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The Clarke family photograph album contains photographic prints taken during trips to New England, New York, and other locales from 1898-1902. The photographs show natural scenery, buildings of interest, soldiers, and family members.

The Clarke family photograph album (25cm x 32cm) contains 240 photographic prints, including cyanotypes, taken during trips to New England, New York, and other locales from 1898-1902. Of the prints, 232 are pasted onto the album's pages (usually four to a page) and eight are laid in; each mounted photograph has a caption, sometimes humorous. The title "Photographs" is stamped in gold on the album's brown leather cover.

The photographs depict buildings, street scenes, and natural scenery in places such as Marshfield, Vermont; Weirs, New Hampshire; Halifax, Nova Scotia; Lynn, Massachusetts; Catskill, New York; and Washington, D.C. The compiler noted places of interest in the family's history, such as Erastus Burnham's grave and the Burnham family farm in Marshfield, Vermont. Some interior views of private residences and schoolhouses are included, as are photographs of prominent locations such as the Vermont State House, the United States Capitol, Independence Hall, the Lee family home in Arlington, Virginia, "Rip Van Winkle's house," and the New York City skyline. Sailing ships, the paddlewheel steamer Mount Washington, and the battleships Indiana and Massachusetts are also pictured.

The photographer attended parades featuring elephants from the Forepaugh-Sells Brothers' Circus, celebrating the 50th anniversary of Lynn, Massachusetts, and the welcoming of United States soldiers as they returned from Cuba after the Spanish-American war. Group portraits include men, women and young schoolchildren. Women are shown riding bicycles, playing the piano, and wearing costumes such as a soldier's jacket and a puritan's dress. One picture, entitled "Dr. Jekyll and Mr. Hyde," is a double exposure of a woman in different poses.

This volume contains D. Coffin's daily account of the first leg of a sea voyage from New York City to California, covering the progress of the clipper ship Grecian between New York and Cape Horn in early 1852. The journal also includes drawings of scenery made during the voyage, newspaper clippings, penmanship exercises, and children's sketches.

This volume contains a 20-page daily account of the first leg of D. Coffin's voyage from New York City to California, covering the progress of the clipper ship Grecian between New York and Cape Horn in early 1852. The journal also includes 18 coastal profiles drawn in pencil during the voyage. A newspaper clipping at the beginning of the volume concerns the clipper ship Grecian's arrival in San Francisco. It provides names of passengers, names of three people who died during the voyage, a list of goods shipped onboard, and names of consignees.

The journal begins on February 19, 1852. The following day, Coffin arrived in New York, where he purchased a ticket for the ship Grecian, which set sail on March 2. In his first entry, he detailed the ship's specifications, including its size and number of passengers. He kept a daily record of weather and events onboard and frequently mentioned his negative opinion of "immoral" passengers who enjoyed alcohol and gambling. Several of the entries concern medical problems, such as the death of passenger John Morrison from smallpox on March 12, the author's own bout with side and bowel pain, and several other cases of smallpox reported by the ship's doctor on March 21. Though many passengers suffered from illness, they were allowed to go onshore after the ship's arrival at Rio de Janeiro on April 12. Coffin wrote lengthy descriptions of the fort and the city, including its geographical surroundings and a visit by the emperor. On April 15, he reported on local markets and made brief observations about slaves. The Grecian departed Rio de Janeiro on April 19 and Coffin's continued to make daily entries until April 24.

Newspaper clippings, penmanship exercises, and children's sketches make up the rest of the volume. The first 42 pages have pasted-in newspaper clippings of proverbs, humorous anecdotes, informational articles, news articles, and poetry. The creator pasted the clippings over earlier, mostly inaccessible pen writing. Some of the clippings relate to farming, housekeeping, nature, and recent gold discoveries. Two of the articles are a report on a lecture given by Lucy Stone on women's rights, and a brief feature on an "Emancipation Movement in Virginia."

Penmanship exercises and notes (two dated 1862 & 1888), signatures, and children's sketches (three associated with Edna Jane Coffin) are scattered throughout the volume. A pencil sketch of a three-masted sailing ship was signed by Mathew Doyle.

The C. Wallace Bell photograph album (40 x 31 cm) contains 34 photographs including images of paintings of ships and other maritime subjects, views of the Central Pacific Railroad in the United States, and views of coastal regions of Cornwall (England) and Snowdonia (Wales) from ca. 1880.

The C. Wallace Bell photograph album contains 34 photographs including images of paintings of ships and other maritime subjects, views of the Central Pacific Railroad in the United States, and views of coastal regions of Cornwall (England) and Snowdonia (Wales) from ca. 1880. Each photograph is surrounded by a hand-drawn pen and ink border loosely related to the content of the image. Below each image and within the bounds of the illustrated borders there are titles/captions detailing the location and subject. The photographs are housed in a burgundy leather album (40 x 31 cm) with “C. Wallace Bell” stamped in gold on the front cover.

The first four photographs are of the Central Pacific Railroad. These photographs show the railway traversing through canyons, along rivers, and upon cliffsides throughout California, Nevada, and Utah, and were likely produced by Alfred A. Hart. The next six photographs were likely all taken by Danish photographer Anton Melbye and are all images of paintings that illustrate various historical maritime subjects including Eddystone Lighthouse, ships near Constantinople and on the Bosphorus, a Danish corvette, and the “Sinking of the Scotch Frigate 'Bothwell' by the Danish Frigate off the Western Island, A.D. 1567.” The remaining 24 photographs appear to have been produced by English photographer Francis Frith, as the blind stamp "Frith's Series" appears on several images. These images primarily show coastal regions and natural landscapes in Cornwall and Wales. Specific locations represented include Land’s End, Kynance Cove, a fairy glen in Betws-y-Coed, Cadair Idris, Barmouth, Afon Mawddach, Llyn Cwm Bychan, Moel Siabod, Bembridge Point, Llanberis Pass, Clovelly Beach, Tal-y-llyn, Bedruthan Steps, Criccieth Castle, Scratchell’s Bay, and Gurnard’s Head among others. Many of these sites are well-known lookouts, rock formations, and hiking trails.

This diary (4.5"x7.5") consists of 57 pages of entries and notes composed by Scotland native David Houston, who emigrated to the United States with his wife and children in the summer of 1854. The first 41 pages (May 29, 1854-July 7, 1854) recount the Houstons' journey from Glasgow to New York onboard the President Fillmore. Later groups of entries report some of the family's expenses after arriving in North America (3 pages, May 24, 1855-September 28, 1855) and contain copied documents regarding Houston's religious affiliation, additional religious notes, and other brief entries about the family's lives in Philadelphia and New York City (13 pages, July 1854-January 4, 1858).

This diary (4.5"x7.5") consists of 57 pages of entries and notes composed by Scotland native David Houston, who emigrated to the United States with his wife and children in the summer of 1854. The first 41 pages (May 29, 1854-July 7, 1854) recount the Houstons' journey from Glasgow to New York onboard the President Fillmore. Later groups of entries report some of the family's expenses after arriving in North America (3 pages, May 24, 1855-September 28, 1855) and contain copied documents regarding Houston's religious affiliation, additional religious notes, and other brief entries about the family's lives in Philadelphia and New York City (13 pages, July 1854-January 4, 1858).

David Houston began his diary on May 29, 1854, after loading his family's trunks in a stateroom onboard the President Fillmore, an 870-ton sailing ship bound for the United States from Glasgow, Scotland. His wife, Margaret, and their three sons William, David, and Robert joined him soon thereafter, and the ship set sail on June 1. Houston described life onboard the ship in daily entries composed regularly until his arrival in New York on July 7, 1854 (pp. 1-41). He covered topics such as the distribution of sugar, tea, flour, oatmeal, beef, and other foodstuffs to passengers; his frequent attendance at, and leadership of, passenger-organized religious services; the ship's progress; and the weather, including a series of rough storms. Houston's diary also recounts the passengers' efforts to commend their captain, Peter Nelson, for his conduct during the voyage; after hearing several proposals, they wrote and orally presented a brief tribute, which Houston copied (pp. 34 verso-35 verso). Of note are entries describing the ship running aground (May 29, 1854, pp. 3-4), the effect of storms on the ship's sails and crew (June 8, 1854-June 12, 1854, pp. 12-15), a bird flying onto the boat (June 21, 1854-June 22, 1854, pp. 20-21), and the near death of an infant due to an accident (June 30, 1854, pp. 31-32). He also reported that he inserted a message in a bottle and dropped it in the ocean (June 24, 1854, p. 21 verso).

Though he stopped writing regularly upon his arrival in North America, Houston continued to record sporadic diary entries until January 4, 1858. These notes reflect several aspects of his life in Philadelphia and New York, such as the cost of rent, his regular correspondence with his father, who remained in Scotland, and his strong religious beliefs. On two occasions, he copied documents certifying his membership in the Presbyterian Church, and in one entry, dated June 3, 1856, he recalled his wife's delivery of a stillborn child.

This volume contains diary entries and essays about sea travel between New York City and San Francisco, railroad travel between California and Florida, and life in Florida during the late 1880s. The volume also includes drawings, several incomplete acrostic poems about Grover Cleveland, two laid-in essays, and a list of theatrical performances.

This volume (80 pages) contains diary entries and essays about sea travel between New York City and San Francisco, railroad travel between California and Florida, and life in Florida during the late 1880s. The volume also includes drawings, several incomplete acrostic poems about Grover Cleveland, and a list of theatrical performances.

The bulk of the volume consists of diary entries and essays about the author's trip from New York City to San Francisco on the St. David between July 13, 1887, and December 17, 1887 (pp. 1-39); his time in San Francisco from December 1887 to January 1888 (pp. 41-46); his visit to the New Almaden quicksilver mine in December 1887 (pp. 47-50); his railroad trip from San Francisco to Jacksonville, Florida, in January 1888 (pp. 52-58); and his life in Florida from January 1888 to May 1889 (pp. 59-61). The diary of the voyage on the St. David documents weather conditions; sightings and captures of birds, porpoises, and fish; and leisure activities (such as card playing). When describing San Francisco, the author noted the population density of Chinatown and the city's preference for gold bits over paper money and pennies. During his visit to the New Almaden mine, he descended into a shaft, where he saw Mexican laborers carrying ore to the surface, a mule that had been underground for around a year, and a group of miners preparing a blast.

The author's account of his railroad voyage from California to Florida focuses on the cold temperatures and snowfall that caused him to miss all but one of his intended connections. During the trip, the author stopped at and briefly described Salt Lake City, Denver, Kansas City, and St. Louis. A clipping from a Denver & Rio Grande Railway circular contains a description of the route. While in Florida, the author noted how little Lake Geneva, his primary residence, had changed since his visit four years previously; he also commented on the effects of a yellow fever epidemic.

The travel writings are followed by a group of unfinished acrostic poems utilizing the name "Grover Cleveland" (pp. 62-65), an excerpt of dialogue (pp. 67-68), and a list of plays and theaters, including several that starred Edwin Booth (pp. 75-80). Pages 71-74 have been removed from the volume. Two loose essays laid into the book concern the purchase of hunting dog and a story about the author's travels with an itinerant dentist named Henry Carter. The names John Moore (Brooklyn, New York), Edward R. Wilbur, Jr. (New York City), and Mrs. Samuel Clemens are written on the final page of the volume.

The volume contains several illustrations, including a laid-in watercolor drawing of a sailor making a sail onboard the St. David. Drawings of "A Frisco Beauty" (p. 40) and "From the Car Window (Injuns)" (p. 57) are pasted into the book; the latter drawing shows Indians standing near a group of tepees. A sketched outline of part of a horse (p. 64) is drawn directly into the volume. The author's description of his trip to the New Almaden mine is illustrated with ink drawings of a canyon, the buildings over a mineshaft, and the mine's condenser.

This collection contains a letter, journal, and sketchbook belonging to Midshipman Edwin Osgood Carnes, who sailed along the South American coast and to Japan with the United States Navy in the early 1850s. The letter, from a friend in San Francisco, California, describes the author's financial situation and recent employment history.

This collection contains a letter, a journal, and a sketchbook belonging to Midshipman Edwin Osgood Carnes, pertaining to his service in the United States Navy in the early 1850s.

The letter, signed "Bill H." and dated April 6, 1853, is three pages long and describes the author's financial situation and "real California life" in San Francisco. Bill mentioned his recent employment at a quartz mine and brickyard, and went into detail about his finances, offering Carnes the use of his bank account after the sailor's return to California.

The journal (71 pages), kept by Edwin Osgood Carnes between 1850 and 1851, chronicles his service on the USS Falmouth (January 4, 1850-May 24, 1850, pp.1-24) and on the United States Store Ship Fredonia (May 25, 1850-January 18, 1851, pp. 31-68); he also intended to keep a journal of his time on board the USS Porpoise, beginning in June 1853, but wrote no entries following the emph page (pp. 69-71). Carnes kept a daily chart of wind type, speed, and direction; weather conditions; and barometric readings, applying a personal set of abbreviations to the wind and weather. Entries from his time on the Fredonia also track the ship's daily latitude and longitude. The Falmouth, commanded by Thomas Petigree, left San Francisco on January 4, 1850, and traveled along the western coasts of the United States and Mexico, stopping at several islands along the way. Occasional notes record encounters with other ships, most frequently English or American vessels, and on one occasion the ship "Saluted the Mexican flag with 21 guns. It was returned" (March 4, 1850). Carnes was reassigned to the Fredonia on May 24, 1850; the ship sailed around Cape Horn to the Atlantic Ocean and north to Sandy Hook, New Jersey. During this journey, Carnes mentioned observing the national salutes celebrating the Chilean Independence Day (September 18, 1850) and lowering the Fredonia's flags to half-mast to honor deceased President Zachary Taylor (September 25, 1850). He included several illustrations of scenery, naval personnel, and the logo of the Porpoise for its 1853 surveying and exploring expedition.

The sketchbook contains 8 drawings, primarily in pencil, portraying several islands near Japan, a naval officer, and "a patent 'quick working,' 'time saving' steam sextant." For lists of illustrations in the journal and sketchbook, see "Additional Descriptive Data" below.

Eliza Ross wrote a daily diary for her child (or children) while traveling from Boston, Massachusetts, to Ipswich, England, on the Havilah in the fall of 1875. She commented on weather patterns, meals, aquatic animals, the ship's crew, and visits to the shore.

Eliza Ross wrote a 26-page daily diary for her child (or children) while traveling from Boston, Massachusetts, to Ipswich, England, on the Havilah from August 21, 1875-October 13, 1875. She commented on weather patterns, meals, aquatic animals, the ship's crew, and visits to the shore. The journal is written on loose pages.

Most entries focus on Ross's daily experiences and activities, and she often mentioned the meals she ate on the ship and (later) on shore. At sea and in port, Ross observed birds, fish, and dolphins, and she commented on the scenery during the Havilah's travels along Britain's southern shore. On one occasion, several men onboard caught a hawk (September 19, 1875). Ross discussed some aspects of the crew's daily routine, characterized the captain as a disciplinarian (September 29, 1875), and reported her "conclusion that a woman is no use at sea" (August 26, 1875). When the Havilah arrived at the Isles of Scilly, Ross and her traveling companion, George, telegraphed her mother to inform her of their safe arrival. Ross described the Isles of Scilly, though she did not visit the shore (September 27, 1875-September 28, 1875), and her shore excursions near Falmouth (September 29, 1875-October 1, 1875) and Ipswich (October 4, 1875-October 13, 1875).

This partially printed volume (44 pages) contains the log of the Fanny Sanford's voyage from New York to South America between June 27, 1820, and October 3, 1821. The voyage included stops at Rio de Janeiro, Brazil; Montevideo, Uruguay; Pisco, Peru; and Guayaquil, Ecuador.

This partially printed volume (44 pages) contains the log of the Fanny Sanford's voyage from New York to South America between June 27, 1820, and October 3, 1821. The voyage included stops at Rio de Janeiro, Brazil; Montevideo, Uruguay; Pisco, Peru; and Guayaquil, Ecuador.

The logbook, manufactured by William Hooker in New York in 1819, contains printed grids in which to record daily readings such as wind direction, latitude and longitude, and remarks. The entries for this voyage were kept only occasionally, and remarks most often concern the weather; one entry noted the confinement of two unruly passengers (July 5, 1820). The Fanny Sanford reached its initial destination of Rio de Janeiro around July 24, 1820, and departed for Montevideo about two months later. Following a stay in Montevideo, the ship sailed for Peru, in late December, and arrived in Pisco around February 1821. From there, the Fanny Sanford traveled to Guayaquil, Ecuador. The remainder of the log records the ship's movements along the western coast of South America and its eventual departure for a return trip to Montevideo.

The final pages contain notes kept by a later owner, including lists of loans made to Colonel William French in September and October 1841; other records are dated as late as 1847. The title page contains a printed illustration of a sailing ship, and the book contains 2 printed advertisements for maps and nautical publications. The title page was signed by Timothy Thompson.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

This collection contains 5 letters that George N. Ives, a fish and oyster packer in New Bern and Beaufort, North Carolina, wrote to Captain Samuel Truman Preston of Greenport, New York, in 1883 and 1884. Ives primarily discussed his boats, including one he had recently purchased.

This collection contains 5 letters that George N. Ives, a fish and oyster packer in New Bern and Beaufort, North Carolina, wrote to Captain Samuel Truman Preston of Greenport, New York, in 1883 and 1884. Ives primarily discussed his boats, including one he had recently purchased.

Ives wrote each of his letters (9 pages total) on stationery decorated with his business logo, the background of which was an image of a blue or pink fish. In his first letter, he described the recent travels of his sloop Nellie May and physical specifications of his schooner Nellie B. Neff (April 11, 1883). On November 15, 1883, he requested additional information from Captain Preston regarding the Annie, to help him determine whether or not to buy it. In his final 3 letters, Ives discussed the Favorica, a boat he purchased around 1884. Among other topics, he mentioned the Favorica's incomplete outfitting and his intention to send a flag and compass to New York to meet the ship upon its arrival. Ives occasionally thanked Preston for shipments of clams.