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James Chaney used this account book to record financial transactions with patrons of his general store in Salem, Massachusetts, from 1820 to 1823, with one account dating into 1826. The account book records credits, debts, and the items sold or exchanged with patrons. Chaney sold foodstuffs, household goods, and alcoholic beverages, and several accounts include lines of credit for exchanges in goods and services beyond cash payments, indicating a form of bartering may have been occurring. At least five women held accounts with Chaney.

James Chaney used this account book to record financial transactions with patrons of his general store in Salem, Massachusetts, from 1820 to 1823, with one account dating into 1826. The account book records credits, debts, and the items sold or exchanged with patrons. Chaney sold alcoholic beverages, such as rum, brandy, cider, ale and beer, as well as foodstuffs like flour, eggs, raisins, spices, sugar and molasses, meat, crackers, cheese, tea and coffee, butter, and more. He also sold various household goods like pitchers, buckets, brooms, thread, soap, and other products. Several accounts appear to be with other merchants or tradespeople in the area, including documentation of the purchase of tobacco, snuff, and cigars from Converse Tilden and various baked goods like bread, gingerbread, and crackers from John N. Freye. Some of the accounts include lines of credit for exchanges in goods and services beyond cash payments, indicating a form of bartering may have been occurring. At least five women held accounts with Chaney. Several exchanged labor such as washing and sewing, and Mrs. Yells appears to have been offering Chaney board to cover portions of her account. One account for Hannah Chaney may have been with his sister or mother.

The front cover bears a woodcut engraving of a ship and a "Property of" section to fill in, while the back cover features multiplication and numeration tables, lists of the months and days of the week, and two poems. One blotter sheet is laid into the volume.

Civil servant with Chinese Maritime Customs Service, later professor of Far Eastern art at the University of Michigan. Letters to his mother describing his experiences in China, other related papers, and photographs from his years in China.

The Plumer collection has been arranged into the following series: Letters to his mother from China; Other Materials; and Photographs. The letters to his mother are bound together in seven volumes with occasional descriptive photographs. The letters describe his experiences in Nanking, Manchuria, Shanghai, and Hankow, and his vacation trip to India in 1928. Also included are typescripts of selective letters. The Photographs series consists of people, buildings, and views in China, especially in Nanking and Manchuria. There are also photos of visits to Hong Kong, India, Japan, and the Philippines.

Soldier from LaCrosse, Wisc., captain of Co. M, 339th U.S. Infantry who served in the Allied intervention in Russia, 1918-1920, the "Polar Bear Expedition." Collection includes miscellaneous citations, orders, and correspondence relating to his activities with the Polar Bear regiment; also photographs.

The papers contain primarily certificates and personal documents. The photographs include pictures of American and foreign soldiers, Russian people and scenes, and naval ships; also pictures of the 1929 memorial services for bodies returned from Russia, Polar Bear Association reunions, and personal photographs. Printed maps have been removed from the collection and cataloged separately.

Civil engineer, consultant on marine development and dredging, and superintendent of the dredging division of the Panama canal. Topical files relating to the maintenance and development of the Panama Canal and dredging problems in Burma, Colombia, and other Latin American countries; scrapbook relating to the Spanish-American War; and photographs.

The collection documents the professional life of John G. Claybourn, superintendent of the Dredging Division of the Panama Canal from 1921 to 1948 and a consultant on matters of river and harbor improvement. In addition to the Panama Canal, the collection illustrates the role of the United States in infrastructure development in the Third World.

The papers include materials created and collected by Claybourn in his work on the Panama Canal, materials relating to personal business activities away from his primary work, materials relating to consulting jobs and to Claybourn's activities in professional engineering societies, and personal correspondence, much of it with some business connection.

The collection is not clearly divided by topic: papers relating to a particular topic may be divided among topical files, files arranged by correspondent or company, and the general personal correspondence file. Some of the topics of interest include the following:

Burma: The papers document Claybourn's consulting work in the early 1950s, on contract with the U.S. government, to rebuild commerce on the Irrawaddy River destroyed during World War II and to develop the Dalla Dockyards near Rangoon.

Claybourn, Elsie Greiser: A scrapbook documents her activities as a long-distance swimmer and canoeist. Her retirement years are described in detail in the personal correspondence file.

Claybourn, Leslie W.: Claybourn's correspondence with his brother, an inventor and printing industry executive, provides some documentation of the development of that industry.

Colombia: In the 1920s Claybourn was involved in the development of the Dique de Cartagena, a ship canal serving that city. The papers document his relations with the Colombian government.

Florida: Claybourn was a consultant in the early 1930s for a projected canal across Florida. The collection includes surveys and other papers relating to this project.

Panama Canal: The papers reflect both Claybourn's work on the Canal and his interest in the history of its construction. Most papers on this topic have been drawn together in processing, but many are found under the names of correspondents and in the general correspondence file. The topics documented in the greatest detail are maintenance of the canal, especially clearing of landslides, and planning for additional locks and later for a sea-level canal. Information about dredges used on the canal is also included. A collection of photographs, most of them from official sources, parallels these strengths.

The papers also document Claybourn's moonlighting on private dredging operations during the 1920s. This material is found under the names of companies and projects.

Retirement: Claybourn's retirement years were spent in Ann Arbor. The personal correspondence describes in great detail his and his wife's retirement activities.

Rumania: Correspondence with Bill Arthur includes a copy of Arthur's diary of events during a 1940 rebellion in that country.

World War II: In addition to the Rumanian material described above, the collection contains much relating to defensive activities on the Panama Canal. The Burma project described above includes information about war damage to transportation in that country.

Other consulting activities: Consulting projects in Costa Rica, Guatemala, and Venezuela are documented less fully than those described above.

Photograph collection of a soldier with the 167th Co., United States Army Transportation Corps, serving near Murmansk, Russia in the Allied intervention in Russia, 1918-1919, the "Polar Bear Expedition."

Photographs of ports, camps in England and France the Russian countryside, Murmansk soldiers on patrol and in camp, battle casualties, battle damage and construction on Russian railroads, airplanes, and other subjects. Most of these photographs are described in a printed list distributed by John E. Wilson.

The collection consists of 2077 scans of images and 18 CDs of a miscellaneous photographic collection, 1901-1962, mostly 1925-1945, and undated, which were scanned in 2010.

The collection includes 2077 scans of images and 18 CDS of the Society’s miscellaneous photographic collection of glass-plate negatives, photographs and negatives, 1901-1960s, mostly 1925-1945, and undated. The collected was temporarily loaned to the Clarke so it could be scanned for preservation purposes in 2010. These images include Burt Lake, Pickerel Lake, Bay View, Charlevoix, Harbor Springs, Oden, Petoskey, Pellston, and Walloon Lake, Michigan, people, stores, and buildings and tourist sites on Mackinac Island. Major topics documented include Camp Algonquin, now a YMCA camp in Hastings, Old Petoskey Hospital, little Traverse Hospital, winter sports and queens, portraits of many unidentified people, boats, cottages, logging, fishing, Miss Ethel Shepherd’s art classes, and a wedding at the cottage of O. J. Laylander at Burt Lake. Some images were taken by Foley Photography Studio (Traverse City, Michigan). A descriptive list of folder labels of the originals is in the front of Box 1.

The collection consists of 2,000 scans of images and 47 CDs of a miscellaneous nineteenth century photographic collection, which were scanned in 2013.

The collection includes approximately 2,000 scans of images and 47 CDs of the LTHBM miscellaneous photographic collection of glass-plate negatives, photographs and negatives, mostly nineteenth century. The collection was loaned temporarily to the Clarke Historical Library so it could be scanned for preservation purposes in 2013. Images in the collection include mostly Petoskey (Mich.) centennial, buildings, churches, hotels, the hospital, railroads, streets, numerous people, and businesses, as well as mills located along Bear River, the waterfront, boats, and steamships. Other Michigan locations documented in the collection include Alanson, Pellston, Bay View, Boyne City, Boyne Falls, Carson, Carp Lake, Charlevoix, Cross Village, Harbor Springs, Oden, Onaway, Pellston, Sturgeon Bay, and Walloon Lake, as well as Camp Daggett.

Boxes 1-7 include an inventory of images and prints of all scanned images. Images were scanned both at 600 and 72 dpi. Box 8 contains the CD-ROMS. The original collection was returned to the LTBHM. For further information see the inventory in Box 1.

A backup copy of all the scans and CDs is in a separate location in the stacks.

The collection was kept in its original order during processing. The collection contains only scans of original photographs, while the LTBHM maintains the originals. All digital CDs contained in the collection are housed in CD cases, but are not individually stored in folders.

The first section of this volume contains 73 pages of accounting records for the New York and Canada Line, which shipped cargo on the Northeast Atlantic seaboard and along the St. Lawrence Seaway. The entries date from 1869 to 1873. A second section of the volume contains accounting and inventory records for an unidentified slate company, between 1889 and 1910. The final page contains a single entry by an unknown party for a lumber purchase in 1921.

The first section of this volume contains 73 pages of accounting records for the New York and Canada Line, which shipped cargo on the Northeast Atlantic seaboard and along the St. Lawrence Seaway. The entries date from 1869 to 1873 and they contain varying levels of detail, such as boat names; Captains' names; expenses (such as towing and freight fees); Captains' compensation; monetary details (such as monies exchanged by cash or check, and rates based upon a gold standard); and cargo (such as salt, coal/egg coal, pitch, rosin, clay, tobacco, and provisions).

Destinations referenced include:

• Albany, New York
• Burlington, Vermont
• Cleveland, Ohio
• Cornwall, Canada
• Fort Edward, New York
• Hillsborough, New York
• Montréal, Canada
• New York, New York
• Philadelphia, Pennsylvania
• Québec, Canada
• Richelieu, Québec, Canada
• Whitehall, New York

The second section of the volume, consisting of 24 pages, contains accounting and inventory records from 1889-1910 for an unidentified slate company.

The final page contains a single entry by an unknown party for a lumber purchase in 1921.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

This diary contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935.

This diary (1 volume) contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935. The volume, comprised of two ruled spiral notebooks bound together with yarn, contains around 170 pages of material: the first 46 pages (recto) are numbered 1-[46], and the remaining pages (verso) are numbered [47-183].

Stoker's narrative (pages 1-[46]) recounts the trip she took with her son Edwin and "Aunt Clara King" from August 4, 1935-August 20, 1935. The family traveled by car from their home in Salt Lake City, Utah, to Vancouver, British Columbia, and followed the Pacific Coast south to Los Angeles, California. On their return journey, they drove from Los Angeles to Salt Lake City via the Mojave Desert and Las Vegas, Nevada. Stoker recorded details about the group's experiences and expenses, including the names of restaurants they visited, the car's odometer reading, and the amount and cost of gasoline they purchased; she combined all trip expenses at the end of her account (p. [46]). Stoker described the scenery and cities they visited, including San Francisco and Los Angeles, and discussed traveling by car ferry.

Stoker pasted photographs and postcards into her diary, sometimes including descriptions of photos she intended to add. Most images have captions, which include information about the location, date, and photographer. The pictures depict the Stoker family, their companions, and scenery from trips to the Pacific Coast in the summers of 1933 and 1935, including the family's lodgings, redwood trees, bridges, steamers, car ferries, military boats and submarines, and the family's car. One series of photographs depicts animals (prepared with taxidermy) at Golden Gate Park in San Francisco. Painted postcards and postcard sets show cities such as Tijuana, Mexico; San Diego, California; Portland, Oregon; Seattle, Washington; and Victoria, British Columbia, as well as scenes from California's Pacific coastline.