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The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

The Watkins and Livingston family scrapbook contains letters between members of the Watkins, Livingston, and Jay families; genealogical data recorded by Lucretia Elizabeth Hamersley Rylance; and miscellaneous drawings and newspaper clippings related to the families.

The Watkins and Livingston family scrapbook includes 94 items relating to the Watkins and Livingston families. Lucretia E. Hamersely Rylance created the scrapbook in 1882 and included family correspondence retrieved from her Aunt Beebee's attic as well as her own genealogical research.

The bulk of the collection consists of 69 letters, with many written between sisters Susan Symmes and Judith Watkins. The letters primarily regard family news and concerns, noting health, marriages, and social visits. Additional topics mentioned include the American Revolution, the death of Governor Dewitt Clinton, the Peggy Eaton scandal, Cherokee removal, the nullification crisis, bank and tariff struggles, the anniversary of Andrew Jackson's Battle of New Orleans, the Panic of 1837, African American servants, Fanny Kemble Butler, and Austrian exile Giovanni Albinola. Letters from John Jay and his descendants are also represented in the collection. With women from prominent families penning many of the letters, the correspondence also highlights women's relationships, reading habits, engagement with financial matters, and occasionally thoughts on political affairs.

The Watkins and Livingston family scrapbook also includes newspaper clippings, a family tree, a cabinet card, a pen and ink drawing of a scene from a fairy tale, and colored pen and ink drawings of family coats of arms. See the Detailed Box and Folder Listing for more information about each item.