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The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

This collection contains 5 letters that George N. Ives, a fish and oyster packer in New Bern and Beaufort, North Carolina, wrote to Captain Samuel Truman Preston of Greenport, New York, in 1883 and 1884. Ives primarily discussed his boats, including one he had recently purchased.

This collection contains 5 letters that George N. Ives, a fish and oyster packer in New Bern and Beaufort, North Carolina, wrote to Captain Samuel Truman Preston of Greenport, New York, in 1883 and 1884. Ives primarily discussed his boats, including one he had recently purchased.

Ives wrote each of his letters (9 pages total) on stationery decorated with his business logo, the background of which was an image of a blue or pink fish. In his first letter, he described the recent travels of his sloop Nellie May and physical specifications of his schooner Nellie B. Neff (April 11, 1883). On November 15, 1883, he requested additional information from Captain Preston regarding the Annie, to help him determine whether or not to buy it. In his final 3 letters, Ives discussed the Favorica, a boat he purchased around 1884. Among other topics, he mentioned the Favorica's incomplete outfitting and his intention to send a flag and compass to New York to meet the ship upon its arrival. Ives occasionally thanked Preston for shipments of clams.

Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while she lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as printed portraits of women writers and original poetry. Two drawings include a sailboat with very finely drawn seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while Pierce lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as portraits of women writers and original poetry. Two drawings include a sailboat with very fine seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

The volume includes one pasted-in autograph letter signed by J. E. Croly, editor of The Home-Maker monthly journal, respecting a submission by Pierce (December 11, 1890).

This collection is made up of letters that Henry R. Partridge, a merchant ship captain, wrote to his wife Salista during voyages to Europe and the Caribbean in the 1870s. He commented on his loneliness, the loading and unloading of cargo, other crew members and vessels, and ports of call. One additional letter concerns Henry Partridge's suicide in 1880.

This collection is made up of 13 letters that Henry R. Partridge, a merchant ship captain, wrote to his wife Salista during voyages to Europe and the Caribbean on his brig Salista in the 1870s. One additional letter concerns Partridge's suicide in 1880.

Henry Partridge wrote to his wife between April 17, 1871, and September 15, 1879, while in port at Alicante, Spain (2 items); Naples, Italy (2 items); Marseille, France (1 item); Messina, Italy (2 items); Beirut, Lebanon (1 item); Gibraltar (2 items); Saguá la Grande, Cuba (1 item); Cádiz, Spain (1 item); and Bilbao, Spain (1 item). Partridge commented on recent sailing experiences; discussed cargo purchasing, loading, and unloading; noted food purchases; and reported on other crew members and other vessels. In his letter of January 21, 1872, Partridge told his wife about the Salista's steward, who had recently discovered that he was not the father of his favorite daughter. In another letter, Partridge told his wife of a man who had left in the company of two women after his family had returned home (July 1, 1873). Partridge occasionally wrote about food, salt shipping, and consignment agents; his letter of November 13, 1876, contains penmanship practice by his daughter Ada. Partridge frequently commented on his loneliness and desire to meet with his wife upon his returns to Boston and New York.

John Zittlosen, a commission merchant in New York City, wrote a letter to L. M. Partridge on January 27, 1880, concerning Henry Partridge's suicide by gunshot in Gibraltar. Zittlosen copied the text of a telegram he had received, shared his condolences, and requested that the recipient first inform Salista Partridge that her husband was sick, "so that the shock will not come to[o] hard on her at once."

This volume was owned by successive generations of the Hoyt family in Stamford, Connecticut, and Hudson, Michigan, in the 18th and 19th centuries. Its contents include military accounts from St. Johns, Newfoundland; arithmetic problems and solutions; and drawings of animals and natural scenes, including two hunters' encounter with a bear.

This book was owned by successive generations of the Hoyt family in Stamford, Connecticut, and Hudson, Michigan, in the 18th and 19th centuries. The front cover of the hide-bound volume bears the faint remnants of the English royal arms. Writing on the inside of the front cover indicates that the volume was owned by Jonah Hoyt (or Hait) before being presented to his grandson, Fred L. Hoyt, on his 21st birthday. The early pages include 7 pages of accounts for the receipt of military stores and provisions at St. Johns, Newfoundland, between September 1762 and August 1764. The section also contains a birth register regarding the children of Jonah and Anna Polmateer Hoyt.

The bulk of the volume is mathematical problems and solutions, including exercises related to multiplication, division, fractions and decimals, currency reduction, and the rule of three (cross-multiplication). Several measurement conversion tables, brief poems, penmanship exercises, and geometric line drawings are interspersed throughout this portion of the book, which also includes signatures by Jonah Hoyt and his son Lewis. Most of the poems are brief and humorous, with longer poems concerning a visit to London and the virtue of patience. Newspaper clippings regarding the death and funeral of George Washington, the wealth of Cornelius Vanderbilt, presidential election results from 1789 to 1872, and Ralph Waldo Emerson's poem "Boston" are laid and pasted into the volume. A few plants are also laid in, as well as a letter from T. Andrews to Mary Andrews about life in Ypsilanti, Michigan, in February 1837. Decorated cutouts made from colored paper are pasted into the volume.

Emery Hoyt and other family members created many drawings, which appear after the arithmetic problems. Two are colored: a partially colored view of a church resembling a castle and a reproduction of an engraving showing a waterfront scene (the original engraving is laid into the volume). Most of the remaining pictures are pencil drawings and sketches of wild animals, including woodland creatures such as squirrels and deer; farm animals such as horses, cattle, and pigs; and African animals such as elephants, an oryx, and rhinoceroses. Other scenes of note show two hunters during an encounter with a bear, with one of the hunters preparing to hit the bear with the butt of his rifle; a safari hunter beside an elephant; and cavalry officers stabbing and shooting Native Americans. Also included are an outline of the state of Maine and a sketch of a sailing ship.