Collections : [University of Michigan William L. Clements Library]

The Stanley D. Carpenter correspondence consists of letters that Carpenter wrote to his mother and grandmother while serving with the United States Marine Corps during the First World War. He described his experiences while training at the Quantico Marine Corps Base in Virginia and discussed conditions in the trenches in France. The collection also has 4 lists of items sent to Carpenter during his military service.

This collection consists of 60 letters and 2 postcards that Stanley D. Carpenter wrote to his mother and grandmother while serving with the United States Marine Corps during the First World War. The collection also has 4 lists of items sent to Carpenter during his military service.

Carpenter first wrote home from Port Royal, South Carolina, on February 21, 1917, to report his 4-year enlistment, and he regularly corresponded with his mother throughout his time in the military. His early letters reveal his enthusiasm for military life and describe several aspects of his training, including his daily routine and his uniform and equipment allotments, at marine corps bases at Parris Island, South Carolina; Portsmouth, Virginia; and Quantico, Virginia. Several of his letters have enclosures, such as two pieces of palm for Palm Sunday (March 11, 1917); a color print of a soldier, labeled to illustrate Carpenter's equipment (March 15, 1917); a printed copy of the Marines' Hymn (May 8, 1917); and a program from the Academy of Music in Norfolk, Virginia (May 13, 1917). By May 1917, he anticipated being sent to France, and on June 7, 1917, mentioned seeing Woodrow Wilson while visiting Washington, D. C. Several of these letters are sealed with American flag stickers.

Carpenter wrote his first letter from France on July 19, 1917, assuring his mother that he had arrived safely and in good health, and wrote frequently about the war and his experiences. He initially visited the local Y.M.C.A., though he later severely criticized the organization. He mentioned his religious habits and those of other soldiers, and his unit regularly participated in drill exercises. By January 1918, Carpenter began to serve on the front lines, and he later provided a detailed account of life in the trenches (May 2, 1918). While in France, he also described his quarters, local French houses, and inspections by General John J. Pershing. He wrote his last letter on May 30, 1918, and enclosed 3 receipts for money transfers.

Other correspondence includes a telegram that Caroline Carpenter sent to Stanley D. Carpenter on February 19, 1917, urging him to reconsider his enlistment and offering to pay for his return to Pennsylvania; a letter she wrote to the commanding officer of the Marine Barracks at Port Royal, South Carolina, asking him to look after Stanley (February 20, 1917); and a letter that Major W. Garland Fay wrote to Caroline Carpenter, apologizing for his inability to have Stanley assigned to a post closer to home [June 1917]. The collection also contains 4 lists of items sent to Stanley D. Carpenter during his military service.

This collection is primarily made up of letters that brothers Charles B. and Clarence F. ("Freeman") Shaw wrote to their mother, Hattie C. Shaw of Swampscott, Massachusetts. Charles discussed his life in Schenectady, New York, prior to World War I and his life in Washington, D.C., in the early 1920s, when he was a clerk for General John J. Pershing. Freeman Shaw wrote to his mother about his experiences with the United States Army's 103rd Aero Squadron in the United States and France during World War I.

This collection (1.75 linear feet) contains correspondence and other items related to Hattie C. Shaw of Swampscott, Massachusetts, and her two eldest sons, Clarence F. ("Freeman") and Charles B. Shaw.

The Correspondence series (approximately 400 letters) comprises the bulk of the collection. The earliest items are personal letters to Hattie C. Shaw from her son Charles and from other correspondents, between 1905 and 1911. Charles B. Shaw began writing regularly to his mother after he moved to Schenectady, New York, in July 1915. He wrote about his daily life, including initial homesickness and leisure activities, such as attending dances, attending sporting events, and participating in bowling leagues. He described public gatherings such as parades and pro-war rallies, Union College events, and festivals, and mentioned local efforts to enlist volunteers after the country's entry into World War I in April 1917. A few letters briefly reference a large workers' strike in October 1915 and the presidential election of 1916. Shaw's final letters from this period concern his intention to accept employment in Washington, D.C., which he did just before joining the United States Army. Enclosures in these letters include a printed advertisement, newspaper clippings, and a certificate authorizing Charles B. Shaw to work as a stenographer for the state of Massachusetts (June 16, 1915).

The bulk of the letters written during World War I consist of Freeman Shaw's letters to his mother pertaining to his experiences in the United States Army. His letter of December 2, 1918, provides details about his service history, including the names of the towns and bases where he was stationed. Shaw wrote a few letters from Fort Slocum, New York, in August 1917 before joining the 103rd Aero Squadron at Kelly Field in San Antonio, Texas. While in training, he shared details of camp life and conditions, often commenting about his uniform. After his arrival in Europe around December 1917, Shaw was briefly stationed in England before traveling to France. He commented on the scenery and the warm reception his squadron received from local citizens. His letters refer to his work digging trenches and performing guard duty, and his preference for working with the French army rather than the American army. By April 1919, he returned to the United States, where he awaited a discharge.

Charles B. Shaw wrote infrequently to his mother while serving at the American Expeditionary Forces' headquarters during the war, focusing mostly on his leisure activities, including concerts and sporting events held at the YMCA. From May-July 1919, he received a group of letters from the War Department Zone Finance Office, concerning the payment of his Liberty Loan bonds. Many of these letters enclose blank affidavits and similar forms.

From 1920-1925, Charles B. Shaw wrote weekly letters to his mother about his life in Washington, D.C., where he was a clerk in the office of John J. Pershing. He often used stationery of the American Expeditionary Forces' General Headquarters and the office of the General of the Armies. Shaw reported on Pershing's travels, the gradual downsizing of his office, and the general's retirement. Despite fears that he would lose his job, he remained employed until at least August 1925. Shaw also discussed his leisure activities, including bowling, playing tennis, going to the racetrack, and attending football and baseball games (including at least one contest that featured Babe Ruth). He occasionally wrote about his automobile. In his later letters, he referred to a female acquaintance named Mary, possibly his future wife.

The collection's Writings (2 items) are a typed copy of a speech by Chauncey Depew entitled "The Problem of Self-government," delivered by Charles B. Shaw in a prize speaking contest on May 26, 1911, and a brief essay regarding the "Fortification of the Panama Canal."

Five Financial Documents include a receipt to Charles Shaw for dental work (December 3, 1910), receipts for dues paid to the Swampscott Club (July 1, 1917) and the Supreme Temple of Pythian Sisters (February 8, 1922), and receipts related to Charles B. Shaw's policies with the New England Mutual Life Insurance Company (December 1, 1921, and undated).

The Photographs series (22 items) contains snapshots of unidentified men, women, children, and a cat at leisure outdoors. Four items show young men wearing sweaters with a large letter S sewn on the fronts.

The Printed Items and Ephemera series (4 items) is made up of a newspaper clipping with photographs of Russians in a queue and barracks in France, a social invitation for Charles B. Shaw, a wedding invitation, and a monogrammed napkin.

This collection is made up of letters to Louis J. Licht and his daughter Elizabeth ("Betty") of Geneva, New York. Richard Licht, Louis's son and Betty's brother, often wrote about his experiences in France, where he served with the 307th Machine Gun Battalion during World War I.

This collection is made up of 14 letters to Louis J. Licht and his daughter Elizabeth ("Betty") of Geneva, New York. Richard Licht, Louis's son and Betty's brother, wrote 12 letters to his family between July 7, 1918, and March 27, 1919. He discussed aspects of his service with the 307th Machine Gun Battalion near the front lines in France, such as marches through ruined towns, rat-infested sleeping quarters, the prevalence of thick mud, and his work. Though he often had problems with his truck, including difficult navigation across treacherous roads littered with shell holes, Licht was happy that he avoided an assignment to an aviation unit. He expressed his confidence in an Allied victory.

In a letter dated December 22, 1918 (likely written earlier in the fall), Licht wrote a detailed account of life near the front lines, describing hastily abandoned German trenches, leftover military paraphernalia in the woods, the experience of being shelled, and antiaircraft fire shooting at hostile planes. According to Licht, the Germans constructed a bowling alley within their trench system, and the American troops reacted to close shelling with laughter rather than fear. Licht's final letter concerns his pride after an inspection by General John J. Pershing. The Licht family also received letters from Chauncey Wayne Grove at Camp Hospital #6 (January 29, 1919) and "Pete" Bodine of the 266th Military Police Company (February 27, 1919); Bodine discussed the importance of, and danger to, "runners" who facilitated communication between units along the trenches.

This collection is primarily made up of photographs, periodicals and clippings, and ephemera related to World War I. The materials pertain to the occupation of France and Belgium, peace efforts, and the American-British-French-Belgian Permanent Blind Relief War Fund, among other subjects.

This collection is primarily made up of photographs, periodicals and clippings, and ephemera related to World War I. The Photographs consist of 422 prints and 240 negatives; a few of the prints are duplicates, and some images are represented by both prints and negatives. Most of the personal photographs were taken in numerous locales in France between 1916 and 1919, often showing rubble and destruction, camouflaged outposts, healthy and wounded Allied soldiers, nurses, medical automobiles and other scenes directly related to the war. Some items feature artillery pieces, dugouts or bunkers, warships, and the front lines; one shows an artillery explosion. German-language signage is visible in a few photographs, as are German and Allied cemeteries and grave markers. One group of images relates to the victory parade held after Woodrow Wilson's arrival in Paris in 1918. Views of French churches, chateaux, and towns are also present. Some of the personal photographs from the war period are informal portraits of French men and women, including a group of girls with large Alsatian hair bows.

The collection contains some commercial photographs, with captions written directly on the negatives. These include views of dead soldiers, artillery pieces, and a picture of a French tank division heading into battle. One captures the explosion of a German mine in Cambria, and one features Ferdinand Foch and John J. Pershing.

Other groups of photographs date from before the war. A group of photographs taken in Albany in 1909 includes a view of the Emma Willard School. One group of prints is comprised of views of Ely Cathedral and the various colleges of the University of Cambridge. Another set concerns a trip to Mexico, particularly Oaxaca and Mitla. These pictures feature natives in local dress (often carrying large loads), an outdoor produce market, and horse- or mule-drawn vehicles.

The Ephemera series includes 5 empty albums once used to house some of the photographic negatives in the collection, including captions. Two empty photograph envelopes are housed with the photographs, as are a Kodak exposure guide, a manual for the No. 0 Graphic Camera, and a number of loose articles laid into the cover of an issue of Kodakery. A group of 19 large broadsides and notices includes items in English, French, and German. Many of these are the German army's posted notices to residents of occupied towns in France and Belgium, which list rules and regulations related to curfews, "voluntary" work, and other aspects of daily life. One lists methods for picking nettles and offers rewards for residents who provide them, one warns against alcohol use, and one contains news about the Germans' progress toward Paris. Also included are three advertisements for French war bonds, a sign encouraging viewers to "Help Re-chickenize Devastated France," and a sign for an Army telephone station.

One group of items pertains to theAmerican-British-French-Belgian Permanent Blind Relief War Fund. This series includes a printed appeals by Helen Keller and the association's leadership, a pamphlet highlighting the organization's work, and reports by numerous organizations seeking to provide relief for blinded soldiers. Items printed in Braille include a list of rules for the Blinded Soldiers' and Sailors' Hostel in London, alphabet cards, a book with raised illustrations of several animals and parts of the human body, and several other items printed only in Braille.

The collection also includes a large number of Periodicals and Printed Items , including complete issues of and extracts from American magazines such as Vogue, the Illustrated London News, Dress & Vanity Fair, and The Red Cross Magazine; French publications such as L'Illustration, La Baionnette, and Les Arts Français; and the Austrian magazine Kikeriki. Many of these include photographs or other illustrations of winter recreational activities and World War I-era soldiers. Newspaper clippings often refer to the progress of World War I and to the peace process; one clipping pertains to the relationship between Calvin Coolidge and Herbert Hoover in 1932. Other printed materials concern Germany's justifications for going to war, the German and Allied delegations' responses to the first draft of the Treaty of Versailles, and the capture of German artillery ("I have captured a boche Machine gun... what can I do with it?"). Other items include a musical score for a Girl Scout song entitled "Onward," French ration tickets, and a hand-colored lithograph by Marcel Jeanjean showing several French soldiers carrying logs across a battle-scarred landscape while smoke rises in the distance.