Search

This collection consists of the incoming correspondence of Catherine M. Barker of Guilford, Connecticut, who received letters from family members and acquaintances during the mid-19th century. Her sister Mary wrote of her search for work in New Haven, Connecticut, and other correspondents commented on their social lives in Connecticut and New York.

This collection consists of 34 incoming letters addressed to Catherine M. Barker of Guilford, Connecticut, who received correspondence from female family members and acquaintances during the mid-19th century. Her sister, Mary A. Barker, wrote the first 8 letters while seeking work in New Haven, Connecticut, between 1856 and 1863. She occasionally discussed her experiences as a laborer in a garment factory and provided news of her social life. She described the boarding house where she lived and a visit to a performance hall, where she saw a show by French acrobat Charles Blondin (March 23, 1861). At the outbreak of the Civil War, Mary mentioned the local scramble for news, and lamented that war seemed to be the sole topic of conversation.

The letters Catherine received after 1869 originated from multiple acquaintances, primarily female, who discussed their social lives in Connecticut and New York. Emma Scranton (later Leete) wrote 6 letters to Catherine, commenting on a visit to P. T. Barnum's circus (January 8, 1873), urging Catherine not to marry her beau, Edgar (undated), and offering updates on her social life. Other correspondents planned upcoming visits with Catherine, and one friend, Ruthie, described her shock upon hearing that a friend's wife had left him.

The Fiske carte-de-visite album contains formal studio portraits of various men and women, most of whom are unidentified. The photographs were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut.

The Fiske carte-de-visite album (13cm x 9cm) contains 9 cartes-de-visite and 3 tintypes, all of which are formal studio portraits of men, women, and a young boy. With the exceptions of a young boy named "Ralph," a woman identified as a daughter of [Sereno] Scranton, and Reverend Samuel A. Fisk, a Civil War officer pictured in his uniform, the subjects are anonymous. Some of the pictures were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut. The album, which may have belonged to Albert Mentandon of "Geneva," has a cloth cover with a floral pattern stamped in gold.