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Collection

Friendship and Autograph Album collection, 1826-1944 (majority within 1826-1908)

45 volumes

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Collection

Ira James Titus poetry and commonplace book, 1840-1844

1 volume

This collection is a single bound volume containing poems and essays copied by Ira James Titus of Detroit, Michigan, in 1840. Several subsequent entries are by members of the Barlow family.

This collection is a single bound volume containing poems and essays copied by Ira James Titus of Detroit, Michigan, in 1840. Several subsequent entries are by members of the Barlow family. The volume includes several hand-drawn illustrations, including one of a ship. On the final page is a list of female names.

Contents:
  • "What is Hope?" by Anna
  • "Ode on Solitude" by Alexander Pope
  • "The Motherless" by Mrs. Abdy
  • "The Funeral at Sea" by Henry J. Finn
  • "Ye Sons of Hibernia" by James Gibbons
  • "Ode: In Commemoration of the Settlement of Western New York" by William H. C. Hosmer
  • "A Song of the Sea" by H.W. Rockwell
  • "The Silver Birdsnest" by Hannah Flagg Gould