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The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

The Pennsylvania National Guard album contains approximately 250 images pertaining to an unidentified man’s service with the Pennsylvania National Guard Cavalry and his civilian life from circa 1916 to 1918. The vast majority of the photographs are snapshots primarily taken in Pennsylvania, Texas, and New Mexico.

A carte de visite and postcard are loose in the front of the album. The carte de visite of an unidentified man photographed in Pottstown, Pennsylvania. The postcard depicts the Basilica of Sainte-Anne-de-Beaupré, Quebec.

The first few pages of photographs depict Mount Gretna, Pennsylvania and show the Pennsylvania National Guard’s encampment, a river (possibly the Susquehanna River), and three men identified as Captain Arthur C. Colahan, Lieutenant Edward Hoopes, and Lieutenant William P. Wattles. Only the first two pages include captions.

The next series of photos likely show the Pennsylvania National Guard's encampment near El Paso, Texas, which they occupied until early 1917. These photos show border patrol, artillery training, drills, supply wagon trains, a polo team, game of baseball, a dust devil, reconnaissance aircraft, cavalry maneuvers, and a cavalry charge.

Interspersed throughout are photographs of civilian and family life. These images include a woman and newborn child, likely the unidentified compiler's wife and child. Some of these photos show picnics, a bullfight, racehorse track, a ranch, and scenic landscapes. Many show small towns and vernacular architecture, specifically mission style which was common to the area. Of particular note is a parade with a large sign, "We're from El Paso Tex/ Berlin or Bust."

The remaining portion of the album contains images of Texas, showing scenes at a park, the Capitol Building, and more family photos. Other identifiable locations include the Alamo, Kern Place, Hotel Sheldon (El Paso, Texas), and Elephant Butte Dam and Reservoir.

The Vera and Gene Foreman photograph albums consist of four volumes containing approximately 917 photographs and miscellaneous ephemera that document the experiences of Vera Irene Masuch and her husband-to-be Charles Eugene “Gene” Foreman in post-World War II Europe both before and after they first met as well as earlier trips taken by Vera and friends to various places in the United States.

Volume 1 (1942-1943)

This album (25.5 x 33 cm) has brown faux-leather covers and contains approximately 159 photographs as well as some postcards. Images include numerous snapshots of young men and women (including Vera) on a ranch in Green Mountain Falls, Colorado; coverage of visits to Pike's Peak, Denver as well as an unidentified tropical location; and photographs showing young men in military uniforms.

Volume 2 (1949)

This album (32 x 38 cm) has decorative dark blue faux-leather covers and white plastic ring binding and contains 50 photographs as well as some ephemera. Only five pages near the front of the album and two pages towards the back contain any photographs, most of which show American GIs (including Gene) in training camp settings primarily near the town of Friedburg, Germany, and engaging in social activities. Some but not all images have captions. Also present towards the back of the album are several loose images including real photo postcards showing travel scenes to European locations such as Paris, Naples, Rome, and Venice as well as a group portrait of a football team, a program dated December 2 1950 for a USAREUR football game between the 2nd RCT "Dragoons" and 16th Infantry Regiment "Rangers," and a souvenir from the Casa Blanca cocktail bar in Newark, New Jersey bearing Gene Foreman's signature.

Volume 3 (1949-1950)

This album (32 x 38 cm) has decorative black faux-leather covers and white plastic ring binding and contains approximately 580 photographs as well as some ephemera. Images include photographs (including football games) from the U.S. military base near Augsburg from 1949 to 1950; recreational visits to Augsburg, Berchtesgaden (including the Eagle's Nest), Garmisch, Bonn, Heidelberg, and Frankfurt am Main in Germany, Salzburg and Vienna in Austria, and locations in the Netherlands, France, and Italy; wounded American soldiers encountered during a visit to a hospital in Munich; and 24 views of the former concentration camp in Dachau. Other images of note include photographs of a wedding between Vera's friends Mary and John and sporadic images unrelated to post-war Europe that were taken during past vacations including trips to Colorado, Utah, and El Paso, Texas.

Volume 4 (1950-1951)

This album (34.5 x 28 cm) has red leather covers and red satin lining and contains approximately 125 photographs as well as some ephemera. The first page bears the inscription "Merry Christmas! Gene, 1951, Augsburg, Germany" as well as a photograph of Vera and Gene seated together at a table. Images include numerous snapshots of friends and soldiers engaged in social activities taken on the Augsburg military base as well as photographs (including real photo postcards) taken in other European locations such as Venice, Pisa, Florence, Cannes, Amiens, and Paris. Numerous individuals are identified through captions. Also present is a tissue with lipstick kisses and a tuft of blonde hair, while several photographs and ephemeral items are stored loose towards the back of the album.

The individual captioned as "me" in a number of photographs in Volume 3 appears to be Vera. She also appears regularly in the pictures of Volume 1 (also identified as "me" in captions) as well as Volume 4, but does not appear at all in Volume 2. Gene appears for the first time outside of Volume 2 in the final few pages of Volume 3, where he is initially introduced in a portrait with the caption "Gene Forman - Eibsee Hotel, June 1950"; this portrait is followed by a full page of photos of Gene. Given that Volume 2 seems to portray Gene's time in Friedburg and most of Volume 3 seems to represent Vera's personal experiences in Augsburg and traveling elsewhere in Europe, it appears that they may have been unacquainted prior to June 1950. By October 1950 the two appear to be acting as a couple, as documented in a travel bureau itinerary present at the end of Volume 3 that details a four-day program in Naples for "Miss Masuch and Mr. Forman." The couple also appears together in Volume 4, though in this instance the "me" captions refer to Gene and not Vera, suggesting that he was the primary creator of that album.

The Vernon Foley photograph album (18 x 27 cm) primarily contains photographs taken in and around California and the West Coast of the United States. Many images feature a group of travelling men, likely Bell telephone linemen.

The Vernon Foley photograph album (17 x 19 cm) primarily contains photographs taken in and around California and the West Coast of the United States. Many images feature a group of travelling men, likely Bell telephone linemen. Images of note include: the Panama-Pacific Exhibition in San Francisco; a sleet storm in Portland Oregon; beaches in San Francisco; geysers at Calistoga, California; railroad travel; El Paso street scenes; a bullfight and Pancho Villa's train cars in Juarez, Mexico; hunting and camping scenes in Emigrant Gap, Wyoming, and Lake Fordyce, California; visiting with friends in Davis, California; and the burning of the Freeman Hotel in Auburn, California. One photograph shows a group of men wearing flu masks standing next to a truck with a Bell company logo; some captions refer to cutting wires during the sleet storm in Portland, and "trimming the right-of-way," and men are shown wearing leg shanks and climbing gaffs. Of note are scenes of the Armistice Day celebration in San Francisco, with many participants wearing flu masks. Most photographs are labeled with handwritten captions.

The album has black cloth covers and is tied with a black cord. Stored in three-part wrap with blue cloth spine.

The Willard Cundiff scrapbook contains 64 photographs as well as poems, cartoons, illustrations, and inscriptions compiled by a young man visiting El Paso, Texas, and other western locales while being preoccupied with unrequited love.

The Willard Cundiff scrapbook contains 64 photographs as well as poems, cartoons, illustrations, and inscriptions compiled by a young man visiting El Paso, Texas, and other western locales while being preoccupied with unrequited love.

Sometime between 1905 and 1908, Willard Cundiff became enamored with a young woman in El Paso named Argyra White. Both were teenagers at the time and while they may have seen each other on a few occasions the infatuation was clearly not mutual as Argyra was apparently more interested in a young man named Eldon Burns. By 1909 she had married a doctor and moved to Chicago. Various captions in the scrapbook suggest that the volume was mostly compiled in the aftermath of Cundiff’s rejection.

The scrapbook (26 x 33 cm) has green cloth covers and is framed as a personal tribute from Cundiff to Argyra White. Photographs of El Paso and other towns in the southwestern United States and Mexico (including Cloudcroft and Mesilla Valley in New Mexico and Tucson, Arizona) taken by Cundiff may have started out as potential postcard material for his employer at the time, Humphries and Co., yet Cundiff compiled and reimagined these scenes as places he might have enjoyed with Argyra. Small illustrations and verses he included with the photos express both his devotion to her and his disappointment at being rejected. Nearly every drawing includes a small image of a bleeding heart with an arrow driven through it. Some illustrations are of scenes near Antwerp and Innsbruck, suggesting that Cundiff also may have traveled to Europe. A few of the drawings seem to record actual encounters that Cundiff had with Argyra on a street, at a theater, and at a skating rink. The album ends with a picture of a cemetery captioned “we go to the last long sleep, the end of all disappointment.”

Cundiff appears to have recovered from his ill-fated romantic endeavors eventually. By 1908 he had relocated to southern California and became a successful illustrator. In that same year he published a cartoon version of Who’s Who in Riverside California, and in 1914 he came out with an innovative book of road maps envisioned from the air, The Panoramic Automobile Road Map and Tourist Guide of Southern California, published by The Cadmus Press in Los Angeles.