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The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Philo E. and Fannie E. Pettibone Wright family of Detroit, Michigan. Personal papers of Fannie Wright with her husband Philo, her brother Sherman Pettibone, her daughters Virginia, Maude, and Evelyn, her son Philo S., and other members of the family, concerning family affairs and the genealogy of the Wright and Pettibone families.

The collection has been arranged by name of family member. Included is personal correspondence of Fannie Wright with her husband Philo E., her brother Sherman Pettibone, daughters Virginia, Maude, and Evelyn, son Philo S., and other members of the family, concerning family affairs and the genealogy of the Wright and Pettibone families. There are also fifty-seven volumes of Fannie E. Wright's diaries, 1863-1925, recording family news, social events, and home activities in Detroit, Michigan. Also of interest are account books of the Sherman Pettibone farm of Tallmadge, Ohio, and account books of Philo S. Wright, 1893-1913. Photographs in the collection consist of individual and group portraits of family members; photographs of family homes; and photographs of boating on the Detroit River.