Collections

Detroit, Michigan physician and member of the University of Michigan Board of Regents, 1946-1961. Reports, correspondence, and agendas of meetings of the Board of Regents, the Workers Education Service, the American College of Surgeons and World War II; and photographs.

Charles Stuart Kennedy papers consist of reports, correspondence, and agendas of meetings of the Board of Regents, the Workers Education Service, the American College of Surgeons and World War II; and photographs. The collection is comprised of three series: Board of Regents, Personal Materials, and Taiwan Material.

Physician of Ann Arbor, Michigan. Teed family portrait album, ca. 1890; color slides of U.S. military base, airplanes, people, and activities in the Mariana Islands during World War II, especially on the Island of Tinian; and scrapbook documenting Teed's military service.

The Reed collection consists mainly of colored slides taken during his service in the Pacific Theatre during World War II. The slides are of different sites, though many of them are of Tinian, especially military facilities, battle damage, recreational interludes, and groups of individual. There is also a scrapbook from the period of his wartime service.

Ann Arbor, Michigan, family. Correspondence, other papers and photographs of Arthur Brown, Ann Arbor attorney and mayor, and officer and director of the Washtenaw Abstract Company; also papers of his wife, Cora Pulcipher Brown, largely concerning work with Americanism Committee of the Daughters of the American Revolution during World War II.

The Brown family collection is unfortunately a fragment of materials with very few of the papers created by either Arthur or Cora Brown surviving. What remains relate almost exclusively to the legal career of Arthur Brown, in particular to his service to various persons as a collector of bad debts, and to Cora Brown's work with the Americanism Committee of the Daughters of the American Revolution during World War II.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The album (36.5 x 28 cm) has string-bound brown covers with the words "Scrap Book" and a depiction of a boy and girl wearing wooden clogs embossed on the front; the covers and pages are in poor condition. The structure of the album is roughly chronological, with material from the 1920s appearing towards the beginning and material from the 1940s appearing towards the end. However, candid snapshots and studio portraits made in Milwaukee, Wisconsin, in the early 1930s are scattered throughout and mixed in with photos from other periods. At least one page includes dated photos from the early 1930s and late 1940s that appear side by side. Certain names and people reappear often, but exactly how they relate to one another is not entirely clear. Many photographs document people drinking as well as posing in a humorous manner.

Photographer Russell Clifford Shaul appears to have been the compiler of this album. Shaul’s name appears on numerous images as the credited photographer, including portraits taken in Milwaukee in the early 1930s and a Chicago cityscape view from the mid-1940s. Several photos are also inscribed with messages to “Russell,” while snapshots arranged on a page captioned “The Shauls” show him and his third wife Sarah visiting various U. S. tourist destinations between 1944 and 1949. At some point during the 1930s it appears that Shaul relocated from Milwaukee to Chicago and set up a new photography business. Several pages in the album suggest that Shaul and his colleagues practiced door-to-door operations.

Two pages document a man’s World War II service. He is pictured driving a Jeep and wearing a uniform bearing an “Official U.S. War Photographer” patch, training on a shooting range, interacting with people on the streets “In India,” and taking photographs with both still and motion picture cameras. This man appears throughout the album (identified elsewhere as “Carl”), including in the earliest Milwaukee shots in 1927. He may have been Shaul’s friend and/or business partner.

Items placed toward the end of the album include some scrapbook materials including letterheads advertising a company called Chicago Thrill Tours and Chicago-based radio host called “The Nitehawk,” as well as business cards identifying a fellow photographer in Chicago named Charles Lonk and a trailer park in Eau Gallie, Florida.

In addition to the album there is also an envelope containing several loose photographs and ephemeral items including portraits of various people and groups; pictures of people drinking at bars; photographs of the man elsewhere identified as Carl drinking at a Milwaukee bar in 1927 as well as posing in a bathtub while another man bathes him; an image of a photo supply storefront with a cutout of an unidentified man pasted over the front door (possibly shop owner I. Dobkin); photography-related clippings; aerial images of Baton Rouge, Louisiana, taken in 1938; and a portrait by Acme Newspictures of a man in the radio studio of “The Nitehawk - WBBM” captioned “J. W. Clark.” Also present is an enveloped typed letter signed by “The Nitehawk” written to Shaul in 1948 asking him to be on the lookout for early copies of Reader’s Digest.

Research papers, 1967-1979, of students in journalism at the University of Michigan; contain essays relating to the history of Michigan newspapers and journalists, and the development of radio and television broadcasting; include papers concerning newspapers in Adrian, Ann Arbor, Detroit, and Grand Rapids, and the journalistic efforts of Father Charles Coughlin, Henry Ford, and Gerald L. K. Smith.

The Department of Journalism research papers collection measures 2 linear feet and consists solely of student research papers written between 1967 and 1979. The papers contain essays written regarding the history of various newspapers -- many in Michigan cities such as Adrian, Ann Arbor, Detroit and Grand Rapids; journalists and the journalistic efforts of individuals such as Father Charles Coughlin, Henry Ford, and Gerald L.K. Smith; and the development of radio and television broadcasting.

The surviving administrative records of the Department of Journalism were retained by its successor unit, the Department of Communication, and can be found in that department's records.

Papers include correspondence, diary, clippings, and photographs relating to his experience as a prisoner; correspondence relating to his Purple Heart award and the Prisoner of War medal. Also included a memoir by Sidney Esensten about his experience as an American P.O.W. during the Korean War.

Visual materials include photos relating to his experience as a prisoner; videotape entitled "P.O.W.--Americans in Enemy Hands" (1986), which includes interview with Fletcher; videotape of 1990 presentation by Fletcher and three Tuskegee Airmen, African American World War II aviators, describing their military experiences, and an undated videotape "Priority: P.O.W."

Grand Rapids, Michigan manufacturing company executive, astronomer. Technical correspondence, 1949-1992, relating to astronomical studies, particularly concerning the moon; correspondence, 1980-1981, used in preparation of his book, "The deadly fuze: a secret weapon of World War II;" speeches on astronomical subjects and pertaining to his interest in product liability reform; and unpublished autobiography.

The Baldwin collection consists of general correspondence and technical correspondence relating to astronomical topics and to the publication of his book The Deadly Fuze. There are also speeches, biographical and autobiographical material, and various materials relating to the proximity fuze. The collection largely consists of photocopies of original materials.

Owen J. Cleary was an attorney, president of Cleary College in Ypsilanti (1940-1960), Michigan secretary of state (1953-1954), and chairman of the Republican State Central Committee (1949-1953). The collection includes correspondence, scrapbooks and clippings, organizational files, and Republican Party files.

The collection documents the later period of Cleary's life, mainly from 1945 to 1959. The series include Correspondence; Scrapbooks and clippings; Organizational interests; and Political files.

The great bulk of the collection consists of correspondence dated from 1945 to 1959 and documenting his work as Republican State chairman (1949-1953), his tenure as Michigan secretary of state (1953-1954), and his various other civic, political, and business involvements. There is included with this finding aid a selective index to Cleary's correspondents.

This collection is made up of letters that Private First Class Edgar Denton of La Grande, Oregon, wrote to his friends Frank and Murdle Smith while serving with the United States Army during World War II. Denton discussed his enthusiasm for rifle and machine gun training and concern for his wife and children.

This collection is made up of 4 letters that Private First Class Edgar Denton wrote to his friends Frank and Murdle Smith of Summerville, Oregon, while serving with the United States Army during World War II. He wrote his first two letters from Camp Hood, Texas, and Fort George G. Meade, Maryland, while training for combat and awaiting deployment to Europe. He discussed his enthusiasm for rifle and machine gun training, commented on his correspondence with his wife Peggy, and requested news of mutual acquaintances in Oregon. Writing from Europe in late 1944 and early 1945, Denton expressed his belief that the war would soon end and referred to his hospitalization in England after suffering wounds in the hip and back.

Graflex Sees the War contains a series of 19 mounted gelatin silver prints taken by Allied military photographers in the European and Pacific theaters during World War II.

Graflex Sees the War contains a series of 19 mounted gelatin silver prints taken by Allied military photographers in the European and Pacific theaters during World War II. This collection consists of 19 gelatin silver prints from the fourth edition of the series in their original shipping container (43 x 53.5 cm). The mailing label on the reinforced cardboard container is addressed to the manager of the Rio Theater in Hammond, Indiana. The majority of the photographs depict scenes from the Pacific theater, yet there are images from France as well. All photographs appear to have been taken in 1944. Credit for most photographs is limited to the service branch that provided them, but three items credit individual photographers by name: Cpl. Angus Robertson, Sgt. Ferman H. Dixon, and Sgt. R. B. Opper. Every credit line also includes the phrase "Graflex-made."

Titles, photo credits, and descriptions of images in order of appearance are as follows: "Two Down, Beachhead to Go, Saipan" (U.S. Coast Guard) -- soldiers under fire advancing along a beach; "Shells Away--Guam" (U.S. Navy) -- battleship firing toward shore; "Plane to Pack Train--Burma" (U.S. Army Signal Corps) -- soldiers walking with mule train, transport planes on runway in background; "U.S.-equipped Free French Troops" (U.S. Army Signal Corps) -- soldiers firing from rocky ridge; "Mam'selle 'Welcomes' Nazi Prisoner" (U.S. Navy) -- woman kicking man in city street as crowd looks on; "Hide and Seek with Death, Saipan" (U.S. Marine Corps by Cpl. Angus Robertson) -- soldiers crouching behind tank; "Biak Bound" (U.S. Coast Guard) -- deck of transport ship with convoy in background; "Victory Symbols--Past and Present" (U.S. Army Signal Corps) -- French village square showing World War I monument and advancing American tank; "105mm Howitzers In Action, Guam" (U.S. Marine Corps) -- soldiers and artillery in tropical landscape; "Channel Transfer of Invasion Wounded" (U.S. Coast Guard) -- wounded soldiers (likely injured during the invasion of Saipan) on stretchers on boat deck; "Flame, Camera, Action--Guam" (U.S. Marine Corps) -- soldiers patrolling in battle-scarred jungle; "Alligators Attacking Peleliu" (U.S. Navy) -- fleet of amphibious landing craft; "House to House Fighting--St. Malo" (U.S. Army Signal Corps) -- American soldiers under fire in French village street; "Earmarked for Guam" (U.S. Navy) - ship deck lined with large artillery shells; "Beachhead Altar, Saipan (U.S. Marine Corps by Sgt. Ferman H. Dixon) -- priest in front of makeshift altar on hood of wrecked tank; "Pause for Prayer" (U.S. Army Signal Corps) -- soldiers with rifles sitting in cathedral; civilians praying at altar; "War is H---" (U.S. Coast Guard) -- four sailors showing haircuts that spell out "H-E-L-L"; "Thar She Blows, Saipan" (U.S. Marine Corps by Sgt. R. B. Opper) -- artillery shell exploding close behind two soldiers on battlefield.