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The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

A Select Vacation Tour to Marble, Colorado contains 55 photographs, 11 clippings, 6 pieces of ephemera, and 1 letter documenting an inspection trip for potential investors to marble and slate quarries in Colorado organized by the Knickerbocker Syndicate.

A Select Vacation Tour to Marble, Colorado contains 55 photographs, 11 clippings, 6 pieces of ephemera, and 1 letter documenting an inspection trip for potential investors to marble and slate quarries in Colorado organized by the Knickerbocker Syndicate.

The album (18 x 25.5 cm) is lacking a front cover, but the contents are undamaged. The first item is an illustrated brochure attached to the album's front cover that describes the upcoming journey and provides a detailed itinerary and sample menu. While aimed primarily at current investors in the Colorado-Yule Marble Company and the Colorado Slate Company, “families and friends or acquaintances” were also welcome. The cost was not specified.

The rest of the album documents the trip and promotes the quality of company products. Photographs show Yule marble in use at the Cheesman Memorial in Denver and the Youngstown, Ohio, courthouse. Pamphlets and newspaper articles also declare the marble to be of better quality than Carrara marble and the slate is in quantities that will eclipse Wales in the industry, who was the world leader at the time.

The passengers made a thorough inspection of the Yule Marble site over two days and are shown riding from the mill to the quarry site in the new electric trolley powered by electricity generated from the Crystal River, on the quarry floor watching workers extract blocks that will be shaped into columns at the mill, and visited the site of the slate quarry which was in the early stages of development. Other highlights of the trip included stopovers at Glenwood Hot Springs Lodge and Colorado Springs, excursions to tourist sites like Pikes Peak and Cripple Creek, and city tours in Kansas City, Denver, and elsewhere. Local newspapers covered many of these visits, and clippings are included in the album.

Also present is a letter of appreciation to the mine supervisors signed by 31 of the travelers and an illustrated report on the state of the mine by a mechanical engineer on the trip named Arthur M. Chidester (who also took most of the album’s photographs).

The Charles R. Underhill, Jr. collection consists of approximately 103 photographs, 3 letters, and 10 items of miscellaneous documentation and ephemera related to Charles R. Underhill, Jr.’s employment with RCA Photophone, which saw him travel around the country installing motion picture theater projector equipment.

The Charles R. Underhill, Jr. collection consists of approximately 103 photographs, 3 letters, and 10 items of miscellaneous documentation and ephemera related to Charles R. Underhill, Jr.’s employment with RCA Photophone, which saw him travel around the country installing motion picture theater projector equipment.

Many of the photographs present in this collection appear to have once been part of an album or scrapbook which may have been compiled and captioned by Underhill, Jr.’s sister, Marguerite Allare Underhill Goetz (1895-1970). Images of interest include views of numerous movie theaters, street scenes, and landscapes in various locations in Pennsylvania, Kentucky, North Carolina, Tennessee, Maryland, Virginia, West Virginia, and Washington, D.C; photos of P-2 projector equipment manufactured for RCA by General Electric; snapshots of Underhill, Jr. and family members including his parents, wife, and daughter taken in various locations during work-related travels; photos of movie theater managers John M. Bernardi (Roxy Theatre, Williamsport, Pennsylvania) and Paul O. Klingler (Rialto Theatre, Lewiston, Pennsylvania); a portrait of Harold Graffius, projectionist for the Rowland Theatre in Phillipsburg, Pennsylvania; and pictures of several theatre organists.

Additional items include Underhill, Jr.’s projected service schedule beginning June 1, 1935; his service schedule for the month of July 1931; a list of films reviewed by Box Office for the year 1933; an undated letter from Rialto Theatre manager Paul O. Klingler regarding an unknown article that had originally been attached; a letter from Ike Benny of Pastime Theatre in Lewiston requesting Underhill, Jr.’s help regarding equipment issues dated October 9 1930; a letter from W. K. Glodfelter regarding an upcoming local meeting of the International Alliance of Theatrical Stage Employees dated November 9 1931; and a broadside advertising the Rivoli Theatre of Johnstown, Pennsylvania ; posters advertising the McVeytown Theatre in McVeytown, Pennsylvania; an issue of the Charleroi Mail advertising the opening of the 1935 fall film season at the Menlo Theatre in Charleroi, Pennsylvania.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The album (36.5 x 28 cm) has string-bound brown covers with the words "Scrap Book" and a depiction of a boy and girl wearing wooden clogs embossed on the front; the covers and pages are in poor condition. The structure of the album is roughly chronological, with material from the 1920s appearing towards the beginning and material from the 1940s appearing towards the end. However, candid snapshots and studio portraits made in Milwaukee, Wisconsin, in the early 1930s are scattered throughout and mixed in with photos from other periods. At least one page includes dated photos from the early 1930s and late 1940s that appear side by side. Certain names and people reappear often, but exactly how they relate to one another is not entirely clear. Many photographs document people drinking as well as posing in a humorous manner.

Photographer Russell Clifford Shaul appears to have been the compiler of this album. Shaul’s name appears on numerous images as the credited photographer, including portraits taken in Milwaukee in the early 1930s and a Chicago cityscape view from the mid-1940s. Several photos are also inscribed with messages to “Russell,” while snapshots arranged on a page captioned “The Shauls” show him and his third wife Sarah visiting various U. S. tourist destinations between 1944 and 1949. At some point during the 1930s it appears that Shaul relocated from Milwaukee to Chicago and set up a new photography business. Several pages in the album suggest that Shaul and his colleagues practiced door-to-door operations.

Two pages document a man’s World War II service. He is pictured driving a Jeep and wearing a uniform bearing an “Official U.S. War Photographer” patch, training on a shooting range, interacting with people on the streets “In India,” and taking photographs with both still and motion picture cameras. This man appears throughout the album (identified elsewhere as “Carl”), including in the earliest Milwaukee shots in 1927. He may have been Shaul’s friend and/or business partner.

Items placed toward the end of the album include some scrapbook materials including letterheads advertising a company called Chicago Thrill Tours and Chicago-based radio host called “The Nitehawk,” as well as business cards identifying a fellow photographer in Chicago named Charles Lonk and a trailer park in Eau Gallie, Florida.

In addition to the album there is also an envelope containing several loose photographs and ephemeral items including portraits of various people and groups; pictures of people drinking at bars; photographs of the man elsewhere identified as Carl drinking at a Milwaukee bar in 1927 as well as posing in a bathtub while another man bathes him; an image of a photo supply storefront with a cutout of an unidentified man pasted over the front door (possibly shop owner I. Dobkin); photography-related clippings; aerial images of Baton Rouge, Louisiana, taken in 1938; and a portrait by Acme Newspictures of a man in the radio studio of “The Nitehawk - WBBM” captioned “J. W. Clark.” Also present is an enveloped typed letter signed by “The Nitehawk” written to Shaul in 1948 asking him to be on the lookout for early copies of Reader’s Digest.

The San Luis Valley, Colorado, promotional album contains 26 photographs as well as testimonials, articles, maps, and periodical excerpts that served to promote estate development in the San Luis Valley, Colorado, in 1908.

The San Luis Valley, Colorado, promotional album contains 26 photographs as well as testimonials, articles, maps, and periodical excerpts that served to promote estate development in the San Luis Valley, Colorado, in 1908.

Professional photographer O. T. Davis made 18 of the 26 photographs in this album. His work was part of an effort by the Oklahoma Land and Colonization Co. (based in Kansas City, Missouri) to attract settlers to the region. The company had purchased some 20,00 acres of land in the valley. The photographs and accompanying testimonials, letters, articles, and maps that make up the rest of this album were designed to attract potential buyers and investors.

The album (21.5 x 30 cm) has brown leather covers and begins with a group of typed declarations attesting to the impressive quality and quantity of Colorado agricultural products, including one by a former Colorado governor stating: “There may be a few favored spots that can raise potatoes as good, but nowhere in the world can better be produced.” Other statements tout the favorable climate and plentiful water sources. The introductory testimonials are followed up by photographs, most of which were taken by O. T. Davis on August 18th 1908, though some were taken later on in the harvest season. The images show impressive yields, prosperous homesteads, and plentiful water sources and also include in-town scenes showing well-dressed men and women, a bustling train station, a sturdy schoolhouse, and busy liveries.

Following the photographs more documentation is included such as sworn affirmations that artesian wells are plentiful, unattributed periodical articles touting the regions’ yields of field peas, sugar beets, hay, hogs and cattle, and magazine photographs with the same positive perspectives as Davis’s photographs. Also present is a railroad map of the Denver and Rio Grande Western Railroad’s extensive system in the region and plans to complete a link to San Francisco in 1909, thus opening regional products to worldwide markets.