Collections : [University of Michigan William L. Clements Library]

The Peter H. Musty papers are made up of two bound diaries, disbound diary entries, a letter book, ten loose illustrations, and two printed items belonging to Peter Henry "Hank" Musty of Greensburg, Ohio. In 1862, Musty enlisted in the 61st Ohio Infantry and served as a musician until his health-related discharge in 1864.

Peter H. Musty Bound Diaries. The earlier of the two bound diaries dates from Musty's enlistment and initial period of service in the army (January 1862- September 1862) and the later bound diary begins after Musty had been discharged and returned home (June 1864- February 1865). Throughout both diaries, Musty wrote personal names and the daily entries for July 2- September 16, 1864, in a numerical substitution code. Before enlisting, Musty made multiple visits to a gypsy camp near Greensburg, where he had his fortune told and received an invitation into a tent to sing for them (January 15-19, 1862). Shortly after his enlistment, Musty was appointed as a musician (drummer) and transferred to Field and Staff duty where his responsibilities included cooking and guarding prisoners. Musty described daily life at Camp Dennison and Camp Chase in Ohio, including mentions of petty thefts such as a soldier being placed in the guard house for stealing a pie as well as someone stealing his blanket.

Although not directly involved in combat with his unit at the second Battle of Manassas, Musty was impressed by the intensity of the heavy "cannonading and musketry," and mentioned the forced retreat with the entry: "Jackson after us. I run all night - no sleep at all - cold, cold." On July 31, 1862, he described flags flying at half-mast in their camp and "canons fireing in every direction," at the news of Martin Van Buren's death.

After being invalided out of the army in 1864, Musty's diary entries again focused on life in Greensburg, Ohio. Musty spent a large part of each day playing his violin, often for two or three different gatherings on the same day. He played at "apple cuttings," parties, school programs, and oyster dinners. He serenaded neighbors, often not returning home until well after midnight. Sometimes Musty was accompanied by friends on the "basse" and drums, and on several occasions they donned "blackface" by rubbing their faces with cork only to find that it was much easier to apply the cork than it was to remove it. Musty returned to helping his father with the coopering business and began working part time at the local post office, hoping to get well enough to return to Washington, D.C., to work for the Veteran's Relief Corp. On the local scene, the town of Greensburg worked actively to prevent the drafting of local men in 1864. Instead of individual men buying their way out of the draft by hiring replacements, a committee of Greensburg citizens went to Cleveland and hired replacements for all the Greensburg men subject to the new draft. The town then set about soliciting money from all the local families to cover this communally-incurred expense. Musty made a passing mention to visiting a photographic gallery in November 1864, where he saw "movements on negatives" and had his "picture taken with motion." The December 23, 1864, entry includes four small pencil sketches of a friend named Tom, showing his progression from civilian to soldier. Musty was fond of keeping lists, and in the back of his diaries he compiled the names of soldiers he served with, people who owed him money, letters he had received, and a six page chronological list ("Memorandum") of all the girls he had accompanied home from local events between April 1860 and February 1865.

Peter H. Musty Disbound Diaries. Pages disbound from diaries span from January 1, 1861, to August 7, 1863, with some ca. 1865 entries at the end. The early entries pre-date Musty's enlistment and describe his schooling, daily activities, and work. Musty occasionally mentioned topics like slavery (January 8, 1861; February 24, 1861), and by April 1861 he began to note military activity. Throughout the rest of 1861 Musty recorded local enlistments, drills, and military news alongside his daily work and activities, providing a glimpse of local reactions to the early war effort. Entries from January to September 1862 overlap with the bound diary for these dates, but with variant wording and occasionally more details. Musty described his enlistment on February 26, 1862, and his subsequent stay at Camp Dennison and Camp Chase, providing details about daily camp life. Musty commented on guarding Confederate prisoners at Camp Chase, some who were en route to Johnson's Island (April 26-May 27, 1862). Musty described the march through West Virginia, arriving in Strausburg, Virginia, on June 21. From June to November 1862, Musty wrote from Strausburg, Middleton, Sperrysville, Arlington Heights, Fairfax Court House, New Baltimore, and other Virginia encampments, describing marches, camp life, nearby Confederates and guerrillas, and recent military encounters. In his entry for September 10, 1862, he vividly recalled his first time in battle on August 22. From April to August 1863, the collection includes copies of letters Musty wrote while at the hospital at Brooks Station, Virginia, and convalescent camps near Alexandria, relaying news of nearby engagements and activity at the hospitals. In July 1863 he began working as a clerk at the Medical Head Quarters for the convalescent camp and subsequently the Invalid Corps Head Quarters. The entries for 1865 primarily detail his health complaints. Musty included occasional references to African Americans (May 4, 1862; May 28, 1862; July 30, 1862; June 9, 1863; June 25, 1863). Other items include lyrics to a song about alcohol, an extract from the Army Herald entitled "The Fruits of Rebellion," and several pages accounting for Ohio soldiers.

Musty's letter book contains eleven of his outgoing correspondences and eighteen incoming letters from friends (both male and female) during the Civil War. It also includes poems, songs, programs of performances at the local Greensburg school from 1859 to 1861, the constitution of the Tyrocinean Debating Society, and a list of other men from Greensburg who served in the Civil War. Among the copied letters is a formal letter of complaint against Captain Thomas Graham for being intoxicated on multiple occasions while stationed at the Invalid Corps Convalescent Camp in Virginia (November 7, 1863). A table of contents for the letter book appears between pages 101 and 104.

Ten illustrations drawn by Musty during his military service are present in this collection. He drew three of these sketches between February and April 1863, when his unit (61st Ohio Infantry) was stationed near Stafford Courthouse, Virginia. Of particular interest is a detailed drawing of General Adolph von Steinwehr's headquarters and the surrounding camp activities, with what appears to be a self-portrait of Musty sketching the scene in the foreground (March 6, 1863). The illustration is on the reverse side of a fragment of a letter in which Musty states that he and all of the soldiers he knows are not fighting for "the freedom of the collord race." Another drawing from around the same time shows a soldier carrying dispatches in front of a tent, with several wooden hitching posts in the foreground. The third illustration depicts a log cabin next to what appears to be an oven while two soldiers stand guard nearby. On the reverse side of this sketch is part of a letter to his brother Francis in which Musty mentions having received a valentine from a girl (whose name he rendered in code). The fourth sketch from this period is on the back of a letter dated May 28, 1863, and shows a long tent, possibly a field hospital, with a "No Admittance" sign over the entrance. A man is visible through the tent flap with a bucket at his side. The fifth sketch (undated) shows the fortifications at Aquia Bridge, Virginia, and the surrounding countryside. Two undated sketches depict women, one drawn in pencil with the title "Going By the Gate" and the other in black, blue, and red ink showing a woman with a striped hat. An undated pencil sketch, "The Signal Flag," shows soldiers atop a house waving the signal flag, an army encampment in the foreground, and soldiers marching in the background. A pen and ink drawing captioned "Near Cedar Mountain" shows three soldiers, one on horseback and two others cajoling a balking donkey. A dialog entitled "A Quaker on an argument" includes a pen and ink illustration of two men debating theology before a fireplace.

The last two items in this collection are printed items, a black and red print of Major General John C. Frémont torn from a letterhead and a Valentine containing an illustration of a man playing his guitar for a woman that includes the following poem:

"My song is mute, the strainWhich melodized each line,My sentiments conveyTo thee my Valentine."

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the accidental death of railroad fireman Joseph Ronk in Wooster, Ohio.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the death of a railroad fireman.

The album (26.5 x 21.5 cm) has red velvet covers and a metal clasp. While the album itself and all the photographs in it date to the 19th/early 20th century, these materials were compiled by a noncontemporary individual with an interest in historic images of people reading. Also present are three newspaper clippings related to the accidental death of railroad fireman Joseph Ronk (1865-1888) following a train derailment in Wooster, Ohio, in July 1888.

The Nixon family papers document the lives of several branches of the Nixon family, including settlers in southern Ohio and women attending Mount Holyoke Female Seminary and Charlestown Female Seminary.

The Nixon family papers consist of 88 items: 84 letters, 3 legal documents, and a ledger. The materials cover the period between 1800 and 1889, with the bulk clustered around 1800-1851. They primarily concern the family's settlement on land in southern Ohio in the 1810s and 1820s and the education and social lives of Warren Nixon's daughters in Massachusetts in the late 1840s.

Thomas Nixon, Jr., and his attorney, Rufus Putnam, wrote most of the correspondence of 1800-1817, which relates to taxes and land values in southeastern Ohio. Several documents concerning the land also date from this period. Beginning in 1818, letters from Warren Nixon, Otis Nixon, and Richard Nichols describe clearing and planting in Morgan Township, Ohio, as well as their everyday lives there. Warren looked down on his neighbors, calling them "a poor ignorant lazy set of beings as ever inhabited the world," and disapproved of their religious practices --"the old women & girls will pretend to preach… and jump round a while and then fall down as if they were dead" (June 22, 1818). In many letters they described their hardships; these included the neighbors stealing their horses (December 3, 1819), the low prices paid for their crops (July 13, 1822), and widespread disease (August 10, 1823). Responses from Thomas Nixon, Jr., advised patience and frugality.

By the 1830s, Warren had returned to Massachusetts, and only Otis Nixon remained in Ohio. Otis wrote the majority of letters during this period to Warren and other relatives. In a letter of May 14, 1841, he described the events in Watertown, Ohio, leading up to William Henry Harrison's election: "We have had Harrison women and Harrison boys, tippacanoe poles, log cabins and hard cider in abundance besides dinners I don't know how many & balls not a few. Many have supposed that Gen Harrison lived in a log cabin and drinked hard cider and therefore would be an uncommon friend to the poor, but such was not the fact." Otis' later correspondence also gives details of his crops, farm buildings, and events within his immediate family circle.

Between 1846 and 1851, the focus of the collection shifts to several of the daughters of Warren Nixon and Salome Rice: Selina (1825-1916), Marcella (b. 1827), and Laurella (b. 1820). The sisters exchanged a series of letters concerning family news, church matters, Charlestown Female Seminary, and Mount Holyoke Female Seminary. In her letter of January 25, 1847, Marcella, a Baptist, worries that the "far off Western wilds" are filling with "Roman Catholics… undermining the minds of the young with their false religion." On April 13, 1848, while at Mount Holyoke, she gave an account of Mary Lyon's attitude toward missionaries: "Her whole soul is bound up in the missionary work and she would have her pupils cherish it as she does." Only five items represent the period after 1851. These include several letters from Otis Nixon and his son, George, updating the family on their health and endeavors.

A currently unidentified shipping merchant operating out of New York, New York, maintained this daybook between 1811 and 1813, recording the daily financial transactions of his firm which was trading with the West Indies, along the Atlantic seaboard, and France, among other ports. Business records document details about traded goods including sugar, rum, and other wares, as well as labor costs and more.

A currently unidentified shipping merchant operating out of New York, New York, maintained this daybook between 1811 and 1813, recording the daily financial transactions of his firm which was trading with the West Indies, along the Atlantic seaboard, and France, among other ports. Main customers included Hoffman & Glass, Francis Markoe, Thomas Masters, David Finlay, Pratt & Kintzing, and William Heyling among others. Several entries relate to transactions with Elizabeth Heyliger, daughter of trader William Heyliger of the West Indies (July 31, 1811; December 31, 1811; September 1, 1812).

The firm was trading in St. Croix sugar and rum as well as shipping "sundries from New York to St. Croix." Other goods traded included sugar from Brazil and Cuba, mahogany, tea, whiskey, wine, tobacco, flour, corn meal, and other foodstuffs, molasses, coffee, cigars, and fabrics. Business expenses were also recorded, such as costs relating to laborers, ship maintenance and hire, advertising, cartage and wharfage, custom duties and port fees, storage, and insurance. One entry for December 5, 1812, notes the capture of the ship Olive Branch en route from Kiel, Germany, to Philadelphia, and dealing with insurance to cover its loss, possibly in relation to War of 1812 privateering. Another entry dated March 30, 1813, refers to proceeds from Madeira wine, sweet almonds, and ship materials "received by the Ship Swift, Howland master from Liverpool which were taken up at sea, from the wreck of the Spanish Brig General Ballesteros from Madeira."

One color printed illustration of a woman and child seated before a birdcage was clipped and pasted in the volume, and another illustration of women was pasted in and later partially removed.

The Meadville (Pa.) and Scandia (Kan.) photograph album contains cabinet cards, cartes-de-visite, and other photographs of men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century. Pictures of the National Monument to the Forefathers and a grave marker are included, as is a remembrance card for Nancy Anderson.

The Meadville (Pa.) and Scandia (Kan.) photograph album (27cm x 22cm) contains 38 items, including 26 cabinet cards, 8 cartes-de-visite, 1 tintype, and 3 additional photographic prints. The volume's purple-padded covers are bound in cloth, and it has a large metal clasp. A metallic plate shaped as the word "Album" was once affixed to the front cover and is now laid into the volume.

Most of the photographs are studio portraits of individual men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century; the children pictured are infants and toddlers. Occasionally, the subjects are shown with a drum, a book, a dog, and one man posed on the sill of an artificial window. Two items laid into the volume are outdoor portraits of adults standing in front of a house, with a windmill visible to the side. A piece of tissue paper affixed to one of the cabinet cards has printed line drawings of a girl's face and flowers. The remaining items are a photograph of the National Monument to the Forefathers in Plymouth, Massachusetts; a photograph of a headstone for members of the Smock family; and a black card dedicated to the remembrance of Nancy Anderson (1818-1889), with a brief poem and other details printed in gold.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements for the agency, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

The typed personal advertisements include physical descriptions and financial situations for four women from Pennsylvania, New York, and Michigan. The printed materials include a notice from O. C. Seemiller stating he sold his interest in the Columbian Agency to Walter McDonnell and a statement by McDonnell about his experience and skills, purporting to have introduced "thousands of happy and prosperous married couples." Other items include advertisements and price lists for the "Celebrated Columbian Photographs," "elegant pictures" rather than "the miserable stamp photos used by all other agencies and matrimonial papers." They also advertise free copies of the book, Reading Character from Photographs, sent to subscribing men. "Are you corresponding with a lady you have never seen? You want to know something about her character and disposition? Exchange photos and then study her photography . . . If the lady would make a true and loving wife, this book will say so."

A blank application form for McDonnell's Private Agency is present, requiring the applicant to list their physical description, their income, property or means, use of tobacco and liquor, occupation, nationality, religion, previous marital status, and what kind of correspondents were desired.

Women seeking matches are separated into two different classes depending on net worth. Private List No. 12 contains Class A advertisements of “Ladies Without Means or Property,” while Private List No. 13 contains Class B advertisements of “Ladies With Means or Property.” Each woman provided a short description of their appearance and/or personality traits, as well as abbreviations indicating their faith, nationality, occupation, weight, etc. The agency also includes an abbreviation for whether women would be capable of the duties of a farmer’s wife, or if the woman was a widow. List 13 also includes asterisks to identify women "willing to share the life of a poor man if he proves himself worthy, industrious and temperate." The list also notes that the agency has extensive profiles available "of thousands of ladies of all ages, living everywhere. By allowing us to select, you may get introductions to ladies living nearer your own residence."

Men seeking potential matches would receive a different number of photographs and introductions depending on how much they were willing to pay and what class of women they were requesting from.

There are two envelopes in the collection, one printed return envelope to Walter McDonnell, and the other addressed to Alfred Ames of Machias, Maine, possibly one of the agency's members.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements for the agency, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

This collection consists of 11 typed and printed materials relating to the McDonnell Agency, a matrimonial matchmaking service run by Walter J. McDonnell of Chicago, Illinois, in the late nineteenth and early twentieth centuries. It includes typed personal advertisements, printed advertisements for the agency, a blank application form, two private lists with selections of women who subscribed to the agency, and two envelopes.

The typed personal advertisements include physical descriptions and financial situations for four women from Pennsylvania, New York, and Michigan. The printed materials include a notice from O. C. Seemiller stating he sold his interest in the Columbian Agency to Walter McDonnell and a statement by McDonnell about his experience and skills, purporting to have introduced "thousands of happy and prosperous married couples." Other items include advertisements and price lists for the "Celebrated Columbian Photographs," "elegant pictures" rather than "the miserable stamp photos used by all other agencies and matrimonial papers." They also advertise free copies of the book, Reading Character from Photographs, sent to subscribing men. "Are you corresponding with a lady you have never seen? You want to know something about her character and disposition? Exchange photos and then study her photography . . . If the lady would make a true and loving wife, this book will say so."

A blank application form for McDonnell's Private Agency is present, requiring the applicant to list their physical description, their income, property or means, use of tobacco and liquor, occupation, nationality, religion, previous marital status, and what kind of correspondents were desired.

Women seeking matches are separated into two different classes depending on net worth. Private List No. 12 contains Class A advertisements of “Ladies Without Means or Property,” while Private List No. 13 contains Class B advertisements of “Ladies With Means or Property.” Each woman provided a short description of their appearance and/or personality traits, as well as abbreviations indicating their faith, nationality, occupation, weight, etc. The agency also includes an abbreviation for whether women would be capable of the duties of a farmer’s wife, or if the woman was a widow. List 13 also includes asterisks to identify women "willing to share the life of a poor man if he proves himself worthy, industrious and temperate." The list also notes that the agency has extensive profiles available "of thousands of ladies of all ages, living everywhere. By allowing us to select, you may get introductions to ladies living nearer your own residence."

Men seeking potential matches would receive a different number of photographs and introductions depending on how much they were willing to pay and what class of women they were requesting from.

There are two envelopes in the collection, one printed return envelope to Walter McDonnell, and the other addressed to Alfred Ames of Machias, Maine, possibly one of the agency's members.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

Mattie wrote, "You are requested to draw your picture, with appropriate remarks" on the front paste-down. The bulk of the drawings were done by her female classmates, and their writing often referenced memories involving Mattie. Some made self-deprecating remarks about their appearances. "A. H." wrote, "When this you see/don't forget the eve we played and I beat you all at dominoes." Adilia H. wrote, "The rose is red/the violet blue/sugar is sweet/and so are you Mattie. Ever your friend." Many include the note, "Class '78 C.H.S." One pink ribbon is laid into the volume.

The Martha Leach Packard commonplace book contains inscriptions, correspondence, autographs, and ephemera that Packard collected from the 1850s to 1890s. Inscriptions and autographs are written directly into the volume; additional items are pasted or laid in. The volume represents prominent individuals such as politicians and academics, as well as Packard's personal acquaintances.

The Martha Leach Packard commonplace book (200 pages) contains inscriptions, correspondence, autographs, and ephemera that Packard collected from the 1850s to 1890s. Packard used about half of the pages; additional items are laid into the volume.

Most inscriptions and autographs are written directly into the volume, and many are dated at Poughkeepsie, New York. Most entries are dated from the 1850s-1890s, though some letters pasted into the book are dated as early as 1837. Prominent individuals such as politicians, artists, and writers contributed autographs (see list below), and historian Benson J. Lossing provided a personal inscription (p. 39). Packard's other contributors included academics and personal acquaintances, 5 of whom mentioned participating in the Civil War (pp. 77, 145).

Laid-in letters include items by famous persons and personal correspondence to Martha Leach Packard and E. W. Packard. The volume also includes visiting cards, a menu from a dinner at the Stevens House (p. 157), a lock of hair (p. 178), and a swatch of fabric (p. 198). The album was originally published with printed illustrations, mainly portraits of women; some later pages contain cut-out colored illustrations of flowers.

• Benson J. Lossing (inscription, p. 39; letter, p. 200)
• John Jay Hyde (inscription, p. 41; calling card, front endpaper)
• Henry P. Tappan (autograph, p. 45)
• Thomas Nast (autograph on card, p. 61)
• Samuel F. B. Morse (autograph, p. 97)
• William W. Belknap (autograph, p. 99)
• Henry Clay (autograph, p. 115)
• Lydia Huntley Sigourney (autograph, p. 115)
• DeWitt Clinton (autograph, p. 115)
• Francis Napier (letter, p. 193)
• P. T. Barnum (autograph, back endpaper)

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

The first page is inscribed "Marion Shipley's Picture Book. Naval Academy, November 1898," and is followed by a section of drawings and collaged scenes. The collages include colored pencil drawings of the exterior of residences and gardens; a river scene with boats, bridges, and monuments; a church; a tent (an exhibition tent?); a circus; a kitchen; and living rooms. These have printed clippings of animals, furniture, boats, women and children, crowds, circus entertainers, cars and wagons, and vegetation pasted in. One loose page tipped into the volume is titled "THE FAMILY NEXT DOOR!!!" and features clippings of young children crying, swearing, and being spanked, with added pencil annotations. Other pages are filled with colored pencil drawings of birds and animals, a fishing boat, a horse-drawn vehicle, buildings, a decorated tree, and faces.

Shipley also documented the social life of adolescent boys and girls in her circle, in particular their play at school and their emerging romantic interests. Page 35 is dated June 1, 1907, and is labelled "PRIVET. NO TRESPASSING. ALL RIGHTS RESERED [sic]. For Spelling & Writing." It is followed by a diary entry dated June 7, 1907, describing Shipley's day at school, where she commented on having a substitute teacher, getting in trouble, disliking spelling, and drawing pictures of each other's backs and passing it in the class. The passed note is laid into the volume, featuring six pencil drawings of the back of girls' heads to show their hairstyles, each identified by the girl's names and age. One is of Shipley. She used rebus drawings and numerical substitutes to replace foul language (e.g. "7734" for "Hell"). On page 39, Shipley recorded her favorite expression of 1907, "23 SKIDOO & STUNG," and noted students in her school passing slips pairing boys and girls who apparently liked each other. She claimed to not "like any of the boys in the whole school" of about 400 students. This is followed by two columns of names, one for boys and the other for girls.

Shipley included a number of love letters sent to her. On pages 37 and 38 she affixed five letters (by pasting in the envelopes) from Ralph Dana, sent during his stay at the Hawthorne Inn of Gloucester, Massachusetts, from July to September, 1906. He wrote of local entertainments, engagements with friends, his romantic interest in her, guarded concerns about her activities and who she was spending time with, and his suspicion that she did not reciprocate his feelings. Shipley wrote beneath the letters: "These are some letters I got from who was my best fellow. He is not now. My letter were just as bad to his as his were to me. Now I just love H. S. C. (His picture is in the back of my watch) & have every since June of 1907 & this is Jan. 1908." Shipley also laid in nine pieces of correspondence from a suitor named John, mostly dated from early February 1908. They profess his love for her, ask if she loves him, and request kisses. One is on a piece of paper cut in the shape of a heart, and three others include hearts and arrows painted in gold metallic paint. One letter signed "Fred" is addressed to "K," expressing excitement about her upcoming visit and requesting a photo of a beautiful girl. A doily and a page from a calendar with a quote from the Merchant of Venice is also tipped into the volume.

The final diary entry is written on page 41, where Shipley notes attending Hamlet, which she mentioned liking almost as much as Peter Pan. Elsewhere in the volume, Shipley tipped in newspaper clippings of the actor E. H. Sothern and Dom Manuel II, King of Portugal.