 images]
• C. H. Sisson [1 image]
• C. M. Stark [1 image]
• N. L. Stone [1 image]
• A. Stoppel [1 image]
• Tucker & Powell [1 image]
• W. A. Vale [1 image]
• M. C. Vance [1 image]
• D. S. Von Nieda [1 image]
• Horace L. Webber [1 image]
• West & Lewis (Travelling photographers) [1 image]
• Whalen's Portable Art Gallery (Abel J. Whalen) [1 image]
• L. H. Whitson (Professor L. H. Whitson's Rail Road Photographic Car) [1 image]

• Bishop's Portable Photograph Gallery [1 image]
• J. Davidson [1 image]
• Doolittle & Humphrey's Tintype and Ferrotype Car [1 image]
• Dougherty & Cope (Mammoth wagon; J. L. Cope) [1 image]
• Douglass’ Traveling Car [2 images]
• Paul’s Mammoth Travelling Photograph and Ferro-type Car [1 image]
• W. H. Pearce (The Algonquian Bon Ton Tent) [1 image]
• E. B. Squier [2 images]
• A. D. Terhune [1 image]
• Williams & Dodge’s Photograph Cars [2 images]
• C. C. Williams [1 image]

• Antoinette Palace Railroad Photo Car (Studio Antoinette) [2 images]
• Blocker Palace Art Studio and Traveling Cottage Gallery [1 image]
• Erik Borklund [1 image]
• Boston and Albany R. R. Photo Car [2 images]
• W. A. Bradley [1 image]
• P. L. Britain (Palace R. R. Photo Car.) [1 image]
• Clark’s Portable Gallery [1 image]
• J. P. Coffey, Photo. Car. (J. N. Bayles) [1 image]
• A. Couturier [2 images]
• James H. Crockwell [1 image]
• Currier & Parkinson [1 image]
• J. W. Dalrymple [1 image]
• Drum Rail Road Photo Car (Oscar Drum) [1 image]
• Elite R. R. Photo Co. [1 image]
• Fallman Parlor Photo Car [3 images]
• F. M. Foster [1 image]
• Gibson & Myres, Traveling Photographers [1 image]
• F. L. Hale [2 images]
• F. J. Haynes [3 images]
• T. E. Hays [1 image]
• Howell (Prairie Queen Gallery - Temple, Tex.) [1 image]
• Hutchings Bros. Railroad Photo. Car [1 image]
• Hutchings Rail-Road Photo-Car [3 images]
• K. C. Photo Car [1 image]
• Keil & Matula, Traveling Photographers [1 image]
• Keystone Portable Gallery [1 image]
• Lyden & Bellinger [1 image]
• Malloy (20th Ave. No. & Wash. Minneapolis) [1 image]
• William H. McMillan [1 image]
• J. W. Merideth [1 image]
• S. R. Miller [3 images]
• National Art Company’s Railroad Palace Photographic Studio [1 image]
• Newton & Sprague Photo Car. [1 image]
• Nowack Bros. Floating Gallery [1 image]
• Pacific Photograph Car [4 images]
• Palace R.R. Photograph Studio [1 image]
• Lewis DeArcy Rollow (Rollow’s Art Car) [2 images]
• J. B. Shane [2 images]
• Showman & Joy’s Palace Cars [1 image]
• Smith Brothers [1 image]
• C. H. South [1 image]
• F. M. Steele [1 image]
• The K. C. Art Chariot [1 image]
• The Stuart Queen City Photo Co's. Great Australian Route, Car No. 12 [4 images]
• The Traveling Art Company [1 image]
• M. F. Timmerman (East Tenn. Photo Car) [1 image]
• Tooley & Grigsby (The Monarch Traveling Photographers) [1 image]
• Turner & Johnson [1 image]
• N. A. Watkins [1 image]
• Welsh & Harlow [1 image]
• West & Lewis (Travelling photographers)
• Whalen's "Accommodation" Photo. Car. (Abel J. Whalen) [2 images]
• H. C. Williams (Williams' Floating Gallery) [1 image]
• B. L. Wilson's Traveling Gallery [1 image]
• Wilson's Railroad Photo Car. (B. L. Wilson) [1 image]
• Winslow and Shobe [1 image]
• Wolfe & Peiffer (Keystone Traveling Photo Studio) [2 images]
• W. H. Yant [1 image]
• Young, Portrait Artist (Boston Portrait Car) [1 image]

• T. A. Aldrich [1 image]
• Coggeshall’s Excelsior Photographic Car (John Ingersoll Coggeshall) [2 images]
• Mrs. Emma A. Cooke's Traveling Photo. Pavillion (Emma A. Cooke and W. A. Cooke) [1 image]
• J. P. Doremus [1 image]
• H. H. H. Langill [1 image]
• Palace R. R. Photograph Car Co. [1 image]
• F. B. Pine's Floating Photographic Studio, of the St. John's River, Fla. [1 image]
• W. E. Warren's Portable Photograph House [2 images]

• J. A. Bellinger [1 image]
• Carson Bros. [1 image]
• Newton & Sprague Photo Car. [1 image]
• D. R. White [1 image]