Collections

A Week Among the Mosquitoes photograph album (16 x 10.5 cm) contains snapshots from a July 1896 camping trip on the White River near Mt. Carmel, Indiana.

A Week Among the Mosquitoes photograph album (16 x 10.5 cm) contains 26 snapshots on 52 pages, with humorous inscriptions on many images. Six are landscapes, four are snapshots of the campsite, and sixteen are of the men camping, hunting, and fishing. The cover bears the names of the five men, plus two late joiners with more trip information on the inside cover. The back cover bears the maker’s mark of Verne E. Joy.

Thomas J. Bandfield, a native of England, compiled carte-de-visite photographs of friends and family members in this album before moving to the United States in 1870.

The inscription on page one indicates that Jane Rugg Bandfield of Chard, England, gave this photograph album to her son, Thomas John Bandfield, in London, England, in April 1870, before his departure for the United States. The volume (16cm x 14cm) contains 42 carte-de-visite portraits of Bandfield family members and acquaintances, both men and women. A later photographic print with a picture of an unidentified man, possibly Thomas J. Bandfield, is laid into the volume, as is an envelope addressed to Edna Bandfield of Portland, Michigan, Thomas Bandfield's daughter. The envelope has captions for most of the album's cartes-de-visite. A few individuals posed with children. One carte-de-visite has a photograph of a painted silhouette, and another shows "Four old Englishmen," otherwise unidentified. The subjects were photographed in studios in England. Some subjects may appear more than once.

The Beauties of The Sea photograph album contains five small commercial photographs of scenes on Nantucket along with four alternating sheets of decoratively arranged pressed algae.

The Beauties of The Sea photograph album (12 x 14 cm ) contains five small commercial photographs of scenes on Nantucket (The Old Windmill; Brant Point Light; Harbor and Sailboats; the Town Crier; and Bank and Methodist Church) glued into small album along with four alternating sheets of decoratively arranged pressed algae. The photographs are possibly by Henry S. Wyer. The album's faded green paper covers are tied with gold tasseled string with a wash drawing and inscribed title "Beauties of The Sea" in ink. Album is housed in light green folder.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and approximately 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey, including a mix of people, buildings, farm animals, and scenic shots. Descriptive captions are written on some of the photographs.

The second page of the album features members of the Blairstown High School Class of 1915 while the third page features views of what is likely Rutgers University. Page 11 includes an aerial view of a parade for the 150th anniversary of Rutgers. Pages in the back of the album include a photograph of women cross-dressing while "looking for a dear," images of a new car, medieval reenactors, and a group of people dressed as "Bandits." Nine loose photographs of Washington, D.C., soldiers boarding a train during World War I, and snapshots of people are contained in an envelope within the ablum.

The Bonynge family photograph collection consists of ten photograph albums and approximately 600 loose photographs pertaining to the Bonynge family of New Jersey. The albums center on Henry Arthur Bonynge Jr., M.D., his wife Elizabeth and daughter Marjorie. Images include snapshots of family life in the northeastern United States, trips to Wyoming, El Salvador, Bermuda, Cuba, and Europe.

The Bonynge family photograph collection consists of ten photograph albums and approximately 600 loose photographs pertaining to the Bonynge family of New Jersey. The albums center on Henry Arthur Bonynge Jr., M.D., his wife Elizabeth and daughter Marjorie. Images include snapshots of family life in northeastern United States, trips to Wyoming, El Salvador, Bermuda, Cuba, and Europe. The albums are roughly arranged in chronological order while the loose photographs are organized by location.

Volume One: The Bonynge family Hoboken album (27.25 x 36.25 cm, lacks covers) contains approximately 90 snapshots of Henry Bonynge Jr.'s family when he was a young man. A majority of these images are dated from 1898-1901 and were taken at 931 Washington Street in Hoboken. Images of note include domestic interior views, a Christmas tree, charming casual portraits, street snapshots, photographs of Henry Bonynge Sr.’s sister Florence graduating from high school, an October 1899 trip to visit landmarks in New York City, and visits to the Jersey Shore.

Volume Two: The Christ Church Hospital, Jersey City album (26.5 x 30.5 cm, black leather cover with gilt title) contains approximately 30 professional quality photographs related to Henry Bonynge Jr.'s medical internship in 1906-1907. There are several carefully composed views of hospital exteriors, interiors, equipment, and staff in uniform. Of note is a view across Hoboken rooftops, the Hudson River, to New York City. Also a fine image of the hospital kitchen and staff. Includes one card photograph of employees with a stretcher in front of a hospital ambulance.

Volume Three: The Bonynge family early snapshots album (26.75 x 36.75 cm, black leather cover in poor condition) contains approximately 400 photographs documenting Henry and Elizabeth Bonynge's early years of marriage as well as Marjorie's infancy. Images of interest include photographs of daily life and family trips from 1910 to 1917 in the Bahamas, Bermuda, Lake Waramaug (Connecticut), Prince Edward Island, Lake George (New York), Newport, Rhode Island, Maine, Atlantic City, New Jersey and Mount Vernon, Virginia. Includes notable images of recreational activities, early automobile travel, horseback riding, construction of the Prospect Street house in Ridgewood, New Jersey, and a July 4th parade. Later notes from Susan B. Strange identify many individuals represented in the album in addition to captions written by Elizabeth and/or Henry.

Volume Four: The Bonynge family snapshots album (27.25 x 36.75 cm, black leather cover, poor condition) contains approximately 250 photographs of Henry, Elizabeth and Marjorie. While some of the images included in this album were taken in 1911, most date to ca. 1918-1925. Images of interest include photographs of Marjorie as a young child riding horses (including ‘Lightning’, a Shetland Pony), trips to Niagara Falls, Quebec, and Lake George in 1921, a trip to Mohonk Mountain House in New Paltz, New York in 1922 and a pictures from a "Charley trip," possibly to Wyoming.

Volume Five: The New Preston, Ridgewood, and Nantucket album (24.25 x 36.75 cm, black leather cover) contains approximately 45 high quality photographic prints of people and places in New Preston, Connecticut, and Nantucket, Massachusetts as well as the family home in Ridgewood, New Jersey. There is a partial index for the album which was likely filled out by Marjorie. Images of note include Elizabeth and Marjorie with a pony in 1918, interior photographs of the house at 107 Prospect Street and ten photographs of Nantucket.

Volume Six: The Marjorie Bonynge childhood album (19 x 29.25 cm, black leather cover) contains approximately 40 photographs, including numerous portraits of people and of Marjorie as a child from 1920-1929. Of note is an image of children dressed for a Halloween party.

Volume Seven: The Bonynge European travel album (23.5 x 35.5 cm, black leather cover) contains approximately 70 photographs of a Atlantic crossing aboard the U.S.S. Minnetonka in 1925. The photographs focus on Cherbourg (France), Edinburgh (Scotland), Stratford-upon-Avon, (England), and Volendam (the Netherlands). Images of interest include several views of Henry Bonynge Jr.'s mother's home in Bath, England.

Volume Eight: The Bonynge Wyoming trips album (23.5 x 35.5 cm, black leather cover) contains approximately 65 photographs of a family trip to the Fred Richard Ranch near Cody, Wyoming in 1922. Images include views of hunting, mountain vistas, and horseback riding. There are also copies of three newspaper clippings describing Henry Bonynge Jr.'s near death experience on the trip while hunting.

Volume Nine: The Bonynge Nantucket trips album (23.5 x 35.5 cm, black leather cover) contains approximately 150 photographs of two trips to Nantucket in 1923 and 1924.

Volume Ten: The Bonynge Yellowstone trip album (24.25 x 36.75 cm, black leather cover) contains approximately 150 photographs of a trip to Yellowstone National Park and Shoshone Canyon ca.1920-1922. Notes have been added by both Susan B. Strange and likely Henry Bonynge Jr. Images of interest include photographs of a ranch and horseback riding in an unmarked location, probably near Cody, Wyoming.

The 600 loose photographs in this collection are stored in 11 separate envelopes and have been sorted according to the location they were taken. The majority of these images were taken during a number of family vacations during the 1930s. There are several images that are duplicates of photographs that appear in the albums.

Envelope One and Envelope Two contain approximately 60 images of family, pets, school groups and Ridgewood and Hoboken, New Jersey.

Envelope Three contains approximately 30 images of a cruise to what appears to be Bermuda.

Envelope Four contains approximately 38 images of horses and views of locations in Kentucky.

Envelope Five contains approximately 70 images of multiple trips to Salmon, Idaho. Photographs document the Bonynge family partaking in horseback riding and rodeo at a friend's ranch.

Envelope Six contains approximately 80 images of trips to various locations in the United States from 1936 until ca. 1940. The images have been separated by note cards with locations and dates.

Envelope Seven contains approximately 60 images of a trip taken by Marjorie in March of 1937 to El Salvador and Central America in order to visit a friend from high school named Eva Duke.

Envelopes Eight and Nine contain approximately 170 images from a 1937 Caribbean Cruise aboard the S.S.Quirigua. Many of the images depict Havana, Cuba.

Envelope Ten contains approximately 58 images from a number of unidentified places as well as two photographs from a 1932 trip to Venice, Italy.

Envelope Eleven contains approximately 45 images of unidentified people. Some images appear to be from ca. 1900, though most of the photographs are of friends or neighbors of the Bonynge family in the 1930s.

This collection consists of photographs of Boston, Massachusetts, and other New England towns, taken around the turn of the 20th century. The collection includes pictures of commercial and municipal buildings, battleships, and city landmarks.

This collection consists of photographs of Boston, Massachusetts, and other New England towns, taken around the turn of the 20th century. The collection includes pictures of commercial and municipal buildings, battleships, and city landmarks.

Large format photographs show a variety of Boston scenes, including commercial streets and buildings, harbor views, waterfront parks, the USS Hartford and USS New York, a streetcar station and tracks, a horse-drawn firefighting ladder truck, and a crowd waching the launch of an unrigged yacht in Boston Harbor. Buildings depicted include Faneuil Hall, the Jordan Marsh department store, and the U.S. Customhouse. A scene on the Boston Common shows the statue of George Washington being decorated, with a crowd of pedestrians including a Civil War veteran wearing a uniform with medals. Also included is a photograph of the Witch House in Salem, Mass., former residence of Joseph Corwin, a judge at the Salem witch trials; and a collision of two locomotives with a photographer on the scene, possibly staged. The first image (10cm x 14.5cm), an overhead view of Charlestown and the Bunker Hill Monument, is affixed to a wall calendar for the year 1884; all of its removable monthly pages are still intact. The calendar was presented with "Compliments of Annie T. Smith."

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line. The album (39 x 29 cm) is hardbound with a green cover. Images include views of urban street scenes in several Massachusetts towns, including Lynn; railroad passenger stations; a trolley car; street car tracks; the Bay State House in Worcester, Massachusetts; various storefronts; a locomotive with a plow attachment; numerous horse-drawn carriages; a sign stating "Railroad crossing. Look out for the engine while the bell rings."; a woman identified by a handwritten caption as "Louise" posing outside of a carriage stable; and what appears to be either two horse cars or two electric automobiles parked on a street.

The Brearley-Pingree collection consists of approximately 166 autographed photographs of notable individuals that were originally compiled by Detroit-based newspaperman William H. Brearley and later added to by Detroit mayor and Governor of Michigan Hazen S. Pingree. In addition to the photographic materials, 36 manuscript items and two bound volumes are also included in the collection.

The Brearley-Pingree collection consists of approximately 166 autographed photographs of notable individuals that were originally compiled by Detroit-based newspaperman William H. Brearley and later added to by Detroit mayor and Governor of Michigan Hazen S. Pingree. An additional 36 manuscript items and 2 bound volumes are also included in the collection.

The collection appears to have been first started by Brearley during the mid-1860s, possibly during or immediately after his Civil War service. He seems to have solicited the autographs of a variety of famous individuals (including authors, performers, musicians, scientists, spiritual leaders, politicians, foreign rulers, and military officers) primarily by mailing them photographs of themselves and requesting their signatures. Possession of the collection appears to have been transferred to Pingree at some point, and he continued to make further contributions. Pingree’s daughter Hazel retained possession of the collection after her father’s death before eventually donating it to the Clements Library. All components of the collection are stored together in one box.

While most portraits in the collection are original studio photographs taken by a variety of photographers including Mathew Brady and Napoleon Sarony, a relatively small number of photographic reproductions of non-photographic portraits are also present (including depictions of James Monroe, Stonewall Jackson, and Henry and Clara Ford).

Volume 1: Brearley collection reproduction souvenir album

This album (16.5 x 15 cm) has green leather covers with lines of poetry from Henry W. Longfellow’s A Psalm of Life stamped in gold on the front. An index included at the beginning lists the names of 96 individuals represented across the album’s 24 pages. After the index, a passage written by William H. Brearley and dated August 1st 1874 explains that he created a limited number of facsimile copies of his original autographed portrait collection at the “urgent solicitation” of many interested friends. Brearley also explains that he acquired the original photographs and autographs in his collection “by long and patient effort, & tending over a period of ten years, and involving an expense of several Hundred dollars.” Subsequent album pages each contain four individually pasted 5.5 x 4 cm albumen print photographic reproductions of original portraits found in Brearley’s collection. This item was acquired from a separate source and was not part of the original collection of materials donated to the Clements Library by Hazel Hope Pingree Mills.

Volume 2: Brearley-Pingree collection original album

This album (30 x 26 cm) has brown leather covers and the words “Portraits. Autographs” and “Brearley” stamped in gold on the spine. The original autographed portraits of the Brearley-Pingree collection were once housed in this album before Clements Library staff removed the original photographs and substituted them with photocopies in 2010 for conservation and preservation purposes. Manuscript captions were also added by Clements Library staff. The original photographs are housed separately in smaller boxes and have been arranged according to size/format and ordered alphabetically by subject surname. See below for a complete list of photographic subjects contained in each box.

Of additional interest are three manuscript items, including the clipped signature of Hyacinthe Loyson and an October 15th 1873 letter from Henry W. Longfellow containing the same lines of poetry from A Psalm of Life that appear on the cover of the Brearley collection souvenir album. Also present is a letter from Buckingham Palace sent to Brearley in 1873 by Sir Thomas Biddulph explaining that the “enclosed Photograph” of Queen Victoria is being returned but that “The Queen’s Autograph is never given away.” Three wax seals are also included in the volume including an “Imperial Chancellor’s seal” (associated with a portrait of Otto von Bismarck); “the Napoleon Seal” (associated with a portrait of Jérôme Bonaparte); and a Great Seal of the Realm attached to the 1873 letter from Buckingham Palace.

Box 1.1: Brearley-Pingree collection cartes de visite, A-E

This box contains 47 cartes de visite. Represented individuals include the following:

• Adams, Charles Francis, 1807-1886.
• Agassiz, Louis, 1807-1873.
• Alcott, Louisa May, 1832-1888.
• Anderson, Richard Heron, 1821-1879.
• Anderson, Robert, 1805-1871.
• Anthony, Susan B. (Susan Brownell), 1820-1906.
• Bancroft, George, 1800-1891.
• Barnum, P. T. (Phineas Taylor), 1810-1891.
• Barrett, Lawrence, 1838-1891.
• Beauregard, G. T. (Gustave Toutant), 1818-1893.
• Beecher, Henry Ward, 1813-1887.
• Billings, Josh, 1818-1885. [Henry Wheeler Shaw]
• Birney, David Bell, 1825-1864.
• Bishop, Anna, 1810-1884. [Anna Riviere Schultz]
• Bismarck, Otto, Fürst von, 1815-1898.
• Bonaparte, Jérôme, King of Westphalia, 1784-1860.
• Bonner, Robert, 1824-1899.
• Booth, Edwin, 1833-1893.
• Breckinridge, John C. (John Cabell), 1821-1875.
• Bright, John, 1811-1889.
• Bryant, William Cullen, 1794-1878.
• Buchanan, James, 1791-1868.
• Bülow, Hans von, 1830-1894.
• Bunker, Chang, 1811-1874. [in portrait with Eng Bunker]
• Bunker, Eng, 1811-1874. [in portrait with Chang Bunker]
• Burnside, Ambrose Everett, 1824-1881. [two portraits included]
• Butler, Benjamin F. (Benjamin Franklin), 1818-1893.
• Carleton, Will, 1845-1912.
• Chapin, E. H. (Edwin Hubbell), 1814-1880.
• Clem, John Lincoln, 1851-1937.
• Clough, J. E. (John Everett), 1836-1910.
• Coan, Titus, 1801-1882.
• Colfax, Schuyler, 1823-1885.
• Collins, Wilkie, 1824-1889.
• Cook, Eliza, 1818-1889.
• Coombs, Jane, 1842- .
• Curtis, George William, 1824-1892.
• Cushman, Charlotte, 1816-1876.
• Dana, Charles A. (Charles Anderson), 1819-1897.
• Darwin, Charles, 1809-1882.
• Davis, Jefferson, 1808-1889.
• Dickinson, Anna E. (Anna Elizabeth), 1842-1932.
• Dix, John A. (John Adams), 1798-1879.
• Doré, Gustave, 1832-1883.
• Doubleday, Abner, 1819-1893.
• Douglass, Frederick, 1818-1895.
• Emerson, Ralph Waldo, 1803-1882.
• Emory, William H. (William Hemsley), 1811-1887.

Box 1.2: Brearley-Pingree collection cartes de visite, F-N

This box contains 46 cartes de visite. Represented individuals include the following:

• Farragut, David Glasgow, 1801-1870.
• Ferrero, Edward, 1831-1899.
• Field, Cyrus W. (Cyrus West), 1819-1892.
• Field, Kate, 1838-1896. [Mary Katherine Keemle Field]
• Fillmore, Millard, 1800-1874.
• Forrest, Nathan Bedford, 1821-1877.
• Fowler, O. S. (Orson Squire), 1809-1887.
• Garrison, William Lloyd, 1805-1879.
• Gladstone, W. E. (William Ewart), 1809-1898.
• Grant, Ulysses S. (Ulysses Simpson), 1822-1885.
• Greeley, Horace, 1811-1872.
• Greenwood, Grace, 1823-1904. [Sarah Jane Clarke Lippincott]
• Hall, John, 1829-1898.
• Halleck, H. W. (Henry Wager), 1815-1872.
• Hancock, Winfield Scott, 1824-1886.
• Hay, John, 1838-1905.
• Heintzelman, Samuel Peter, 1805-1880.
• Hoar, E. R. (Ebenezer Rockwood), 1816-1895.
• Holland, J. G. (Josiah Gilbert), 1819-1881.
• Holmes, Oliver Wendell, 1809-1894.
• Hooker, Joseph, 1814-1879.
• Howard, O. O. (Oliver Otis), 1830-1909.
• Hugo, Victor, 1802-1885.
• Jackson, Stonewall, 1824-1863.
• Johnson, Andrew, 1808-1875.
• Kirby-Smith, Edmund, 1824-1893.
• Lee, Fitzhugh, 1835-1905.
• Lee, Robert E. (Robert Edward), 1807-1870.
• Lincoln, Abraham, 1809-1865.
• Locke, David Ross, 1833-1888. [Petroleum V. Nasby]
• Logan, John Alexander, 1826-1886.
• Longstreet, James, 1821-1904.
• Loring, Charles G. (Charles Greely), 1794-1867.
• Loyson, Hyacinthe, 1827-1912.
• Lucca, Pauline, 1841-1908.
• Mario, Giovanni, 1810-1883. [Mario, T.]
• McClellan, George Brinton, 1826-1885.
• Mitchell, Maggie, 1837-1918.
• Moltke, Helmuth, Graf von, 1800-1891.
• Monroe, James, 1758-1831.
• Morse, Edward Sylvester, 1838-1925.
• Motley, John Lothrop, 1814-1877.
• Nāṣir al-Dīn Shāh, Shah of Iran, 1831-1896.
• Nast, Thomas, 1840-1902.
• Nilsson, Christine, 1843-1921.
• Nutt, Commodore, 1848-1881. [group portrait with Minnie Warren]

Box 1.3: Brearley-Pingree collection cartes de visite, O-Z

This box contains 36 cartes de visite. Represented individuals include the following:

• Ord, Edward Otho Cresap, 1818-1883.
• Parepa-Rosa, Euphrosyne, 1836-1874.
• Patti, Adelina, 1843-1919.
• Phillipps, Adelaide, 1833-1882.
• Porter, David D. (David Dixon), 1813-1891.
• Rogers, Randolph, 1825-1892.
• Salvini, Tommaso, 1829-1915.
• Saxe, John Godfrey, 1816-1887.
• Schurz, Carl, 1829-1906.
• Scott-Siddons, Mary Frances, 1844-1896.
• Sheridan, Philip Henry, 1831-1888.
• Sherman, William T. (William Tecumseh), 1820-1891.
• Sothern, Edward Askew, 1826-1881.
• Spinner, Francis Elias, 1802-1890.
• Spurgeon, C. H. (Charles Haddon), 1834-1892.
• Stanley, Henry M. (Henry Morton), 1841-1904.
• Stephens, Alexander H. (Alexander Hamilton), 1812-1883.
• Strakosch, Max, 1835-1892.
• Sumner, Charles, 1811-1874.
• Tennyson, Alfred Tennyson, Baron, 1809-1892.
• Terry, Alfred Howe, 1827-1890.
• Thiers, Adolphe, 1797-1877.
• Thomas, George H. (George Henry), 1816-1870.
• Thomas, Theodore, 1835-1905.
• Thumb, Tom, 1838-1883. [Charles Sherwood Stratton; group portrait with Lavinia Warren]
• Twain, Mark, 1835-1910. [Samuel L. Clemens; both names signed on photograph]
• Vanderbilt, Cornelius, 1794-1877.
• Waite, Morrison R. (Morrison Remick), 1816-1888.
• Warren, G. K. (Gouverneur Kemble), 1830-1882.
• Welles, Gideon, 1802-1878.
• Willcox, Orlando B.
• Wilson, Henry, 1812-1875.
• Woodhull, Victoria C. (Victoria Claflin), 1838-1927.
• Wright, Horatio Gouverneur, 1820-1899.
• Yates, Edmund, 1831-1894.
• Young, Brigham, 1801-1877.

Box 2: Brearley-Pingree collection cabinet cards

This box contains 27 cabinet cards. Represented individuals include the following:

• Andrade, Ignacio, 1836-1925.
• Arthur, Chester Alan, 1829-1886.
• Bernhardt, Sarah, 1844-1923.
• Booth-Tucker, Emma, 1860-1903.
• Booth-Tucker, Frederick St. George de Lautour, 1853-1929.
• Bull, Ole, 1810-1880.
• Cable, George Washington, 1844-1925.
• Chamberlain, Joseph, 1836-1914.
• Dickinson, Donald McDonald, 1846-1917.
• Garfield, James A. (James Abram), 1831-1881.
• Garfield, Lucretia Rudolph, 1832-1918.
• Hayes, Rutherford B., 1822-1893.
• Janauschek, Francesca Romana Magdalena, 1830-1904.
• Kellogg, Clara Louisa, 1842-1916.
• Kennan, George, 1845-1924.
• Kruger, Paul, 1825-1904.
• Longfellow, Henry Wadsworth, 1807-1882.
• Phillips, Wendell, 1811-1884.
• Ranavalona III, Queen of Madagascar, 1861-1917.
• Reed, Thomas B. (Thomas Brackett), 1839-1902.
• Stead, W. T. (William Thomas), 1849-1912. [three portraits included]
• Stowe, Harriet Beecher, 1811-1896.
• Urso, Camilla, 1842-1902.
• Victoria, Queen of Britain, 1819-1901.
• Whittier, John Greenleaf, 1807-1892.

Box 3: Brearley-Pingree collection large photographs and manuscript materials

This box contains 9 large format mounted photographs and 33 manuscript items. Represented individuals among the photographs include the following:

• Cleveland, Frances Folsom, 1864-1947.
• Cleveland, Grover, 1837-1908.
• Ford, Clara Bryant, 1866-1950.
• Ford, Henry, 1863-1947.
• Gibbons, James, 1834-1921.
• Guzmán Blanco, Antonio, 1828-1899.
• Mace, Aurelia Gay, 1835-1910.
• Milles, Carl, 1875-1955.
• Wilder, Marshall P.

Manuscript materials of interest include a number of letters dating to the mid-1870s from various individuals (including John A. Dix, C. H. Spurgeon, H. W. Longfellow, and Lucretia R. Garfield) possibly sent to William H. Brearley in response to autograph solicitations and other requests; and numerous letters addressed to Hazen S. Pingree from various individuals (inlcuding William Thomas Stead, Ignacio Andrade, Benjamin Harrison, Grover Cleveland, and William McKinley) dating to the 1890s. Other items of interest include a copy of "Special Order No. 166 'Extract' Head Quarters 2d Brigade 3d Div 2d A.I." dated June 15th 1865 stating that the 1st Mass Heavy Artillery had been ordered by Brig. Gen. Franklin Pierce to repost to General Hancock; calling cards for "Sixto Sanchez Director General de Coreeos - Postmaster" as well as "The Admiral of the Navy" George Dewey from "when he called on Gov. Pingree in Detroit"; a clipped signature of "Louis Botha Commandant General"; an undated note to poet Louise Chandler Moulton; a document dated August 1st 1892 detailing financial investment information related to the Michigan-Peninsular Car Company with pasted clippings of wealthy politicians and their net worths as well as annotations by Pingree; a letter dated Feb 19th 1892 from Don M. Dickinson to Pingree regarding the prospective visit of Grover Clevland to Detroit, Ann Arbor, and the University of Michigan; a letter dated March 9th 1949 from Hazel Hope Pingree Mills to Director of the William L. Clements Library Randolph G. Adams regarding progress being made on research regarding the life of William H. Brearley; and an undated typed copy of a short essay titled "Brearley - Man of Action, Started Many Important Detroit Activities" by historian George B. Catlin.

The Bremen, Germany photograph album contains 22 photographs of Heligoland and the Bremen region along the Weser River from 1935 to 1936.

The Bremen, Germany photograph album contains 22 photographs of Heligoland and the Bremen region along the Weser River from 1935 to 1936. Each photograph contains notation in German stating date, time, and location. Images show the Weserwehr (dam), Weserdeich (dike), Oberneuland, Wesermünde, the shoreline in Bremerhaven, and a fish auction at Fischereihafen (Bremerhaven). Also included are images of a trip to Heligoland; a steamer traveling to/from Roter Sand lighthouse, and views from the main island. The album ends with a family photograph.

The album is 10.5 x 7.5 cm with brown paper covers.

The Brown-Danskin Company photograph album contains photographs of farm properties in the Red River Valley (North Dakota and Minnesota), offered for sale by the Brown-Danskin Company.

The Brown-Danskin Company photograph album (15 x 20 cm) contains 50 photoprints of farm properties in the Red River Valley (North Dakota and Minnesota), offered for sale by the Brown-Danskin Company. Photographs show large fields of clover, rye and wheat, often with a lone figure standing at a distance. Also shown are farmhouses, barns, and outbuildings on properties, with occasional livestock. Cars, telephone lines, and windmills appear in multiple photographs, and several images relate to harvests. Typescript captions describe the buildings, available amenities, soils, and prices. Images appear to be professionally composed and developed.

The album has a black cloth cover with printed title: Eastern North Dakota and Red River Valley Farms, the Brown-Danskin Company, Minneapolis, Minn. and is housed in a pale blue cardboard box.

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The album (31 x 26 cm) begins with the birth of May Marguerite Brown in October or November, 1888, and focuses on the subsequent visits of relatives and neighbors, including the Mayers, Crosby M. Wright, and Aunt Ellen Smedley. Images include family group portraits, exterior and interior views of the large family home at 63rd and Median Streets, winter scenes at nearby parks, and views of the neighboring homes of John Bell, Mr. Hess, and Jacob Jones. Other photographs depict Brown family visits to Ellen Smedley at "Bala" in Bryn Mawr (Pennsylvania), to Norwalk (Ohio), and a fishing trip to Waterville (New Hampshire). Also included are views of mill clerk F. A. Reinstein in his office, and industrial buildings from 33rd and Walnut Streets in Philadelphia (possibly the family textile mills).

The Buffalo Soldiers carte-de-visite album contains cartes-de-visite and tintype photographs of African American soldiers, civilian men and women. Some of the photographs were taken in Webster, Dakota Territory (now South Dakota).

The Buffalo Soldiers carte-de-visite album contains 16 cartes-de-visite and 7 tintype photographs taken circa 1870s and 1880s, now housed separately. Included are formal studio portraits of unidentified African American and Caucasian civilians and soldiers. Some individuals posed in pairs or groups. Many of the photographs, including some of the cartes-de-visite of African American soldiers, were taken in the Dakota Territory. The original album (12cm x 15cm) has covers bound in blue cloth; a metal shield is attached to the front cover.

This photograph album contains 10 albumen prints related to the Bunker Hill Monument in Charlestown, Massachusetts.

This souvenir photograph album (12cm x 18cm), which contains 10 albumen prints, is bound in blue pebbled book-cloth and has the title "Album Photographs[,] Bunker Hill Monument" stamped in gold on its cover. The first 2 pictures show the Bunker Hill Monument (a stone obelisk) and the statue of Colonel William Prescott, respectively. The remaining 8 photographs are aerial views of Charlestown and the surrounding area taken from the monument, showing residences, industrial buildings, the Charlestown Navy Yard, and the Charles and Mystic Rivers. Sailing ships are visible in many of the aerial views. The album belonged to Lucia K. Hathaway, who inscribed her name on its first page on November 15, 1884.

This photograph album contains tintype, carte-de-visite, and other portraits of various individuals taken in Burlingame, Kansas, and other locations in the late 19th century.

This photograph album (13.5cm x 17cm) contains 10 tintypes, 5 cartes-de-visite, and 4 additional studio portrait photographs of men and women. Some of the cartes-de-visite were taken in Burlingame, Kansas, and some may have been taken near "Dent Lake." One photomechanical print of Dora E. Hough may have been clipped from a published book or magazine. The photographs depict individuals and groups of young women and men, who are sometimes identified in captions. Captions are also present on many blank pages, though the photographs are no longer present. The volume has the title "Album" stamped in gold on its spine and additional stamped floral and decorative designs on its covers. The album, which is bound in brown leather, once had two metal clasps; only one remains.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple. The album (18.5 cm x 29 cm) has black cloth covers and is tied with black string. Towards the beginning of the album there are 20 photographs of Native Americans (likely members of the Confederated Tribes of the Umatilla Indian Reservation) with tipis at an encampment and on horseback in full regalia during a parade in Walla Walla, Washington; a river view with paddle steamers; and two views of a parade with the marching band from the U.S. Indian School in Chemawa, Salem, Oregon. Subsequent images from further south along the Pacific coast include views of Golden Gate Park; Sutter Fort and the Capitol building in Sacramento, California; the outdoor organ from the Panama-Columbian Exposition in San Diego; Balboa Park; an early Loughead Model G seaplane on a dock with a sign offering passenger rides; and the Santa Barbara Mission and rocky coastline nearby. Also present are views of Multnomah Falls, Oregon, and giant redwoods. Towards the back end of the album are four photographs showing a parade on a suburban street with 5 women wearing uniform caps, possibly factory workers, sitting in an open automobile decorated with American flags and a sign on the back that reads "Doing our bit."

The California and Western Tour photograph album contains commercial and amateur photographs of scenes in Yosemite National Park, Yellowstone National Park, California, New Mexico, and other locales. The volume includes a group of photographs taken at the World's Columbian Exposition in Chicago, Illinois, in 1893.

This album (23cm x 30cm) contains 67 commercial and amateur prints of scenes in various locales, particularly in the western United States. The album is bound in red pebbled leather with small gold trim. Many of the photographs are commercial prints as large as 19cm x 24cm, with captions and negative numbers. Manuscript captions accompany some of the items, often with information about the size of natural features shown. Pictures of rock formations, waterfalls, rivers and lakes, and geysers are most common, along with shots of architectural landmarks and groups of tourists. Prominent photograph locations include Yosemite National Park (9 items), Garden of the Gods (4 items), New Mexico (3 items), the Columbia River (3 items), and Yellowstone National Park (20 items). The album has 2 pictures of Niagara Falls, one of which was taken in winter.

Though the album focuses on natural scenery, several photographs show various types of buildings, such as missions in California and New Mexico, hotels in California, the Lick observatory, a group of buildings at the Shasta Springs retreat, a railroad dining car interior, and the exterior of a Chinese restaurant in San Francisco, California. Scenes of horse-drawn carriages fording the Fire Hole River in Yellowstone National Park and passing through a tunnel cut into the trunk of a large tree in Yosemite National Park are present, as are other group photographs. One shows "Miss E. P. Gould" riding a horse, and another shows a group of men fishing on Yellowstone Lake. An 1888 portrait of John C. Frémont, his wife Jessie, and their daughter shows them standing in front of the "Fremont tree" in Redwood Grove. A final group of photographs consists of pictures of various buildings constructed for the 1893 World's Columbian Exposition in Chicago, Illinois.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906. The album begins with scenes of Colorado. These images show views from a railway through the Rocky Mountains and a trip to Garden of the Gods in Colorado Springs.

A majority of the photographs were taken in San Francisco, California. These photos date from May, 1906, just after the San Francisco earthquake and fire. Many of the images show refugee camps and temporary housing, displaced businesses, and damage on Van Ness Ave, which was used as a firebreak by the United States Army. The McKinley Parade, also known as Fiesta de Los Angeles is photographed as well. Other California scenes include Cliff House in San Francisco, an ostrich farm in Pasadena, vineyards, and orchards of olive trees, palm trees, and lemon trees.

The last portion of the album is of Long Island, New York State. These scenes include people on a boat in the water near Westhampton, people swimming in Jamaica Bay, and Apacuck Point.

The album is 18.5 x 14 cm with red cloth covers.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print views of various travel destinations in California in 1898.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print photographs of various travel destinations in California in 1898. Captions are written below each photograph.

The Camp Funston, Kansas, and Camp Lee, Virginia, photograph album contains approximately 100 photographs related to World War I army training activities and facilities at Camp Funston, Kansas (later Fort Riley); Camp Lee, Virginia; and Fort Myer, Virginia.

The Camp Funston, Kansas, and Camp Lee, Virginia, photograph album contains approximately 100 photographs related to World War I army training activities and facilities at Camp Funston, Kansas (later Fort Riley); Camp Lee, Virginia; and Fort Myer, Virginia. The album (21 x 28 cm) has brown suede covers stamped with a U.S. Army design and is bound with string. Most photographs include manuscript captions on versos. Images include photographs of training activities including bayonet drills, hand-to-hand combat, digging trenches, and practicing maneuvers; Basil M. Stevens standing at the front of African American guard troops; and individual portraits of officers in uniform, autographed and inscribed to Basil M. Stevens. Additional photographs taken in Washington, D.C., show Stevens with military officers and his wife, Helen.