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The Holyoke Canoe Club photograph album contains pictures of canoeing and scenery along the Connecticut River, and of men and women socializing indoors and outdoors.

The Holyoke Canoe Club photograph album (19cm x 26cm) contains 65 pictures of scenery, communities, and activities along the Connecticut River. The red pebbled cloth cover has the title "Photographs" stamped in gold gothic letters on the front. Included are photographs showing wooded scenery and structures along the river, including pictures of the Holyoke Canoe Club boathouse, the sailing and paddling of canoes, and of men and women in sporting dress socializing indoors and outdoors. Many of the images focus on men in sailing canoes, including one view of a man sitting in a sailing canoe on shore with sails set. Two photographs show a woman standing next to a beached canoe and a woman paddling a canoe along a flooded street. Individual and group portraits appear, taken at a small cabin in a wooded area, in front of a doorway, beside an indoor fireplace, and beside indoor and outdoor tables set with food, among other scenes. A group gathered around a piano appears in two images, one of which shows two of the women holding banjos. The album contains exterior shots of churches and other unidentified buildings, some overlooking a body of water. A view of two horses pulling a large log on a sleigh is also included.

Of note are views of a steam launch at the canoe club dock; a view of canoes stored on racks inside the boathouse; and two views of the interior of what is likely a local textile mill.

The Jean E. James Vassar College photograph album contains cyanotype photographic prints of college buildings, student rooms, natural scenery, and Vassar students in the late 1890s.

The Jean E. James Vassar College photograph album (20cm x 13cm), assembled by Vassar student Jean E. James from 1897-1899, contains 72 photographic prints, primarily cyanotypes, which pertain to daily life at the school. Most of the prints are mounted into slits cut into the volume, which has a marbled brown cover. Four prints are duplicates of others in the volume.

The photographs show some of the college's students, all female, participating in and watching a hurdling competition, posing with friends, and otherwise socializing. A group of men accompanied some of the women during a trip on the lake boat Robert Main and many of the remaining prints feature women in both indoor and outdoor settings. Women posed by themselves or in groups, and the album has pictures of a musical group, basketball team, and a theatrical troupe in blackface. Interior shots of students' rooms and exterior shots of Vassar buildings are also present. A white bird feather is laid into the volume.

This photograph album contains pictures that P. C. Colony took while visiting Niagara Falls, Toronto, Montréal, and Québec City in the summer of 1897. Most of the pictures show street scenes, buildings, and scenery.

This album (23cm x 18cm) contains 71 photographs that P. C. Colony took while visiting Niagara Falls, Toronto, Montréal, and Québec City in mid-July 1897. The volume's cardstock pages were once bound. With the exception of three larger prints, the photographs (approximately 10cm x 11.5cm) are pasted two to a page. The first two items are labeled with lengthy manuscript captions, and the remaining items are identified by typed captions. The typed title "Toronto Trip, '97" is glued onto the front cover.

With the exception of the second item, a picture of P. C. Colony driving a plow pulled by two horses, the photographs show scenes from Colony's 1897 trip to Canada, where he attended the Third International Convention of the Epworth League in Toronto. Colony captured several images of a "bicycle sunrise prayer meeting" and a "firemen's exhibit," and one picture is titled "Toronto waif." He also took a series of pictures at a lacrosse game and two of a "Highland bagpipe band." The remaining photographs show street scenes and buildings such as churches (sometimes with interior views), a restaurant, a penitentiary in Kingston, and the Québec Parliament Building, as well as scenic views taken on or near water. The album has pictures of Niagara River rapids, the Lachine Rapids, Toronto Bay, a sailboat on Lake Ontario, a Canadian Pacific railroad bridge, Montmorency Falls, the American Falls, the Horseshoe Falls, and the Thousand Islands.

The Shelter Island (N.Y.) photograph albums contain portraits of young female vacationers, pictures of visitors enjoying leisure activities on and around a beach, and views from the steam yacht Meteor.

The Shelter Island (N.Y.) photograph albums contain 188 pictures taken during a visit to Shelter Island around the late 19th century. Volume 1 (26cm x 22cm) contains 98 photographs from an Original Kodak or Kodak #1 camera and Volume 2 (32cm x 28cm) contains 90 photographs from a Kodak #2 camera, mounted 4 to a page. Each album has black covers with the title "Kodak" originally printed in gold on the front; the title on the second album has faded.

Both albums contain similar photographs of people enjoying outdoor leisure activities, particularly on a beach. Many items are informal portraits of young women alone or in pairs, often identified in manuscript captions. Women, men, and children are shown sitting and walking along the beach, wading in the water, riding in carriages, and watching baseball at "Jim-town," among other activities. The seaside hotel Manhausett House appears as does "the Casino." Several images are of spectators at a tennis pavilion. Of note are a group of images in the second album from a trip on the steam-powered yacht Meteor, including shots of passengers relaxing on deck and crew members. A monkey appears in one photograph in each of the albums. A photograph vendor's wagon appears on the beach, and a man is posed with a camera on a stand.

The Virginia and Tennessee Railroad Trip photograph album includes pictures of railroad cars, tracks, and travelers taken in the 1890s, as well as pictures of trackside scenes in Tennessee and pictures of people enjoying recreational activities on a beach.

The Virginia and Tennessee Railroad Trip album contains 296 photographs taken along a railroad line in Tennessee and on an unidentified beach in the 1890s. Each item is a Kodak No. 2 circular print, mounted onto the pages in groups of 6; two are pasted on top of other pictures. The photographs are numbered 577-863. The volume has leather covers with the title "Photographs" stamped in gold on the front.

Most of the album's images are scenes from a railroad trip in Tennessee, beginning with views of the Hotel Roanoke in Roanoke, Virginia, and including pictures of passengers, tracks, trackside scenery, depots, and small towns. The album also contains pictures of people walking along a beach, displaying captured fish, preparing to launch a rowboat, and shooting small birds. Additional groups of items show a large Victorian house, people disembarking from a boat, and bathers diving into a large partially covered swimming area.

The Vistas de Guantánamo photograph album contains views of Guantánamo, Cuba, probably taken during or just before the Cuban Revolution of 1895-1898. Included are many images of military encampments and forts, as well as an image of a military hospital. Also several views of Guantanamo, local sugar production, and railroads.

The Vistas de Guantánamo photograph album (17 x 19 cm) contains 43 views of Guantanamo, Cuba, probably taken during or just before the Cuban Revolution of 1895-1898. Included are many images of military encampments and forts, as well as an image of a military hospital. Also several views of Guantanamo, local sugar production, and railroads (including a photograph of railroad workers and image of a derailed train). Each mounted print has a printed caption pasted below. The album has a black cloth cover with gilt title "Fotografias. Vistas de Guantamano." The printed title page reads: "Escalante y Hermano. Fotografos. Concha alta núm. 7. Guantánamo."

The "Western Trip" photograph album contains pictures of people, natural scenery, and cities in Colorado, Arizona, New Mexico, California, Oregon, and Washington. The album includes photographs of the traveling party, popular tourist destinations, and residents of Santa Fe, New Mexico.

This album (17cm x 25cm), entitled "Western Trip-Summer-1899," contains 95 photographs of people and scenery in several western states. Each page contains two photographs housed in 8cm x 8cm windows; all items have captions, usually providing the location of the photograph. The title "Photographs" is printed in gold on the album's faded green cloth cover.

The photographer took three photographs of railroad stations, railroad tracks, and the prairie in Nebraska and Kansas before reaching Colorado. A photograph on the first page, identified as Lincoln, Nebraska, is likely mislabeled. A manuscript caption on the back of this photograph identifies the location as Omaha, Nebraska. In Colorado, where the photographer visited Manitou Springs, several canyons, Pikes Peak, and the Garden of the Gods. Several photographs are views of mountain passes and similar Colorado scenery some of which were taken from the front of a horse drawn carriage. The photographs from New Mexico include street-level views of Las Vegas and Santa Fe, as well as informal portraits of a woman and a child in front of a pueblo, a woman ("Belle of Santa Fe"), and a boy ("Dude of Santa Fe"). In Arizona, the traveler visited cliff dwellings, canyons, and the Grand Canyon; some images show the horse-drawn carriage the party took from Flagstaff to the Grand Canyon, and others show tourists (including the compiler) on horses. The caption of one photograph implies that a railroad car on the Atchison, Topeka and Santa Fe Railway had caught fire, though no fire or smoke is apparent.

After visiting the Southwest, the traveler continued to California, where he or she collected several photographs of the Pacific Ocean as seen from Santa Catalina Island, California. These are followed by a group of pictures from Yosemite National Park, including views of mountains, waterfalls, lakes, and forests, and a picture of Mount Shasta. The final items feature the Hotel Portland in Portland, Oregon; Umatilla House in The Dalles, Oregon ("Where Measles Flourish"); the Columbia River and riverside scenery; Tacoma, Washington; Seattle, Washington; and the shore of Lake Washington.

The Woman's Hunting and Camping photograph album contains pictures taken during a camping trip in upstate New York and exterior views of homes and municipal buildings in western Massachusetts. Many of the camping pictures feature women.

The Woman's Hunting and Camping photograph album (34cm x 25cm) contains 68 photographs taken in upstate New York and western Massachusetts around the turn of the 20th century. The green cloth cover has the words "Colgate & Co's Toilet Soaps and Perfumery" on the front in thin gold letters. Most of the photographs, which are pasted three to a page, have brief captions.

The first group of photographs pertains to a camping trip around Lewey Lake, Mason Lake, and Indian Lake in northern New York, including many views of woodland scenery and pictures of male and female campers. People are shown carrying and paddling in canoes, relaxing and posing around log cabins and campsites, and riding in open horse-drawn carts. The album includes two portraits of a woman dressed in a hunting outfit posing with a rifle and a portrait of a baby taken on his or her first birthday. One group of pictures concerns a logging camp and loggers. The final pages contain photographs of homes and other buildings in Hatfield, Northampton, Amherst, and Hadley, Massachusetts, including the compiler's girlhood home, a mill, the Northampton library, and the municipal halls of Northampton and Amherst. People can be seen relaxing in front of some of the dwellings.