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The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

The Masten family papers contain correspondence documenting the everyday lives of the Hastings and Masten families in 19th-century New York, as well as the Civil War service and subsequent endeavors of Henry Masten in Grandville, Michigan.

The Masten family papers are comprised of 120 letters and two miscellaneous items, dating from 1799 to 1899. The daughters of Jonas and Nancy Hastings were the primary writers of the earliest letters, which concern mainly family and farming news, specifically births, marriages, and deaths of relations and neighbors. Caroline (Hastings) Pennell’s letters to her siblings in New York shed light on the family’s struggle in Northville, Michigan, where they settled sometime in the 1830s. In a letter dated October 14, 1840, Caroline mourned the death of her infant Ebenezer, “his little body was laid in the silent grave by the side of little Andrew and it appears at times as though a part of my heart was buried with them. I find in the midst of life we are in Death and the most promising flowers are nipt in the bud…”

Several letters from the 1850s refer to problems between Samuel Hastings and his wife Mary. On September 25, 1851, Caroline wrote to her sister Nancy, stating, “Mary tells me she and the children talk of coming back this fall they cannot live there with Sam in any peace the children are afraid of him….” Caroline blames the strife on “cursed Drag Alcahol.”

Also noteworthy is the long series of letters between Henry Masten (son of Nancy and Ephraim Masten) and his sisters during the 1860s and 1870s. Henry’s Civil War letters cover camp life in Virginia, such as marching, food, weather, and equipment. In a letter of October 24, 1864, he describes being surprised by the Confederate Army at the Battle of Cedar Creek. The letters from the 1870s, when Henry lived in Grandville, Michigan, portray the work, recreation, family relations, and social setting of a farming family of that era. They contain details of farm work, birth and death of children, health and sickness, church activities, and religious beliefs. Later letters detail his activities with his grocery business, Masten & Hammond.

The Mead family papers primarily document the Civil War experience of Henry Mead, of the 10th Connecticut Infantry, up to his death from typhoid fever in April 1862. Mead’s letters describe informal religious meetings, the battles of Roanoke and Newbern, and camp life.

The Mead family papers contain 28 letters written between October 10, 1861, and July 17, 1863. Henry Mead wrote 21 of the letters to his parents and siblings during his service in Company I, 10th Connecticut Infantry. Other letter writers include Henry’s friend William Long, who was also a member of Company I, as well as a soldier named Willis, likely Willis Mead of the 6th New Hampshire Infantry, and Henry’s father, Sanford Mead. George Pease, “Nellie,” and “Deak” contributed three additional letters; their connection to the Meads is unclear.

Henry Mead’s letters shed light on his six months of service with the 10th Connecticut Infantry, before his death from typhoid fever in April 1862. He provided details of camp life, drilling, sailing on the schoonerE.W. Farrington , and the religious activities of soldiers. He was a dedicated participant in informal religious “meetings” held in tents, and discussed them throughout his correspondence. On December 10, 1861, he wrote, “there was one thing that made the meeting rather more solom to night was the loosing of our men last night… It made a deep thought on my mind for I thought why was it not I instead of him.” In his letter of October 29, 1861, he described getting his photograph taken in uniform and having money stolen from his pocketbook. Although Mead’s battle descriptions are sparse, he frankly expressed his anxiety and fear of death before fighting at Roanoke (February 8, 1862).

This collection consists of letters, poetry, and memoirs that Thomas Davenport of Antwerp, New York, wrote in the mid- to late 1860s, primarily concerning his religious beliefs. Davenport discussed topics such as salvation, the afterlife, and sin.

This collection (5 items) consists of letters, poetry, and memoirs that Thomas Davenport of Antwerp, New York, wrote in the mid- to late 1860s, primarily concerning his religious beliefs. Davenport discussed topics such as salvation, the afterlife, and sin.

In 3 Letters to a niece, a nephew, and his sister Nancy (January 4, 1864-September 20, 1867), Davenport discussed his social activities and provided news about his acquaintances, who included a woman named Emeline (or Emoline) and a man named Erastus Kellogg. He mentioned local news, the cultivation of sugar and potatoes and, on one occasion, some of the effects of the Civil War (May 7, 1866). His letters include a narrative poem about courtship (January 4, 1864) and riddles (September 20, 1867).

The standalone Poem is a 47-page meditation on salvation, judgment, and similar topics, particularly related to the Christian view of death. The poem frequently references Biblical stories of Adam and Eve and Jesus Christ.

Thomas Davenport composed a volume of Memoirs (90 pages) focusing on his religious life, including his "vision of the New Jerusalem" and "treatise[s] on various Subjects." Written in or after 1863, the manuscript intertwines Davenport's religious affirmations, biography, and poetry. The first portion of the book is an essay on the Christian view of sin and salvation, as well as a brief note about Davenport's conversion to Christianity. Davenport also described Heaven, which he called "New Jerusalem," as he witnessed it when he was a young man (pp. 12-14). Along with explaining his own religious convictions, he commented on other religions, including Mormonism (p. 24) and Catholicism (pp. 24-25). After page 34, most of the loosely bound volume is comprised of poems on religious topics and dedicated to friends and family members. The poems are frequently interspersed with brief narrative accounts of Davenport's life, including his work as a clothier's apprentice (pp. 49-51).