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This photograph album contains 10 albumen prints related to the Bunker Hill Monument in Charlestown, Massachusetts.

This souvenir photograph album (12cm x 18cm), which contains 10 albumen prints, is bound in blue pebbled book-cloth and has the title "Album Photographs[,] Bunker Hill Monument" stamped in gold on its cover. The first 2 pictures show the Bunker Hill Monument (a stone obelisk) and the statue of Colonel William Prescott, respectively. The remaining 8 photographs are aerial views of Charlestown and the surrounding area taken from the monument, showing residences, industrial buildings, the Charlestown Navy Yard, and the Charles and Mystic Rivers. Sailing ships are visible in many of the aerial views. The album belonged to Lucia K. Hathaway, who inscribed her name on its first page on November 15, 1884.

This volume contains diary entries and essays about sea travel between New York City and San Francisco, railroad travel between California and Florida, and life in Florida during the late 1880s. The volume also includes drawings, several incomplete acrostic poems about Grover Cleveland, two laid-in essays, and a list of theatrical performances.

This volume (80 pages) contains diary entries and essays about sea travel between New York City and San Francisco, railroad travel between California and Florida, and life in Florida during the late 1880s. The volume also includes drawings, several incomplete acrostic poems about Grover Cleveland, and a list of theatrical performances.

The bulk of the volume consists of diary entries and essays about the author's trip from New York City to San Francisco on the St. David between July 13, 1887, and December 17, 1887 (pp. 1-39); his time in San Francisco from December 1887 to January 1888 (pp. 41-46); his visit to the New Almaden quicksilver mine in December 1887 (pp. 47-50); his railroad trip from San Francisco to Jacksonville, Florida, in January 1888 (pp. 52-58); and his life in Florida from January 1888 to May 1889 (pp. 59-61). The diary of the voyage on the St. David documents weather conditions; sightings and captures of birds, porpoises, and fish; and leisure activities (such as card playing). When describing San Francisco, the author noted the population density of Chinatown and the city's preference for gold bits over paper money and pennies. During his visit to the New Almaden mine, he descended into a shaft, where he saw Mexican laborers carrying ore to the surface, a mule that had been underground for around a year, and a group of miners preparing a blast.

The author's account of his railroad voyage from California to Florida focuses on the cold temperatures and snowfall that caused him to miss all but one of his intended connections. During the trip, the author stopped at and briefly described Salt Lake City, Denver, Kansas City, and St. Louis. A clipping from a Denver & Rio Grande Railway circular contains a description of the route. While in Florida, the author noted how little Lake Geneva, his primary residence, had changed since his visit four years previously; he also commented on the effects of a yellow fever epidemic.

The travel writings are followed by a group of unfinished acrostic poems utilizing the name "Grover Cleveland" (pp. 62-65), an excerpt of dialogue (pp. 67-68), and a list of plays and theaters, including several that starred Edwin Booth (pp. 75-80). Pages 71-74 have been removed from the volume. Two loose essays laid into the book concern the purchase of hunting dog and a story about the author's travels with an itinerant dentist named Henry Carter. The names John Moore (Brooklyn, New York), Edward R. Wilbur, Jr. (New York City), and Mrs. Samuel Clemens are written on the final page of the volume.

The volume contains several illustrations, including a laid-in watercolor drawing of a sailor making a sail onboard the St. David. Drawings of "A Frisco Beauty" (p. 40) and "From the Car Window (Injuns)" (p. 57) are pasted into the book; the latter drawing shows Indians standing near a group of tepees. A sketched outline of part of a horse (p. 64) is drawn directly into the volume. The author's description of his trip to the New Almaden mine is illustrated with ink drawings of a canyon, the buildings over a mineshaft, and the mine's condenser.

Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while she lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as printed portraits of women writers and original poetry. Two drawings include a sailboat with very finely drawn seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while Pierce lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as portraits of women writers and original poetry. Two drawings include a sailboat with very fine seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

The volume includes one pasted-in autograph letter signed by J. E. Croly, editor of The Home-Maker monthly journal, respecting a submission by Pierce (December 11, 1890).

This volume contains biographical information about members of the Grand Army of the Republic (G.A.R.) Post No. 228, which was named after Colonel John A. Koltes and located in Philadelphia, Pennsylvania. Biographical sketches include information about veterans' dates and places of birth, as well as details of their Civil War service, such as their dates of enrollment and discharge, unit numbers, and participation in battles.

This volume (382 pages, of which 186 are blank) contains biographical information of about 190 members of the Grand Army of the Republic Post No. 228, located in Philadelphia, Pennsylvania. Biographical sketches include information about veterans' dates and places of birth as well as details of their Civil War service, such as dates of enrollment and discharge, unit numbers, and participation in battles.

Louis [Bergdoll] presented the volume, entitled "Personal War Sketches," to the John A. Koltes Post (No. 228) in 1892. The information is entered in manuscript on previously printed pages, which include sections for general post information, individual biographies, burial records, and additional supplementary information. The pages are accompanied by printed illustrations that depict soldiers, cannons, navy ships, and other military paraphernalia.

The biographical sketches (pp. 7-196) are organized in rough order alphabetically by surname. Each printed page includes sections for information on the soldier's birthdate and birthplace, military experience, and Grand Army of the Republic membership. Most of the post's members were born in various regions of Germany and in Philadelphia, though others came from Denmark (1 member), England (1 member), France (1 member), New Jersey (1 member) South America (1 member), and Switzerland (3 members). Many of the soldiers served in the same companies and regiments; specific enlistment data is included for each man. Some entries include additional notes about soldiers' participation in major battles, wounds sustained, time as prisoners of war, and close friends in the military, as well as the most important aspect of each man's army service. Burial information for some soldiers also appears on pages 369-373, covering the years 1874-1901.

Items laid into the volume include preprinted sheets on which soldiers responded to questions about their military service and personal histories. Two birth certificates for Wilhelm Lanert West, who was born in Philadelphia, Pennsylvania, in 1902, are laid into the volume between pages 92 and 93; each is dated June 22, 1964.

The Clarke family photograph album contains photographic prints taken during trips to New England, New York, and other locales from 1898-1902. The photographs show natural scenery, buildings of interest, soldiers, and family members.

The Clarke family photograph album (25cm x 32cm) contains 240 photographic prints, including cyanotypes, taken during trips to New England, New York, and other locales from 1898-1902. Of the prints, 232 are pasted onto the album's pages (usually four to a page) and eight are laid in; each mounted photograph has a caption, sometimes humorous. The title "Photographs" is stamped in gold on the album's brown leather cover.

The photographs depict buildings, street scenes, and natural scenery in places such as Marshfield, Vermont; Weirs, New Hampshire; Halifax, Nova Scotia; Lynn, Massachusetts; Catskill, New York; and Washington, D.C. The compiler noted places of interest in the family's history, such as Erastus Burnham's grave and the Burnham family farm in Marshfield, Vermont. Some interior views of private residences and schoolhouses are included, as are photographs of prominent locations such as the Vermont State House, the United States Capitol, Independence Hall, the Lee family home in Arlington, Virginia, "Rip Van Winkle's house," and the New York City skyline. Sailing ships, the paddlewheel steamer Mount Washington, and the battleships Indiana and Massachusetts are also pictured.

The photographer attended parades featuring elephants from the Forepaugh-Sells Brothers' Circus, celebrating the 50th anniversary of Lynn, Massachusetts, and the welcoming of United States soldiers as they returned from Cuba after the Spanish-American war. Group portraits include men, women and young schoolchildren. Women are shown riding bicycles, playing the piano, and wearing costumes such as a soldier's jacket and a puritan's dress. One picture, entitled "Dr. Jekyll and Mr. Hyde," is a double exposure of a woman in different poses.

This volume contains 44 pages of signals and roughly 46 pages of instructions and explanatory information pertaining to the Royal Navy's operations under Richard Howe around the time of the American Revolution. The book provides details about signals to be used while sailing by day, in fog, in battle, and at night, and it includes color illustrations of signal flags and lantern configurations. The binder's title is "Ld Howes Instructions."

This volume contains 44 pages of signals and roughly 46 pages of instructions and explanatory information pertaining to the Royal Navy's operations under Richard Howe during the American Revolution. The book provides details about signals to be used while sailing by day, in fog, in battle, and at night, and it includes color illustrations of signal flags and lantern configurations. The binder's title is "Ld Howes Instructions."

The first 6 pages are comprised of instructions ("Explanatory Observations") for making and using naval signals and an index to the signals in the volume. The following 44 pages hold information about specific signals. Color illustrations of flags are drawn along the margins, and some lantern configurations are illustrated with ink drawings. Accompanying explanations include details about the meanings of each signal and appropriate places of deployment.

The second section of the book contains "Instructions for the Conduct of the Ships of war explanatory of, and relative to the Signals contained in the Signal-Book" (46 pages). These instructions provide information on the conduct of British ships while in full sail, during engagements with the enemy, and in limited sight conditions such as fog and darkness. The night instructions refer to signals that are explained elsewhere within the volume.

This volume contains the bookplates of W. T. H. Howe (1920) and Edith Barbara Tranter.