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The Brown-Danskin Company photograph album contains photographs of farm properties in the Red River Valley (North Dakota and Minnesota), offered for sale by the Brown-Danskin Company.

The Brown-Danskin Company photograph album (15 x 20 cm) contains 50 photoprints of farm properties in the Red River Valley (North Dakota and Minnesota), offered for sale by the Brown-Danskin Company. Photographs show large fields of clover, rye and wheat, often with a lone figure standing at a distance. Also shown are farmhouses, barns, and outbuildings on properties, with occasional livestock. Cars, telephone lines, and windmills appear in multiple photographs, and several images relate to harvests. Typescript captions describe the buildings, available amenities, soils, and prices. Images appear to be professionally composed and developed.

The album has a black cloth cover with printed title: Eastern North Dakota and Red River Valley Farms, the Brown-Danskin Company, Minneapolis, Minn. and is housed in a pale blue cardboard box.

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The album (31 x 26 cm) begins with the birth of May Marguerite Brown in October or November, 1888, and focuses on the subsequent visits of relatives and neighbors, including the Mayers, Crosby M. Wright, and Aunt Ellen Smedley. Images include family group portraits, exterior and interior views of the large family home at 63rd and Median Streets, winter scenes at nearby parks, and views of the neighboring homes of John Bell, Mr. Hess, and Jacob Jones. Other photographs depict Brown family visits to Ellen Smedley at "Bala" in Bryn Mawr (Pennsylvania), to Norwalk (Ohio), and a fishing trip to Waterville (New Hampshire). Also included are views of mill clerk F. A. Reinstein in his office, and industrial buildings from 33rd and Walnut Streets in Philadelphia (possibly the family textile mills).

The Buffalo Soldiers carte-de-visite album contains cartes-de-visite and tintype photographs of African American soldiers, civilian men and women. Some of the photographs were taken in Webster, Dakota Territory (now South Dakota).

The Buffalo Soldiers carte-de-visite album contains 16 cartes-de-visite and 7 tintype photographs taken circa 1870s and 1880s, now housed separately. Included are formal studio portraits of unidentified African American and Caucasian civilians and soldiers. Some individuals posed in pairs or groups. Many of the photographs, including some of the cartes-de-visite of African American soldiers, were taken in the Dakota Territory. The original album (12cm x 15cm) has covers bound in blue cloth; a metal shield is attached to the front cover.

This photograph album contains 10 albumen prints related to the Bunker Hill Monument in Charlestown, Massachusetts.

This souvenir photograph album (12cm x 18cm), which contains 10 albumen prints, is bound in blue pebbled book-cloth and has the title "Album Photographs[,] Bunker Hill Monument" stamped in gold on its cover. The first 2 pictures show the Bunker Hill Monument (a stone obelisk) and the statue of Colonel William Prescott, respectively. The remaining 8 photographs are aerial views of Charlestown and the surrounding area taken from the monument, showing residences, industrial buildings, the Charlestown Navy Yard, and the Charles and Mystic Rivers. Sailing ships are visible in many of the aerial views. The album belonged to Lucia K. Hathaway, who inscribed her name on its first page on November 15, 1884.

This photograph album contains tintype, carte-de-visite, and other portraits of various individuals taken in Burlingame, Kansas, and other locations in the late 19th century.

This photograph album (13.5cm x 17cm) contains 10 tintypes, 5 cartes-de-visite, and 4 additional studio portrait photographs of men and women. Some of the cartes-de-visite were taken in Burlingame, Kansas, and some may have been taken near "Dent Lake." One photomechanical print of Dora E. Hough may have been clipped from a published book or magazine. The photographs depict individuals and groups of young women and men, who are sometimes identified in captions. Captions are also present on many blank pages, though the photographs are no longer present. The volume has the title "Album" stamped in gold on its spine and additional stamped floral and decorative designs on its covers. The album, which is bound in brown leather, once had two metal clasps; only one remains.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple. The album (18.5 cm x 29 cm) has black cloth covers and is tied with black string. Towards the beginning of the album there are 20 photographs of Native Americans (likely members of the Confederated Tribes of the Umatilla Indian Reservation) with tipis at an encampment and on horseback in full regalia during a parade in Walla Walla, Washington; a river view with paddle steamers; and two views of a parade with the marching band from the U.S. Indian School in Chemawa, Salem, Oregon. Subsequent images from further south along the Pacific coast include views of Golden Gate Park; Sutter Fort and the Capitol building in Sacramento, California; the outdoor organ from the Panama-Columbian Exposition in San Diego; Balboa Park; an early Loughead Model G seaplane on a dock with a sign offering passenger rides; and the Santa Barbara Mission and rocky coastline nearby. Also present are views of Multnomah Falls, Oregon, and giant redwoods. Towards the back end of the album are four photographs showing a parade on a suburban street with 5 women wearing uniform caps, possibly factory workers, sitting in an open automobile decorated with American flags and a sign on the back that reads "Doing our bit."

The California and Western Tour photograph album contains commercial and amateur photographs of scenes in Yosemite National Park, Yellowstone National Park, California, New Mexico, and other locales. The volume includes a group of photographs taken at the World's Columbian Exposition in Chicago, Illinois, in 1893.

This album (23cm x 30cm) contains 67 commercial and amateur prints of scenes in various locales, particularly in the western United States. The album is bound in red pebbled leather with small gold trim. Many of the photographs are commercial prints as large as 19cm x 24cm, with captions and negative numbers. Manuscript captions accompany some of the items, often with information about the size of natural features shown. Pictures of rock formations, waterfalls, rivers and lakes, and geysers are most common, along with shots of architectural landmarks and groups of tourists. Prominent photograph locations include Yosemite National Park (9 items), Garden of the Gods (4 items), New Mexico (3 items), the Columbia River (3 items), and Yellowstone National Park (20 items). The album has 2 pictures of Niagara Falls, one of which was taken in winter.

Though the album focuses on natural scenery, several photographs show various types of buildings, such as missions in California and New Mexico, hotels in California, the Lick observatory, a group of buildings at the Shasta Springs retreat, a railroad dining car interior, and the exterior of a Chinese restaurant in San Francisco, California. Scenes of horse-drawn carriages fording the Fire Hole River in Yellowstone National Park and passing through a tunnel cut into the trunk of a large tree in Yosemite National Park are present, as are other group photographs. One shows "Miss E. P. Gould" riding a horse, and another shows a group of men fishing on Yellowstone Lake. An 1888 portrait of John C. Frémont, his wife Jessie, and their daughter shows them standing in front of the "Fremont tree" in Redwood Grove. A final group of photographs consists of pictures of various buildings constructed for the 1893 World's Columbian Exposition in Chicago, Illinois.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906. The album begins with scenes of Colorado. These images show views from a railway through the Rocky Mountains and a trip to Garden of the Gods in Colorado Springs.

A majority of the photographs were taken in San Francisco, California. These photos date from May, 1906, just after the San Francisco earthquake and fire. Many of the images show refugee camps and temporary housing, displaced businesses, and damage on Van Ness Ave, which was used as a firebreak by the United States Army. The McKinley Parade, also known as Fiesta de Los Angeles is photographed as well. Other California scenes include Cliff House in San Francisco, an ostrich farm in Pasadena, vineyards, and orchards of olive trees, palm trees, and lemon trees.

The last portion of the album is of Long Island, New York State. These scenes include people on a boat in the water near Westhampton, people swimming in Jamaica Bay, and Apacuck Point.

The album is 18.5 x 14 cm with red cloth covers.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print views of various travel destinations in California in 1898.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print photographs of various travel destinations in California in 1898. Captions are written below each photograph.

The Camp Funston, Kansas, and Camp Lee, Virginia, photograph album contains approximately 100 photographs related to World War I army training activities and facilities at Camp Funston, Kansas (later Fort Riley); Camp Lee, Virginia; and Fort Myer, Virginia.

The Camp Funston, Kansas, and Camp Lee, Virginia, photograph album contains approximately 100 photographs related to World War I army training activities and facilities at Camp Funston, Kansas (later Fort Riley); Camp Lee, Virginia; and Fort Myer, Virginia. The album (21 x 28 cm) has brown suede covers stamped with a U.S. Army design and is bound with string. Most photographs include manuscript captions on versos. Images include photographs of training activities including bayonet drills, hand-to-hand combat, digging trenches, and practicing maneuvers; Basil M. Stevens standing at the front of African American guard troops; and individual portraits of officers in uniform, autographed and inscribed to Basil M. Stevens. Additional photographs taken in Washington, D.C., show Stevens with military officers and his wife, Helen.