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This album contains two titled groups of photographs: Snap Shots on Ranch and Gold-Claim in Colorado and Idaho in September 1895 and Kodak Peeps at Colorado in October, 1893. The photographs of ranches, cowboys, prospectors, and scenery in Idaho and Colorado are often accompanied by lengthy captions. A small group of photographs shows land near Pike Lake in Minnesota.

This album (24cm x 37cm) contains two titled groups of photographs: Snap Shots on Ranch and Gold-Claim in Colorado and Idaho in September 1895 (28 items, pp. 1-105) and Kodak Peeps at Colorado in October, 1893 (19 items, pp. 111-187). Additional items include five pictures of land near Pike Lake in Minnesota (pp. 159, 161) and a picture of a home in Poughkeepsie, New York (pp. 186-187). The volume has hard green covers, with the words "Colorado '93 & '95" stamped in gold the black spine. C. S. Green signed the first page, and each section opens with a title page, the text in stylized letters. The photographs of Colorado and Idaho are early Kodak prints.

In both 1893 and 1895, the photographer took pictures of settlers and scenery in Idaho and Colorado, particularly in and around Market Lake, Idaho; Menan, Idaho; Manitou Springs, Colorado; and Powderhorn, Colorado. Pictured buildings include homes, a small hotel, the signal station and cog railroad on Pikes Peak, and railroad stations; railroad tracks and trains are featured in a few items. Portraits of prospectors, cowboys, and ranchers are included. Captions, often lengthy, describe numerous aspects of life in the West, such as the crops and geography of Idaho and gold mining, ranching, and mineral resources in Colorado. The author also commented on less-visited areas of Colorado and prominent features such as the Continental Divide. Laid into the volume are brief essays on a dog named Bobby (1 page) and the Snake and Yellowstone Rivers (3 pages). These appear on the letterhead of Charles S. Green of Roaring Branch, Pennsylvania.

This photograph album contains pictures taken during trips to Arizona, California, Colorado, Minnesota, and Michigan around the turn of the 20th century. Subjects include Native American homes, dress, and customs; western scenery; and Midwestern waterfronts and steamships.

The Tourist photograph album (15 x 21 cm) contains approximately 245 pictures from around the Southwest and Midwest United States taken by an unknown photographer around the turn of the 20th century. Southwest photographs include mission churches in California and New Mexico, rock formations, cliff dwellings at Canyon de Chelly and Mesa Verde, Balanced Rock in the Garden of the Gods, and a pueblo. Several photographs feature Native Americans, including: women with traditional squash blossom hair styles; a man carrying a small child in a sling on his back; a woman in a shop with baskets, wool and dry goods; a woman seated in front of a loom with partially finished cloth; a man sitting in a white-washed interior with skeins of wool, holding a spindle with a hand carder at his feet. One photograph shows mummified human remains posed next to a bottle of whiskey and skull, indicating likely tomb desecration. Also included are unidentified Southwestern streets, beach scenes, and the storefront of J.M. Archuleta in Colorado. Midwest photos include images of the Palace of Fine Arts (Museum of Science and Industry) in Chicago, Mackinac Island, the Marquette Monument in St. Ignace, Soo Locks, and the Great Lakes steamer North Land, and a lake and cottage. The Grand Hotel on Mackinac Island and the SS Chief Wawatam are also pictured. Many photographs are significantly faded. Some manuscript captions are included.

The album includes two cyanotypes and a postcard with a cartoon satirizing the Brigham Young's polygamy.

The album has a half bound pebbled leather cover and is stored in a three-part wrap with brown cloth spine.