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Collection

European Grand Tour journal, 1818-1819

1 volume

The European Grand Tour journal recounts the experiences of two wealthy British travelers as they journeyed through France, Switzerland, and Italy throughout the second half of 1818.

The European Grand Tour journal (approximately 75 pages) recounts the experiences of two wealthy British travelers as they journeyed through France, Switzerland, and Italy throughout the second half of 1818. The author, a man named Moore, detailed the pair's itinerary and gave an extensive account of sightseeing, paying particular attention to the churches and cathedrals of France and to Italian art collections; his companion, Richard, often attended social functions and was introduced at court in Paris. Additionally, the writer frequently provided background information on the different locales he visited, and occasionally mentioned events from the recent Napoleonic wars, particularly during a visit to a French battlefield. In Switzerland, the travelers took an interest in local customs, including schooling and clothing -- in the August 22 letters, the diarist drew a sketch of a Swiss dress. After the travelers reached Italy, they focused more frequently on fine art, and the volume includes lists of the prominent art holdings in several palaces; it also notes visits to Da Vinci's The Last Supper in Milan and to the "Mona Elisa" in the "Nicoli Palace." The final entry was made on December 15, 1818, just after the author and his companion arrived in Rome.

The last section contains charts showing the value of German and French money for 1819, as well as several listings of German tariffs. Enclosures include a German hotel receipt addressed to "Grosvenor & Moore," other financial accounts, and several hotel advertisements. Several pages between late September and early October are blank, but enclosed notes cover that time period.

Collection

Louis G. Monté collection, 1899, 1907 (majority within 1899)

2 volumes

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.