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The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while she lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as printed portraits of women writers and original poetry. Two drawings include a sailboat with very finely drawn seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while Pierce lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as portraits of women writers and original poetry. Two drawings include a sailboat with very fine seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

The volume includes one pasted-in autograph letter signed by J. E. Croly, editor of The Home-Maker monthly journal, respecting a submission by Pierce (December 11, 1890).