Collections : [University of Michigan Bentley Historical Library]

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Collection

Robert D. Aldrich Collection, 1783-1983

17 linear feet — 28 oversize volumes — 1 oversize folder

Papers and photographs collected by Robert D. Aldrich relating to the history, people and institutions of Concord village in Jackson County, Michigan; include correspondence, diaries, account books and other papers of Concord residents; records of Concord social organizations, businesses, schools, and church and governmental bodies.

The Robert D. Aldrich collection consists of materials--manuscript, printed, and photographic--documenting the history of Concord, Michigan, in western Jackson County. The collection spans the period from the arrival of the first settlers in 1831 to the 1980s. There are a few items dating back into the eighteenth century (as early as 1783) since the papers of some pioneer families predate their arrival in Concord. The bulk of the collection, though, falls in the period since the Civil War.

The collection documents every facet of life in Concord. Included are the papers of numerous Concord citizens consisting of personal correspondence, diaries, account books and newspaper clippings about them. In addition, Aldrich collected the records of various Concord businesses and organizations, as well as some church, school, and governmental records.

The collection has been divided into two series: Manuscript and Printed Materials, and Visual Materials. Both series are arranged alphabetically either by personal name or name of organization, or by general subject area, such as Circus, Underground Railroad, etc.

Collection

Michigan Historical Collections topical photograph collection, circa 1860-1959

0.5 linear feet (in 2 boxes) — 1 oversize box

The Michigan Historical Collections Topical Photograph Collection offer a broad and varied glimpse into nearly one hundred years of Michigan history, from the 1860s into the 1950s. The provenance of most of the photographs has been lost and therefore these images have been grouped together by subject into an artificial accumulation. Subjects depicted range from industry and transportation to clothing styles and social customs.

The photographs in this collection were received from various sources. Subjects include carriages, automobiles, Great Lakes shipping, railroads, and mass transit, especially street railroads. There are also images documenting activities within the mining, forestry, and lumber industries, mostly in the Upper Peninsula of Michigan. Also included are photographs of various ethnic groups and their societies, notably of Native Americans (1870s-1930s) of the Manistee and Ludington, Michigan, areas. Some of the images are street views and private residences in various Michigan towns and cities. Of interest are photographs of Michigan units taking part in the Spanish-American War and the "Polar Bear Expedition" of World War I. There is also a series of bookplates, [acquired from?] William H. Bicknell, many of which relate to the University of Michigan.

Collection

David LeFavour photographs, circa 1894-circa 1905

0.5 linear feet — 155 negatives

Graduate of the University of Michigan College of Engineering, Class of 1895. Glass negatives and prints of scenes at the University of Michigan, including Alpha Delta Phi fraternity, the Engineering summer camp, football and baseball games, the track team, University buildings and campus scenes, and views of the Huron River; also views of Bay City, Michigan, and portraits of members of the LeFavour, Shearer, and McMillan families.

The David LeFavour glass negatives collection documents a variety of activities, individuals, groups, and buildings in Ann Arbor and Bay City. As a member of the class of 1895, a year which was, coincidently, the first year of formal recognition for a Department of Engineering at the University of Michigan, LeFavour participated in an annual event for engineering students. A summer camp was set up outside the University to conduct field projects. The camp was periodically relocated and in 1895 a change was made from a grove on the outskirts of Leland, Michigan, at an outlet of Carp Lake (now Lake Leelanau), to a point further up the lake near the Fountain Point Hotel.

The scenes of the camp and the engineers depict several projects undertaken by the group, their campsite and equipment, and members of the entourage, including Professor Joseph B. Davis (Geodesy and Surveying) who was in charge of the operation. LeFavour also captured his peers at play, as a print of a baseball game at nearby Sutton's Bay reveals.

As a student, David LeFavour was also a member of the Alpha Delta Phi Fraternity. He photographed his fraternity house, his room, an unidentified ceremony, and several group portraits of his fraternal brothers and their dates.

Although there is no indication of any personal participation by LeFavour in university athletics, he did photograph members of the university track team and local football games. Other negatives and prints detail several university buildings and more "artistic" views of the Huron River and local Ann Arbor streets.

Those negatives and prints focusing on Bay City, Michigan, provide an insight into another facet of LeFavour's life and interests. Several exterior views are present, which detail the various Shearer homes in the city as well as those of other prominent residents. Interior views of the James Shearer home (where David grew up), reflect the style of life and living conditions of a prosperous Michigan family at the turn of the century.

Many Bay City buildings, including schools, hospitals, and government structures are identified. As was done in Ann Arbor, LeFavour also photographed street views and individuals. Two favorite subjects for LeFavour were children and women. He frequently photographed young relatives and used his photographic skills to show his sister Helen in particular. Often the young lady (or ladies) were posed with bicycles.

The LeFavour negatives were randomly described and dated. Available information has been provided when possible, however. All negatives were produced between 1894 and 1895, but no dates have been attempted for undated negatives or prints. The print collection is numbered so that one can refer back to the appropriate glass negative. There are over 155 glass negatives and a corresponding number of prints.