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The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

This diary contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935.

This diary (1 volume) contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935. The volume, comprised of two ruled spiral notebooks bound together with yarn, contains around 170 pages of material: the first 46 pages (recto) are numbered 1-[46], and the remaining pages (verso) are numbered [47-183].

Stoker's narrative (pages 1-[46]) recounts the trip she took with her son Edwin and "Aunt Clara King" from August 4, 1935-August 20, 1935. The family traveled by car from their home in Salt Lake City, Utah, to Vancouver, British Columbia, and followed the Pacific Coast south to Los Angeles, California. On their return journey, they drove from Los Angeles to Salt Lake City via the Mojave Desert and Las Vegas, Nevada. Stoker recorded details about the group's experiences and expenses, including the names of restaurants they visited, the car's odometer reading, and the amount and cost of gasoline they purchased; she combined all trip expenses at the end of her account (p. [46]). Stoker described the scenery and cities they visited, including San Francisco and Los Angeles, and discussed traveling by car ferry.

Stoker pasted photographs and postcards into her diary, sometimes including descriptions of photos she intended to add. Most images have captions, which include information about the location, date, and photographer. The pictures depict the Stoker family, their companions, and scenery from trips to the Pacific Coast in the summers of 1933 and 1935, including the family's lodgings, redwood trees, bridges, steamers, car ferries, military boats and submarines, and the family's car. One series of photographs depicts animals (prepared with taxidermy) at Golden Gate Park in San Francisco. Painted postcards and postcard sets show cities such as Tijuana, Mexico; San Diego, California; Portland, Oregon; Seattle, Washington; and Victoria, British Columbia, as well as scenes from California's Pacific coastline.