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Scrapbooks, 1928-1972, of programs, publicity, and newspaper clippings compiled by the directors and staff of various University theatrical productions; history of University play production, 1909-1956; and departmental correspondence and miscellanea.

Records of the Department of Speech include 31 linear feet of material and 6 oversize scrapbooks, dating from 1928 to 1982. Virtually all of the records relate directly to the department's work in theater education. Included are extensive records of university theatrical productions (1938-1972); records of the University Players, a student organization dedicated to presenting live theater on campus; and general information regarding theater in Ann Arbor. Actual department records make up a small minority of the documentation found within the collection, although some information regarding a 1972 unit review and the decisions leading to the 1979 reorganization of the department are included. Photographs include images of plays and actors in various University theatrical productions.

The Drama Season of the University of Michigan is a theater group on campus. Prior to 1952 known as the Ann Arbor Drama Season; the organization did not function from 1943 to 1948. The records collect scrapbooks, 1938-1942 and 1949-1961, containing clippings, programs, and production photographs; also correspondence files, legal and financial papers relating to operation of this Ann Arbor, Michigan, professional theater program, during the directorships of Robert Henderson, John O'Shaughnessy, and Valentine Windt.

The Drama Season records span the years 1929-1966. The material consists of scrapbooks from 1938 to 1942 and 1949 to 1961 (2 linear ft.) which contain mainly clippings from local and national newspapers, along with some programs and photographs.

Also included are alphabetically arranged administrative files relating to the operation of the theater and the performances. Materials include correspondence, legal and financial files and press releases. The bulk of this material is from the 1950s and 1960s.

The photographs series includes a photo album and production photographs, mostly from the 1950s and autographed photos of Lillian Gish and Billie Burke.

Official photographer for the University Players (formerly Play Production) at the University of Michigan starting in 1928; photographic negatives of cast (in costume) from various student productions.

The Francis W. Ouradnik collection consists of 421 black and white negatives of scenes from plays produced by the University Players (formerly Play Production) at the University of Michigan in the period of 1928 to 1968. Francis Ouradnik, produced the majority of the negatives. A partial listing of the plays, which he made, can be found with the negatives.

The collection has been arranged into three series: two series of negatives and a series containing positive photographs. The first series contains photographic negatives dated from 1928 to 1944 (32 photos), apparently not taken by Ouradnik. The second series, running from 1934 to 1968, numbers 389 negatives identified as being taken by Ouradnik. Each series is arranged chronologically with a very few exceptions.

All negatives and photographs are black and white, and only a few scattered copies are not identified by date. Ouradnik composed a list of his negative file of plays and a copy is enclosed with the collection. Only three productions for these years cannot be located. All there are for the year 1947: "In Spite of Heaven," "Candida," and "In the Zone."

James F. Coakley was an assistant professor in the Department of Speech at the University of Michigan from 1966 to1971. Focusing mainly in theatre and literary interpretation, he was responsible for directing and managing many of the plays that were put on by the University Players during his time at the University of Michigan. Notable productions include The Homecoming, Lysistrata, Much Ado About Nothing, and Arthur Miller's After the Fall. Includes photographs from a 1967 production of After the Fall where Arthur Miller was present. Also scrapbooks, photos, and slides from other productions by the University of Michigan's University Players during 1966-1971.

The collection provides some documentation of plays Coakley staged with the University Players, notably Arthur Millers After the Fall, and lecture notes for courses he taught. The collection is organized into three series: "After the Fall", Photographic Slides, Speech 230 "The Arts of the Theatre" and Scrapbooks.

Professor of drama at University of Michigan, chairman of the Committee on War Activities of the American Educational Theatre Association, and secretary of the Theatre for Victory Council during World War II. Files concerning his war activities, including correspondence, scripts, course materials and printed matter; and photographs.

The Kenneth Rowe Collection, though covering the period 1940-1953, largely concerns the years of World War II and the activities of Rove as chairman of the Committee on War Activities for the American Educational Theatre Association (AETA); as secretary of the Theatre for Victory Council; as consultant to the National Theatre Conference (NTC), official agency for all dramatic activities of the Combined Armed Forces; and as drama consultant to the U.S. Department of Treasury, the Office of Civil Defense, and the Office of Education. Rowe's work in all of these efforts concerned the use of drama as a propaganda tool to raise morale and to define America's goals.

The Rowe collection consists of two linear feet of correspondence, reports, newsletters, play scripts, and printed material. The collection begins with general correspondence followed by files which have been arranged by the name of theatre organizations in which Rove was involved.

Papers, 1962-1985 of the Professional Theatre Program at the University of Michigan. Contain executive director's file, including correspondence, newspaper clippings and related theatrical material of Robert C. Schnitzer, and publicity files of clippings and press releases concerning play productions and other programs.

The Professional Theatre Program records include executive director's files (1962-1972), Professional Theatre Program Fellows Tour files (1966-1972), publicity files (1962-1985, films and photographs. Planning for the Power Center and the early years of its operation are also covered.

Visual materials includes films of classical drama programs for schools, and photos of PTP directors. Recordings consist of uncompiled sound clips, background music, and sound effects for a film entitled "Conjuror."

Student at the University of Michigan, later professional stage actor. Playbills from Detroit and University of Michigan productions, theatrical publications, miscellaneous correspondence, clippings, and writings; and photographs.

The Forsyth collection includes some correspondence, journals (1914-1917), playbills from productions in the Detroit and Ann Arbor area, clippings about his theatrical career, and miscellaneous photographs.

Professor of speech and drama at the University of Michigan, 1904-1949; papers document Hollister's teaching and development of the speech and drama programs at the university, include correspondence, course material and lecture notes, papers and photographs relating to dramatic productions, and some family material.

The Richard D. T. Hollister papers, 1887-1960, document his career as a professor of speech and theater and the development of the Department of Speech and theatrical productions at the University of Michigan. Correspondents include: Thomas E. Black, Marion L. Burton, John R. Effinger, Edward H. Kraus, J. Raleigh Nelson, James M. O'Neill, Theodore Roosevelt, Alexander G. Ruthven, and Thomas C. Trueblood. The Hollister papers are divided into three series; Richard D. T. Hollister, Hollister family and Photographs.

Professor of speech communication and theatre at the University of Michigan. Correspondence and other materials relating in part to his interest in university theatre productions.

The William P. Halstead papers consist of correspondence, clippings, theater programs and other materials relating to his work in the Speech Department and to his interest in university theater productions. (Halstead bound most of his papers in chronological order. The bound volumes and additional unbound materials are separated into five series: Personal, Production Materials, University of Michigan, Department of Speech, Miscellaneous, and Photographs.