Collections : [University of Michigan William L. Clements Library]

These photograph albums contain pictures of scenery, people, and buildings in the Adirondack Region of northern New York and in Washington, D.C.

These photograph albums (19cm x 30cm) contain 49 pictures of scenery, people, and buildings in the Adirondack Region of northern New York. Labeled photographs show buildings, animals, and scenery in and around Ilion, New York; Clifton, New York; Oxbow, New York; Chippewa Bay, New York; the Grass River; the Oswegatchie River; and Washington, D.C. Houses and other buildings shown include a home on "Preston Isle" in Chippewa Bay, the "Old Morris House" (a colonial stone house), an abandoned iron furnace, the White House, and the United States Capitol. Photographs of construction equipment are also present. Of the individuals and groups pictured, only Jack Moffett, a young boy, is identified. Photographs of note include pictures of an encampment, the exterior of a log cabin decorated with pine boughs, game and fish, and replicas of the ships Niña, Pinta, and Santa Maria. Two photographs indicate the photographer's interest in capturing motion: one shows the Empire State Express at full speed and another shows a woman throwing water, captured at a shutter speed of 1/50 second. The albums have black or blue binding with "Photographs" embossed in gold on the covers.

The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

The California and Western Tour photograph album contains commercial and amateur photographs of scenes in Yosemite National Park, Yellowstone National Park, California, New Mexico, and other locales. The volume includes a group of photographs taken at the World's Columbian Exposition in Chicago, Illinois, in 1893.

This album (23cm x 30cm) contains 67 commercial and amateur prints of scenes in various locales, particularly in the western United States. The album is bound in red pebbled leather with small gold trim. Many of the photographs are commercial prints as large as 19cm x 24cm, with captions and negative numbers. Manuscript captions accompany some of the items, often with information about the size of natural features shown. Pictures of rock formations, waterfalls, rivers and lakes, and geysers are most common, along with shots of architectural landmarks and groups of tourists. Prominent photograph locations include Yosemite National Park (9 items), Garden of the Gods (4 items), New Mexico (3 items), the Columbia River (3 items), and Yellowstone National Park (20 items). The album has 2 pictures of Niagara Falls, one of which was taken in winter.

Though the album focuses on natural scenery, several photographs show various types of buildings, such as missions in California and New Mexico, hotels in California, the Lick observatory, a group of buildings at the Shasta Springs retreat, a railroad dining car interior, and the exterior of a Chinese restaurant in San Francisco, California. Scenes of horse-drawn carriages fording the Fire Hole River in Yellowstone National Park and passing through a tunnel cut into the trunk of a large tree in Yosemite National Park are present, as are other group photographs. One shows "Miss E. P. Gould" riding a horse, and another shows a group of men fishing on Yellowstone Lake. An 1888 portrait of John C. Frémont, his wife Jessie, and their daughter shows them standing in front of the "Fremont tree" in Redwood Grove. A final group of photographs consists of pictures of various buildings constructed for the 1893 World's Columbian Exposition in Chicago, Illinois.

The Caribbean photograph album contains photographs of towns, scenery, and people in Jamaica, Saint Vincent, Barbados, and Trinidad.

This photograph album (19cm x 26cm) contains 77 photographs of towns, scenery, and people throughout the Caribbean. Most pictures are 14cm x 22cm, though a few are 10cm x 15cm, and many have lengthy captions with additional information about locales pictured; many are numbered. Captions include information about hotel rates, population figures, vegetation, geographic features, and local customs. The photographs show Jamaica (43 items), Barbados (13 items), Trinidad (12 items), local residents (4 items), Saint Vincent (3 items), and other scenes (2 items). The album has many views of city streets and towns taken from street level and from higher vantage points, as well as views of rivers in Saint Vincent and Jamaica and of Carlisle Bay, Barbados. Structures such as sugar plantation windmills, railroad stations, hotels, markets, a prison, and churches are visible in many pictures, as are residents and, less often, tourists. A group of 4 photographs at the end of the album show East Indian women who worked in Trinidad, and 3 photographs show members of the West Indian Regiment and its band, including 1 picture of the band playing in a gazebo. Harbor views show Royal Navy ships and other vessels. The album's covers have a hard cloth covering, and the pages are bound together with rope. One loose page has been removed from the volume.

The Florence Gould photograph album primarily contains pictures taken during the Gould family's stay at "Pinelands," their summer home in Topsfield, Massachusetts, in September 1896. The photographs show room interiors, members of the Gould family, and the house and its surroundings. Pictures from May 1897 and April 1902 show the Gould family and scenes in and around a home in the Maplewood neighborhood of Malden, Massachusetts.

The Florence Gould photograph album (22cm x 17cm) contains 110 photographs of the Gould family, mostly taken at "Pinelands," the family's summer home in Topsfield, Massachusetts, in September 1896. Much smaller groups of photographs were taken at the Gould family's home in the Maplewood neighborhood of Malden, Massachusetts, in May 1897, and at an unidentified location on April 19, 1902. The three pictures from 1902 are cyanotypes, and the remaining photographs are primarily silver gelatin prints. Florence Gould presented the album to her brother, George L. Gould, and his family at Christmas in 1896.

The largest group of photographs pertains to the family's life at Pinelands in September 1896, including exterior views of the house and grounds and candid and posed group photographs taken on the home's porch. Various members of the Gould family, particularly Rosamond and Bertram Gould, appear in the pictures, as do some of the family's pets, and at least three photographs show people sleeping. Rosamond Gould is the subject of many photographs, which show her playing with a doll, sitting with her sister Miriam in their shared bedroom at Pinelands, and riding bikes with her brother Bertram near their Maplewood home. The photographer also accompanied Bertram and others on an excursion to a golf course in Topsfield. Members of the family are also pictured riding in a horse-drawn carriage in the mid-1890s and preparing to embark for Topsfield in April 1902. The album also includes many interior views of the Gould family's homes in Topsfield and Malden, including shots of sitting rooms, dining areas, staircases, and bedrooms. One vanity's mirror reflects another mirror sitting across the room, which in turn reflects the first mirror.

The Gibson family vacation album contains photographs taken in South Carolina, Florida, Virginia, and New York circa 1897. The volume includes pictures of warships, buildings, and members of the Gibson family.

The Gibson family vacation album (14cm x 18cm) contains 23 photographs taken in South Carolina, Florida, Virginia, and New York circa 1897, as well as two halftone photomechanical prints and a carte de visite. The volume includes pictures of warships, buildings, and members of the Gibson family. The album's cloth-bound covers have two decorative designs, with the title "Photographs" appearing on the front. Each photograph is behind an 8cm x 8cm window.

The majority of the pictures show scenery and buildings in the South, such as George Washington's home at Mount Vernon, the Gonzalez-Alvarez House in Saint Augustine, Florida (accompanied by a newspaper clipping entitled "Oldest House in America"), the Saint Augustine slave market, Fort Sumter, and a Confederate monument in Magnolia Cemetery (Charleston, South Carolina). Other photographs from Florida show Saint Augustine streets and groups of people posing by palm leaves, bathing at Daytona Beach, and embarking on a picnic. The album contains three shots of sea-going vessels involved in the blockade of Cuba: the tugs, The Three Friends, the Dauntless, and the USS Vesuvius. The remaining items include a picture of women playing baseball in Salamanca, New York, and printed halftones of Elizabeth Cady Stanton and Willard A. Gibson. A carte-de-visite of a painted portrait of three young women is included.

The Greene Family Lake Winnipesaukee photograph album contains views of the Greene family's steam yacht on Lake Winnipesaukee, lakefront properties and lakeside scenery, pictures of people enjoying indoor and outdoor recreational activities, and formal portraits.

The Greene Family Lake Winnipesaukee photograph album (25cm x 30cm) contains 32 photographs taken on and around the New Hampshire lake in the late 19th century. Most prints are 24cm x 19cm, pasted one to a page, or 12cm x 19cm, pasted two to a page; one page has four prints, each 9cm x 12cm. The original covers are no longer extant.

A large steamboat, the Lady of the Lake, appears in one or two images. A small steamboat belonging to the Greene family, theMohawk, is shown on the water in numerous photographs, often with people relaxing on deck or waiting to board from a dock. The album contains many scenic views of lakeside properties, likely owned by the Greene family, including one of the Hotel Weirs. One boy posed by a tall flagpole with a large United States flag, erected next to a lakefront house, and one item shows a flock of ducks around a sign for Roxmont Mineral Spring, possibly part of the Hotel Weirs grounds. Some of the pictures are interior views of unidentified people relaxing in a parlor; in one photograph, a woman sits at the piano while a boy plays a horn and a man reads a newspaper from Boston, Massachusetts. J. A. Greene appears in at least two photographs; in one photograph he sits in a parlor with an unidentified woman and in another photograph he is shown with freshly caught fish along the lakeshore. Photographs of a hunting party beside a log cabin, fishing from a canoe, riding in a horse-drawn wagon, and posing by a dead deer are also included. The album has a formal group portrait of a man, woman, and young boy and a formal portrait of a young girl, all likely members of the Greene family. Two fanciful images show a person standing next to a florally decorated bicycle with a large umbrella attached and a staged scene of a tooth extraction set in a medical office. A second photograph of the same medical office shows a man writing at a desk.

A list of photographs is housed with the album.

The Holyoke Canoe Club photograph album contains pictures of canoeing and scenery along the Connecticut River, and of men and women socializing indoors and outdoors.

The Holyoke Canoe Club photograph album (19cm x 26cm) contains 65 pictures of scenery, communities, and activities along the Connecticut River. The red pebbled cloth cover has the title "Photographs" stamped in gold gothic letters on the front. Included are photographs showing wooded scenery and structures along the river, including pictures of the Holyoke Canoe Club boathouse, the sailing and paddling of canoes, and of men and women in sporting dress socializing indoors and outdoors. Many of the images focus on men in sailing canoes, including one view of a man sitting in a sailing canoe on shore with sails set. Two photographs show a woman standing next to a beached canoe and a woman paddling a canoe along a flooded street. Individual and group portraits appear, taken at a small cabin in a wooded area, in front of a doorway, beside an indoor fireplace, and beside indoor and outdoor tables set with food, among other scenes. A group gathered around a piano appears in two images, one of which shows two of the women holding banjos. The album contains exterior shots of churches and other unidentified buildings, some overlooking a body of water. A view of two horses pulling a large log on a sleigh is also included.

Of note are views of a steam launch at the canoe club dock; a view of canoes stored on racks inside the boathouse; and two views of the interior of what is likely a local textile mill.

This photograph album contains pictures that P. C. Colony took while visiting Niagara Falls, Toronto, Montréal, and Québec City in the summer of 1897. Most of the pictures show street scenes, buildings, and scenery.

This album (23cm x 18cm) contains 71 photographs that P. C. Colony took while visiting Niagara Falls, Toronto, Montréal, and Québec City in mid-July 1897. The volume's cardstock pages were once bound. With the exception of three larger prints, the photographs (approximately 10cm x 11.5cm) are pasted two to a page. The first two items are labeled with lengthy manuscript captions, and the remaining items are identified by typed captions. The typed title "Toronto Trip, '97" is glued onto the front cover.

With the exception of the second item, a picture of P. C. Colony driving a plow pulled by two horses, the photographs show scenes from Colony's 1897 trip to Canada, where he attended the Third International Convention of the Epworth League in Toronto. Colony captured several images of a "bicycle sunrise prayer meeting" and a "firemen's exhibit," and one picture is titled "Toronto waif." He also took a series of pictures at a lacrosse game and two of a "Highland bagpipe band." The remaining photographs show street scenes and buildings such as churches (sometimes with interior views), a restaurant, a penitentiary in Kingston, and the Québec Parliament Building, as well as scenic views taken on or near water. The album has pictures of Niagara River rapids, the Lachine Rapids, Toronto Bay, a sailboat on Lake Ontario, a Canadian Pacific railroad bridge, Montmorency Falls, the American Falls, the Horseshoe Falls, and the Thousand Islands.

The Shelter Island (N.Y.) photograph albums contain portraits of young female vacationers, pictures of visitors enjoying leisure activities on and around a beach, and views from the steam yacht Meteor.

The Shelter Island (N.Y.) photograph albums contain 188 pictures taken during a visit to Shelter Island around the late 19th century. Volume 1 (26cm x 22cm) contains 98 photographs from an Original Kodak or Kodak #1 camera and Volume 2 (32cm x 28cm) contains 90 photographs from a Kodak #2 camera, mounted 4 to a page. Each album has black covers with the title "Kodak" originally printed in gold on the front; the title on the second album has faded.

Both albums contain similar photographs of people enjoying outdoor leisure activities, particularly on a beach. Many items are informal portraits of young women alone or in pairs, often identified in manuscript captions. Women, men, and children are shown sitting and walking along the beach, wading in the water, riding in carriages, and watching baseball at "Jim-town," among other activities. The seaside hotel Manhausett House appears as does "the Casino." Several images are of spectators at a tennis pavilion. Of note are a group of images in the second album from a trip on the steam-powered yacht Meteor, including shots of passengers relaxing on deck and crew members. A monkey appears in one photograph in each of the albums. A photograph vendor's wagon appears on the beach, and a man is posed with a camera on a stand.