Collections

Lucinda Hinsdale Stone (1814-1900) was a Kalamazoo, Michigan, activist, educator, feminist, and writer who supported the abolition of enslaved persons, coeducation, education for women, and women's suffrage. She also founded and/or supported numerous Michigan women's study clubs and organizations. Stone's advocacy work also resulted in the enrollment of female students at the University of Michigan, which began in 1870. Consists of one photo of guests at a party hosted by Stone, one photo of Stone's residence in Kalamazoo, Michigan, and portraits.

The collection consists of one photo of guests at a party hosted by Stone, one photo of Stone's residence in Kalamazoo, MI, and portraits.

Correspondence and other files of Margaret Bell, chairman of the Department of Physical Education for Women of the University of Michigan, and physician in the University Health Service. Materials relate to University activities, conferences and speeches, copies of articles and other writings, and photographs.

The papers support the work and activities of Margaret Bell as Professor of Physical Education, Chairman of Department of Physical Education for Women, and a physician in Health Services at the University of Michigan from 1923 to 1956, and are divided into two sub-groups of personal activities and those specific to the University of Michigan.

The strength of the papers is found in the correspondence and reports which show the growth of physical education programs for women at the University and the identification of issues important to physical education and health in the 1930s, 1940s, and 1950s, with the correspondence, speeches, and publications of Margaret Bell. Historical records about the Women's Athletic Building and the Women's Athletic Association are also important.

Significant correspondents include: Amos Alonzo Stagg, John Dewey, and Elmer D. Mitchell, as well as other physical education professionals: Elizabeth Halsey, Ernest Jokl, Julian Smith, Ruth Glassow, Jay B. Nash, Charles Harold McCloy, Mable Lee, Vance Blanchard, and Charles Forsyth.

Topics of special note include the article, "Athletic Competition for Women," written for AAU March, 29, 1954, as well as other articles about the physiological effects of exercise and sport for women. During the 1950s and early 1960s college women participated in playdays and sportsdays, rather than the organized intercollegiate athletic programs of the present day. There was concern that women were not physically capable of such strenuous demands of full-court basketball and were limited by the rules to half-court play during the 1950's, with two rovers being added in the 1960's.

Instructor and professor of physical education, 1930-1977, and first director of women's athletics, 1972-1976, at the University of Michigan. Papers document the history of physical education and recreational sports for women and the development of women's varsity athletics at the university as well as Hartwig's involvement in various professional associations and her work with recreation programs at Interlochen Music Camp.

The papers of Marie Hartwig consist of 6 linear feet of material and one oversize volume concerning the career, activities, and thought of Marie ("Pete") Hartwig. The papers document Hartwig's wide range of activities as educator, coach and women's athletics administrator at the University of Michigan and her work with the recreation program at the National Music Camp at Interlochen, Michigan.

The papers contain material relating to the history of women's physical education, recreation and athletics at the University of Michigan from the 1930s to 1980s; the history of recreational activities and the Camper Education Program at the National Music Camp in Interlochen, Michigan from the 1940s to 1980s; and the evolution of Hartwig's ideas about instruction in sports, the training of counselors and management of recreational camps, and recreational programs for children and adults.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

The first page is inscribed "Marion Shipley's Picture Book. Naval Academy, November 1898," and is followed by a section of drawings and collaged scenes. The collages include colored pencil drawings of the exterior of residences and gardens; a river scene with boats, bridges, and monuments; a church; a tent (an exhibition tent?); a circus; a kitchen; and living rooms. These have printed clippings of animals, furniture, boats, women and children, crowds, circus entertainers, cars and wagons, and vegetation pasted in. One loose page tipped into the volume is titled "THE FAMILY NEXT DOOR!!!" and features clippings of young children crying, swearing, and being spanked, with added pencil annotations. Other pages are filled with colored pencil drawings of birds and animals, a fishing boat, a horse-drawn vehicle, buildings, a decorated tree, and faces.

Shipley also documented the social life of adolescent boys and girls in her circle, in particular their play at school and their emerging romantic interests. Page 35 is dated June 1, 1907, and is labelled "PRIVET. NO TRESPASSING. ALL RIGHTS RESERED [sic]. For Spelling & Writing." It is followed by a diary entry dated June 7, 1907, describing Shipley's day at school, where she commented on having a substitute teacher, getting in trouble, disliking spelling, and drawing pictures of each other's backs and passing it in the class. The passed note is laid into the volume, featuring six pencil drawings of the back of girls' heads to show their hairstyles, each identified by the girl's names and age. One is of Shipley. She used rebus drawings and numerical substitutes to replace foul language (e.g. "7734" for "Hell"). On page 39, Shipley recorded her favorite expression of 1907, "23 SKIDOO & STUNG," and noted students in her school passing slips pairing boys and girls who apparently liked each other. She claimed to not "like any of the boys in the whole school" of about 400 students. This is followed by two columns of names, one for boys and the other for girls.

Shipley included a number of love letters sent to her. On pages 37 and 38 she affixed five letters (by pasting in the envelopes) from Ralph Dana, sent during his stay at the Hawthorne Inn of Gloucester, Massachusetts, from July to September, 1906. He wrote of local entertainments, engagements with friends, his romantic interest in her, guarded concerns about her activities and who she was spending time with, and his suspicion that she did not reciprocate his feelings. Shipley wrote beneath the letters: "These are some letters I got from who was my best fellow. He is not now. My letter were just as bad to his as his were to me. Now I just love H. S. C. (His picture is in the back of my watch) & have every since June of 1907 & this is Jan. 1908." Shipley also laid in nine pieces of correspondence from a suitor named John, mostly dated from early February 1908. They profess his love for her, ask if she loves him, and request kisses. One is on a piece of paper cut in the shape of a heart, and three others include hearts and arrows painted in gold metallic paint. One letter signed "Fred" is addressed to "K," expressing excitement about her upcoming visit and requesting a photo of a beautiful girl. A doily and a page from a calendar with a quote from the Merchant of Venice is also tipped into the volume.

The final diary entry is written on page 41, where Shipley notes attending Hamlet, which she mentioned liking almost as much as Peter Pan. Elsewhere in the volume, Shipley tipped in newspaper clippings of the actor E. H. Sothern and Dom Manuel II, King of Portugal.

The Martha Leach Packard commonplace book contains inscriptions, correspondence, autographs, and ephemera that Packard collected from the 1850s to 1890s. Inscriptions and autographs are written directly into the volume; additional items are pasted or laid in. The volume represents prominent individuals such as politicians and academics, as well as Packard's personal acquaintances.

The Martha Leach Packard commonplace book (200 pages) contains inscriptions, correspondence, autographs, and ephemera that Packard collected from the 1850s to 1890s. Packard used about half of the pages; additional items are laid into the volume.

Most inscriptions and autographs are written directly into the volume, and many are dated at Poughkeepsie, New York. Most entries are dated from the 1850s-1890s, though some letters pasted into the book are dated as early as 1837. Prominent individuals such as politicians, artists, and writers contributed autographs (see list below), and historian Benson J. Lossing provided a personal inscription (p. 39). Packard's other contributors included academics and personal acquaintances, 5 of whom mentioned participating in the Civil War (pp. 77, 145).

Laid-in letters include items by famous persons and personal correspondence to Martha Leach Packard and E. W. Packard. The volume also includes visiting cards, a menu from a dinner at the Stevens House (p. 157), a lock of hair (p. 178), and a swatch of fabric (p. 198). The album was originally published with printed illustrations, mainly portraits of women; some later pages contain cut-out colored illustrations of flowers.

• Benson J. Lossing (inscription, p. 39; letter, p. 200)
• John Jay Hyde (inscription, p. 41; calling card, front endpaper)
• Henry P. Tappan (autograph, p. 45)
• Thomas Nast (autograph on card, p. 61)
• Samuel F. B. Morse (autograph, p. 97)
• William W. Belknap (autograph, p. 99)
• Henry Clay (autograph, p. 115)
• Lydia Huntley Sigourney (autograph, p. 115)
• DeWitt Clinton (autograph, p. 115)
• Francis Napier (letter, p. 193)
• P. T. Barnum (autograph, back endpaper)

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

Mattie wrote, "You are requested to draw your picture, with appropriate remarks" on the front paste-down. The bulk of the drawings were done by her female classmates, and their writing often referenced memories involving Mattie. Some made self-deprecating remarks about their appearances. "A. H." wrote, "When this you see/don't forget the eve we played and I beat you all at dominoes." Adilia H. wrote, "The rose is red/the violet blue/sugar is sweet/and so are you Mattie. Ever your friend." Many include the note, "Class '78 C.H.S." One pink ribbon is laid into the volume.

Professor of neurology at the University of Michigan. Topical files largely concerning her interest in neurological subjects, notably myasthenia gravis; and photographs.

The collection consists of a single series of topical files relating to her research on neurological subject, particularly myasthenia gravis.

Detroit, Michigan, attorney, Democratic member of the U.S. House of Representatives, 1955-1974, and member of the House Ways and Means Committee. Congressional papers, arranged by term, include legislative files, bills files, topical files, schedules, sound recordings, photographs, motion pictures, and scrapbooks. The collection details relationship with colleagues and constituents and pertains to committee activities, legislation sponsored, and issues of the day. Topics of interest include civil rights, the war in Vietnam, Sleeping Bear Dunes, the humane slaughtering of animals, the economy and the fiscal policy of the federal government, women's rights, the Equal Rights Amendment, economic problems of women, and the need for national health insurance legislation.

The Griffiths collection consists primarily of correspondence exchanged with constituents and lobbying groups on matters of pending or proposed legislation and on topics of current interest. The collection's great value is its documentation of the workings of this one congressional office and its perspective on the issues confronting the nation in the period of 1955 to 1974. With the Democrats in control of the Congress, these years witnessed legislative efforts to use the power of the Federal Government to rectify the ills of society on matters of civil rights, assistance to the poor, health care for the aged, environmental protection, and so forth. It was also a time of strife in society resulting from the war in Vietnam, tension among the races, and the Watergate crisis. The Griffiths collection documents these issues with letters from constituents and her response to the concerns of the people.

Beyond general issues, the Griffiths papers have importance for their documentation of the specific contribution of this one woman member of Congress, who served for twenty years, and who was rewarded by her colleagues with increasingly responsible committee positions. Especially significant was her appointment to the powerful Ways and Means Committee under the chairmanship of Wilbur Mills. Griffiths' files from her work on W and Means Committee detail the major pieces of tax reform legislation of the 1960s, notably Griffiths' efforts to legislate some equity into the benefits accorded to American women.

The Martha W. Griffiths papers, with few exceptions, have been maintained in the arrangement scheme used by the Griffiths office.

Student nurse at the Battle Creek Sanitarium, a health resort in Michigan. Consists of class pictures and other photographs depicting student life.

The collection consists of class pictures and other photographs depicting student life.

Battle Creek attorney, justice, later chief justice of the Michigan Supreme Court. Correspondence, clippings, speeches, and topical files relating primarily to the ceremonial, out-of-court, responsibilities of a supreme court justice, and to her election campaigns in 1971 and 1980; also files concerning her interest in juvenile justice and the reapportionment of the Michigan Legislature and miscellaneous photographs.

The Mary S. Coleman Collection is arranged by series or topic: Biographical/Personal; Correspondence; Miscellaneous Topical File; Speeches; Supreme Court Topical Files; Miscellaneous; and Visual Materials. While a portion of the collection contains pre-1972 material, the bulk concerns the 1972-1982 period during which Judge Coleman served on the Michigan Supreme Court.