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This collection is primarily made up of photographs, periodicals and clippings, and ephemera related to World War I. The materials pertain to the occupation of France and Belgium, peace efforts, and the American-British-French-Belgian Permanent Blind Relief War Fund, among other subjects.

This collection is primarily made up of photographs, periodicals and clippings, and ephemera related to World War I. The Photographs consist of 422 prints and 240 negatives; a few of the prints are duplicates, and some images are represented by both prints and negatives. Most of the personal photographs were taken in numerous locales in France between 1916 and 1919, often showing rubble and destruction, camouflaged outposts, healthy and wounded Allied soldiers, nurses, medical automobiles and other scenes directly related to the war. Some items feature artillery pieces, dugouts or bunkers, warships, and the front lines; one shows an artillery explosion. German-language signage is visible in a few photographs, as are German and Allied cemeteries and grave markers. One group of images relates to the victory parade held after Woodrow Wilson's arrival in Paris in 1918. Views of French churches, chateaux, and towns are also present. Some of the personal photographs from the war period are informal portraits of French men and women, including a group of girls with large Alsatian hair bows.

The collection contains some commercial photographs, with captions written directly on the negatives. These include views of dead soldiers, artillery pieces, and a picture of a French tank division heading into battle. One captures the explosion of a German mine in Cambria, and one features Ferdinand Foch and John J. Pershing.

Other groups of photographs date from before the war. A group of photographs taken in Albany in 1909 includes a view of the Emma Willard School. One group of prints is comprised of views of Ely Cathedral and the various colleges of the University of Cambridge. Another set concerns a trip to Mexico, particularly Oaxaca and Mitla. These pictures feature natives in local dress (often carrying large loads), an outdoor produce market, and horse- or mule-drawn vehicles.

The Ephemera series includes 5 empty albums once used to house some of the photographic negatives in the collection, including captions. Two empty photograph envelopes are housed with the photographs, as are a Kodak exposure guide, a manual for the No. 0 Graphic Camera, and a number of loose articles laid into the cover of an issue of Kodakery. A group of 19 large broadsides and notices includes items in English, French, and German. Many of these are the German army's posted notices to residents of occupied towns in France and Belgium, which list rules and regulations related to curfews, "voluntary" work, and other aspects of daily life. One lists methods for picking nettles and offers rewards for residents who provide them, one warns against alcohol use, and one contains news about the Germans' progress toward Paris. Also included are three advertisements for French war bonds, a sign encouraging viewers to "Help Re-chickenize Devastated France," and a sign for an Army telephone station.

One group of items pertains to theAmerican-British-French-Belgian Permanent Blind Relief War Fund. This series includes a printed appeals by Helen Keller and the association's leadership, a pamphlet highlighting the organization's work, and reports by numerous organizations seeking to provide relief for blinded soldiers. Items printed in Braille include a list of rules for the Blinded Soldiers' and Sailors' Hostel in London, alphabet cards, a book with raised illustrations of several animals and parts of the human body, and several other items printed only in Braille.

The collection also includes a large number of Periodicals and Printed Items , including complete issues of and extracts from American magazines such as Vogue, the Illustrated London News, Dress & Vanity Fair, and The Red Cross Magazine; French publications such as L'Illustration, La Baionnette, and Les Arts Français; and the Austrian magazine Kikeriki. Many of these include photographs or other illustrations of winter recreational activities and World War I-era soldiers. Newspaper clippings often refer to the progress of World War I and to the peace process; one clipping pertains to the relationship between Calvin Coolidge and Herbert Hoover in 1932. Other printed materials concern Germany's justifications for going to war, the German and Allied delegations' responses to the first draft of the Treaty of Versailles, and the capture of German artillery ("I have captured a boche Machine gun... what can I do with it?"). Other items include a musical score for a Girl Scout song entitled "Onward," French ration tickets, and a hand-colored lithograph by Marcel Jeanjean showing several French soldiers carrying logs across a battle-scarred landscape while smoke rises in the distance.

This collection contains 24 letters, 18 postcards, and 1 greeting card that Private First Class Thomas Knowles of New Bedford, Massachusetts, sent to Ruth Blaisdell of Waltham, Massachusetts, while he served with the American Expeditionary Forces in Europe during and just after World War I. Knowles described his experiences while serving at the front with the 101st Engineer Regiment, while recuperating from an injury, and while traveling in France, Luxembourg, and Germany with a military unit attached to a press corps.

This collection contains 24 letters, 18 postcards, and 1 greeting card that Private First Class Thomas Knowles of New Bedford, Massachusetts, sent to Ruth Blaisdell of Waltham, Massachusetts, while he served with the American Expeditionary Forces in Europe during and just after World War I. Knowles described his experiences while serving at the front with the 101st Engineer Regiment, while recuperating from an injury, and while traveling in France, Luxembourg, and Germany after the war with a military unit attached to a press corps.

Knowles wrote one letter to Blaisdell from Boston, Massachusetts, in September 1917, while awaiting his deployment overseas; an undated letter recounts his journey from England to France. He sent his first letter from France on October 25, 1917. He discussed his quarters and the food in France, and described his experiences, including active combat, while serving with Company C of the 101st Engineer Regiment. Knowles commented on his difficulty sleeping during his time in the trenches, and described the events that had led to his hospitalization; he received treatment for a leg wound and gas exposure (June 5, 1918). After spending time at a hospital and a recuperation camp, where he commented on the good treatment that he received, Knowles was assigned to an army unit that accompanied newspaper correspondents.

In his later letters, most of which date after the armistice, Knowles wrote about his travels in France, Luxembourg, and Germany with press corps "section G 2-D." The collection also includes 18 postcards depicting cathedrals, streets, and other scenes from his post-armistice experiences, occasionally with his brief comments or personal notes, as well as 1 German-language New Year's greeting card.

This collection is made up of 51 items related to Private Victor J. Harles, who served in France with the United States Army's 350th Infantry Regiment during World War I. Harles sent 47 letters and postcards to his parents and sister in Clayton, Missouri, while in training at Fort Dodge, Iowa, and while serving in France and Germany between August 1918 and May 1919. He described his training exercises, aspects of military life, and the towns he visited in France during and after the war. Also included are 2 pre-enlistment letters and 2 pieces of ephemera.

This collection is made up of 51 items related to Private Victor J. Harles, who served in France with the United States Army's 350th Infantry Regiment during World War I. Harles sent 47 letters and postcards to his parents and sister in Clayton, Missouri, while in training at Fort Dodge, Iowa, and while serving in France and Germany between August 1918 and May 1919. He described his training exercises, aspects of military life, and towns he visited in France during and after the war. Also included are 2 pre-enlistment letters and 2 pieces of ephemera.

Harles wrote 13 letters from Camp Dodge, Iowa, between May and August 1918, and 2 while awaiting deployment from Camp Upton, New York, in early August. He discussed many aspects of military life, such as the food; leisure activities; his influenza inoculation (with a small drawing of the mark it left on his arm, June 16, 1918, and June 19, 1918); and training exercises, including rifle practice and anti-gas maneuvers (July 3, 1918). On July 7, 1918, he mentioned having seen three African American men hanged for an assault on a young woman. Once he received his assignment to the signal corps, Harles took classes in telegraphic systems and described the work of the corps. He also encouraged his family to look after his fiancée, "Lil," while he served abroad, and composed 1 letter while en route to Europe.

Victor Harles sent 17 letters, 13 postcards, and 1 Christmas card from France and Germany to his family in Missouri, writing primarily about his surroundings and war news. He reported seeing foreign allied soldiers and German prisoners of war, drew maps for his regiment's signal corps, and commented on the small French villages in which the 350th Regiment stayed during most of its active service. Harles had some knowledge of the French language, attained through his immigrant grandmother, and could interact with the locals. He described local customs and gave his impressions of the town's buildings. Although he arrived in Europe shortly before the armistice, he reported that his unit had participated in battle. His letters also include a brief comparison between occupied Germany and wartime France (May 5, 1919) and signal his intent to break off his engagement (May 17, 1919).

After the war, Harles traveled around France and to Coblenz, Germany, as a theater painter with the 88th Division "Show Troupe." He spent some additional time in Paris before returning to the United States onboard the Pocahontas in late May 1919. Three printed and partially printed postcards provided his family with news of his arrival in France, a new mailing address, and news of his return to the United States on June 1, 1919.

The collection's visual materials include printed postcards, an illustrated Christmas card, and 3 photographs of Victor Harles. Two photographs are enclosed in his letter of February 25, 1919, and the third is attached to his passport, also present in the collection. The postcards depict scenes from Paris, other French cities, and Coblenz, Germany. Additional material includes 2 early letters Victor wrote about life as an artist in Norway, Maine (June 13 and 30, 1916), and a metal identification tag for "M. J. Schreibert." One postcard postmarked 1908 depicts a Papago Native American woman filling a pot.

This collection is made up of correspondence, military documents, photographs, printed items, and ephemera related to Dr. William Jason Mixter, who served in the United States Army during World War I, and his wife Dorothy.

This collection is made up of correspondence, military documents, photographs, printed items, and ephemera related to Dr. William Jason Mixter, who served in the United States Army during World War I, and his wife Dorothy.

The Correspondence series (1.75 linear feet) comprises the bulk of the collection. The first group of correspondence is made up of 48 letters and postcards that William Jason Mixter sent to his wife Dorothy from March 9, 1915-May 21, 1915. He described his voyage to Europe, his brief stay in England, and his experiences working in French hospitals near the war front. His letters include details about his work with specific patients, comments about the sinking of the Lusitania, and other war news.

William Jason and Dorothy Mixter wrote most of the remaining correspondence to each other between May 1917 and April 1918, while William served with Base Hospital No. 6 in France and Base Hospital No. 204 in Hursley, England. He shared anecdotes about his experiences and reported on his medical work. Dorothy provided news of their children and life in Woods Hole, Massachusetts. Their correspondence includes letters, telegrams, and postcards. Other writers include Samuel J. Mixter, Jason's father, who wrote from Boston, Massachusetts, about his daily life and about his work as a medical inspector. Other soldiers, former patients, and acquaintances also wrote to members of the Mixter family.

The collection includes 25 picture postcards depicting French scenes during and after the war; 3 are integrated into the Correspondence series, and the remaining 22 are housed with the Printed Items and Ephemera series.

The Military Papers series is divided into three subseries. Chronological Military Papers (51 items) include memorandums, orders, letters, telegrams, and other items pertaining to William Jason Mixter's military service during World War I, particularly related to his discharge in 1919. The subseries contains a list of personnel who served at Base Hospital No. 6. The Account Book, Diagnosis Book, and Notebooks subseries (4 items) consists of William Jason Mixter's account book from the London City & Midland Bank (June 30, 1918-January 15, 1919), a diagnosis book regarding soldiers' complaints onboard the SS Northland from February 11, 1919-February 17, 1919, and a notebook with brief personal memoranda. William Jason Mixter kept a medical notebook during his time at Hursley Camp Hospital near Winchester, England. He recorded biographical and medical information about his patients, and information about medical treatments. The Hursley Camp Hospital volume enclosed numerous clinical record slips and other manuscript notes.

The American Women's War Hospital Documents (3 items), pertaining to an institution in Paignton, England, are comprised of a photograph of nurses and patients outside of the hospital (December 1914) and two bundles of letter typescripts that a nurse named Mary Dexter wrote to her mother about her work at the hospital (November 22, 1914-January 9, 1915, and January 15, 1915-July 16, [1915]).

The Writings series (10 items) contains 9 typed and manuscript poems, mostly related to American soldiers' experiences during World War I, on topics such as volunteering for the army, traveling overseas, and encountering death. The poems "The Americans" and "Only a Volunteer" are present in manuscript and typescript form, and "The Young Dead" and "The Woman's Burden" are attributed to female authors (Lilian Palmer Powers and Laura E. Richards, respectively). The final item is a typescript of a resolution presented at a social club encouraging its members to proclaim loyalty during the war.

The Photographs series (114 items) is comprised of 113 photographic prints and a 32-page photograph album; some images are repeated. Items include studio portraits of William Jason Mixter in uniform; group portraits of nurses, doctors, and other medical personnel; pictures of wounded and convalescent soldiers during and after operations; interior views of medical facilities; and views of buildings and destruction in France. The photograph album and 80 loose items are housed in the Graphics Division (see Alternate Locations for more information).

The Printed Items and Ephemera series (59 items) consists of 3 unique pamphlets; 18 unique newspapers, newsletters, and newspaper clippings; 28 unique ephemeral items; and 4 books.

The pamphlets include 5 copies of an article by William Jason Mixter entitled "Surgical Experiences in France," originally published in the Boston Medical and Surgical Journal 173.12 (September 16, 1915), pp. 413-418. The other pamphlets are an advertisement for an "Exhibition and Sale of the War Cartoons by Louis Raemaekers" (October 1916), including an introduction and small reproductions of the drawings, and "Welcome Home," a book commemorating the return of the 26th Division in April 1919. Newspaper articles and other publications (including 6 items housed in Oversize Manuscripts) pertain to aspects of the war, particularly concerning medical personnel, civilian relief organizations, and the medical career of Samuel J. Mixter. A copy of The Boston Herald dated November 11, 1918, announces the Armistice.

The 28 ephemeral items include programs and advertising cards pertaining to church services held in honor of Base Hospital No. 6; the collection includes several copies each of 2 programs. Other printed items include a small map of Cambridge and Boston, a circular related to the Boston Society of Psychiatry and Neurology, and a book of stationery with engravings of Belgian scenes. A few personal items relate to the Mixter family, such as visiting cards on which William Jason Mixter wrote personal messages, cards from Mixter's children with sewn pictures, a certificate regarding Dorothy Mixter's service with the American Red Cross canteen, and a small French-language almanac affixed to a card with colored illustrations of the Allied Nations' flags. Three additional items pertain directly to the American Red Cross: the cover of the December 1918 issue of The Red Cross Magazine, a Red Cross service flag for display in a home window, and an American Red Cross canteen worker patch. Other insignia items are a button and ribbon commemorating the 26th Division's return to the United States and two small pins that belonged to William Jason Mixter. Also present is William Jason Mixter's passport, issued on February 6, 1915.

The 4 books include: The History of U.S. Army Base Hospital No. 6 (Boston, Mass.: 1924), given to William Jason Mixter, Jr., by his father; Independence Day in London, 1918 (London: Hodder and Stoughton, 1918); The Old Humanities and the New Science... (London: J. Murray, 1919); and Dere Mable: Love Letters of a Rookie (New York: Frederick A. Stokes Co., 1918).