Collections

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

This collection consists of two penmanship copybooks Frederick Fisher, possibly of Easton, Pennsylvania, kept in 1861 and 1863. The volumes contain examples of penmanship exercises, mostly sentences and phrases organized alphabetically by the first letter of the sentence or words. Themes relate to duty and honor, good manners, productivity, geography, education, Andrew Jackson and George Washington, and vanity, among others.

The 1861 copybook was sold by William Maxwell of Easton, Pennsylvania, and features an illustrated front cover showing three female figures, including one with dark skin, seated at a wharf, likely allegories representing industry and commerce. Fisher added pen-and-ink drawings of quills on the front cover and inside front cover.

The 1863 copybook was produced by Kiggins & Kellogg, booksellers and stationers in New York. It has printed covers bearing illustrations of children outside of a public school and a multiplication table.

University of Michigan graduate (A.B. 1909, LL.B. 1911), President of the University of Michigan Women's League; civic leader in Kalamazoo, Michigan. Correspondence primarily concerning the efforts of the Women's League of University of Michigan to raise money for Palmer Field and for a women's dormitory at University of Michigan. Group portraits and photos depicting student life at the University of Michigan.

Correspondence primarily concerning the efforts of the Women's League of University of Michigan to raise money for Palmer Field and for a women's dormitory at University of Michigan. Correspondents include: James B. Angell and Myrtle E. White; also photographs.

Group portraits of University of Michigan Class of 1909 and Law School Class of 1911 (some are of women only); also a photograph of the May Pole Dance, and various snapshots.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

This album contains gem tintype photographs of men and women of various ages, including young adults and children. One tintype shows a dog sitting on a chair.

This album (8.5cm x 8.5cm) contains 69 tinted gem tintype photographs of men and women of various ages, plus an image of a dog sitting on a chair. Each tintype is placed four to a page, in oval windows about 2.2cm high and 1.7cm across. A few of the people pictured wore accessories such as scarves and hats, and the men, who outnumber the women, appear with facial hair in numerous styles. The album's red leather cover has a raised geometric design on the front and back and previously included a metal clasp.

Prohibitionist from Bay City, Michigan, dean of Bay City Junior College. Correspondence, 1930-1940; memoranda of various prohibition organizations, 1927-1941; materials relating to revision of the constitution of the Central Association of Congregational Churches of Michigan; other materials concern the Bay City Council of Churches, Crystal Falls, Michigan, and the Michigan Association of Junior Colleges; and photographs.

The Butterfield papers include correspondence, 1930-1940; memoranda of various prohibition organizations, 1927-1941 and materials relating to revision of the constitution of the Central Association of Congregational Churches of Michigan. Other materials concern the Bay City Council of Churches, Crystal Falls, Michigan, and the Michigan Association of Junior Colleges; and photographs.

The papers have been arranged into the following series: Correspondence; Prohibition Organizations; Clippings and published material; Topical Files: Other organizational activities and historical interests; and Other Materials.

Grace H. Miller was a school teacher in the Philippines during the 1920s. Her brother, James M. Miller, was a U.S. Army physician in Manila during the same period. The collection includes Grace H. Miller's diaries about life in the Philippines and her travel accounts; and correspondence of James M. Miller describing his life and work in Manila. Visual materials include photographs and an untitled oil painting depicting three indigenous Filipino women. The painting was attributed to Fernando Amorsolo by Ana Maria Theresa P. Labrador in 2022.

Diaries of Grace H. Miller (1921-1922) describing life in the Philippines and travel in China, South Asia, and Europe; correspondence of James M. Miller (1924-1926) describing life in the Philippines; and one letter (1938) from Miller's wife Bess describing life in the Canal Zone; and visual materials. Photographs of hospital and hospital staff, the Philippine people, and local and scenery.

The collection includes an untitled oil painting on wood panel that depicts three indigenous Filipino women in Baguio. The painting is signed and dated 1925. In 2022, the painting was attributed to Fernando Amorsolo (1892-1972). To learn more about the attribution, see Processing Information.

Traverse City, Michigan, free-lance writer and conservation editor of Field and Stream magazine; correspondence, manuscripts of writings, diaries, topical files, and photographs.

The collection includes correspondence, manuscript articles, and conservation columns; materials collected by the Michigan Writers' Program concerning Michigan logging; also diaries, speeches, newspaper clippings, notebooks, genealogy, photographs, and miscellaneous material concerning Titus' interest in conservation, forestry, and fishing.

Graduate of the University of Michigan, class of 1889. Group portraits of female class members as well as a group portrait of students at a boarding house.

The Harriet Crosby Jennings photograph collection is comprised of group portraits of female class members as well as a group portrait of students at a boarding house.

Professor of astronomy at the University of Michigan, friend and booster of U-M athletics and athletes; correspondence, speeches, class materials, and photographs.

The collection is comprised of three series: Correspondence, course materials, and other papers; Photographs; and Sound Recording. The photographs are of Losh family members, photos relating to University of Michigan athletics and other interests. There are also photos of Hazel Losh teaching in the classroom. The Sound Recording is of Professor Thomas Slavens interviewing Professor Losh about her life and career. A transcript has been made of this recording.

Professor of astronomy at University of Michigan. Personal correspondence, mainly with family, describing his various astronomical expeditions to Chile and Sumatra; also speeches and photographs.

The collection consists mainly of copies of letters to family describing his work in astronomy, trips to Mexico, Sumatra and Europe and comments on current events with frequent references to personal family matters. There is one letter, July 19, 1925, concerning the teaching of evolution in the schools with comments about Clarence Darrow, William Jennings Bryan, and the Scopes trial.