Search

This journal contains Clarence G. Nicholson's recollections about his trip from Philadelphia, Pennsylvania, to Milwaukee, Wisconsin, and Chicago, Illinois, in September 1893. Nicholson described his daily activities during the journey west, in Milwaukee, and at the World's Columbian Exposition. The volume contains numerous commercial photographs, advertisements, and other items related to Nicholson's travels.

This journal (32cm x 27cm, 433 pages) contains Clarence G. Nicholson's recollections about his trip from Philadelphia, Pennsylvania, to Milwaukee, Wisconsin, and Chicago, Illinois, in September 1893. The narrative was written in 1894. Nicholson described his daily activities during the journey west, in Milwaukee, and at the World's Columbian Exposition. The volume contains numerous commercial photographs, advertisements, and other items related to Nicholson's travels. Nicholson's manuscript travel narrative occupies around 328 pages with ephemeral items pasted in. He wrote at length about the scenery during his railroad trip, often mentioning meals and accommodations. This first part of the volume includes watercolors, photographs, clippings, and advertisements depicting Pennsylvania scenery. While in Milwaukee, Nicholson and the other travelers visited breweries, art galleries, and other points of interest; he also wrote about the differences between the Midwest and the East Coast and about the city's artistic culture. Accompanying visual materials show Milwaukee buildings, examples of local beer bottles, and works of art. On September 23 or 24, the party split, with Nicholson and his father heading for Chicago, where they spent the next week.

Nicholson's recollections of his experiences at the World's Columbian Exposition comprise the bulk of the text, accompanied by a variety of illustrations. He describes in detail numerous state, international, and thematic buildings; exhibit halls and displays; sights along the Midway Plaisance; and the fairgrounds. He and his father also visited other areas of Chicago. Clippings, advertisements, and other ephemeral items are included throughout the volume, including numerous commercial photographs and illustrated views of the World's Columbian Exposition. Other items include exposition admission tickets, a menu, and a group of synthetic cords. Visual materials show the interiors and exteriors of large exhibit halls, state and international buildings, the Peristyle, the Ferris Wheel, and exhibits along the Midway Plaisance; a few photographs and prints show the grounds illuminated at night. The final pages of the journal contain Nicholson's thoughts upon leaving the exposition for the final time and a brief description of his return trip to Philadelphia.

The D. S. Dunlap photograph album contains prints of pictures taken in Colorado in 1896 and 1897. The photographs show scenes from a hunting and camping trip, performers during festivals and parades in Denver and Colorado Springs, and groups of young men and women.

The D. S. Dunlap photograph album (23cm x 34 cm) contains 278 photographs taken in Colorado in the late 1890s. Of the items, 271 are mounted directly on the album's pages, 7 are laid into the volume. One of the loose items is mounted on cardstock. Two of the photographs are cyanotypes and one is a photomechanical print. The unidentified photographer(s) took most of these pictures between August and October 1897, with additional items dated 1896 and as late as December 1897. The album, a Kodak product, has the title "Photographs" stamped in gold on its cover.

The first page of the volume has an undated newspaper clipping about a camping party's embarkation for the area around Hahn's Peak in northern Colorado. Three main groups of photographs are integrated throughout the volume. The largest number, dated August 1897-September 1897, show scenes from this trip, including pictures of party members making camp, posing with guns, fishing, and resting by horse-drawn vehicles. One member of the party is shown dressed as a Native American. Captions identify many locations, often along the Continental Divide, and some pictures show mountains, rock formations, and aerial views of towns. Buildings, trains, and horses appear in a few of these photographs, and at least one shows a mine entrance. A second group of pictures shows scenes from parades and festivals in Colorado Springs and Denver in August and October 1897, respectively. These photographs show floats, bands, and performers in costume. The remaining photographs are pictures of houses and pictures of unidentified young men and women, sometimes shown in groups. Two photographs show a woman with a bicycle and a woman in a short dress holding a ball.

The Edwin F. Belden friendship album contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Photographs are also included.

The Edwin F. Belden friendship album (25cm x 18cm, 141 pages) contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Included are 112 salted paper and 3 albumen photographic portraits. The album has a hard cover with Belden's name and a decorative border stamped in gold on the front. Plates on the inside of the front and back covers feature a patriotic eagle and banner with the slogan "The Federal Union it must be preserved" and of a building used as "Republican Head Quarters" in 1860.

The first 37 pages contain signatures from members of the New York State Assembly, where Belden was a messenger in the early 1850s. Some politicians accompanied their signatures with brief personal message for Belden, often including well wishes and advice. Many signers recorded the name of the district they represented, and most dated their contributions April 16, and 17, 1851. This section of the album is followed by other autographs that Belden solicited in the mid-1850s, as well as an endorsement from his employers Lemuel Jenkins and C. Ten Broeck (November 22, 1852, p. 41).

The remaining contents, dated 1860-1866, are comprised of small photographic portraits, brief biographical notes, inscriptions, autographs, and newspaper clippings related to a variety of individuals, including many men who served in the Civil War. One page of individual full-length portraits represents members of the Albany Zouave Cadets with military equipment and musical instruments. Belden labeled most of the photographs and often included notes about the subjects' dates of death. Several entries include copied correspondence, inscriptions and autographs, and obituaries or other news articles. Contributors included former New York Governors Washington Hunt and John A. King; General William Tecumseh Sherman; and Samuel Streeter, a former delegate representing Albany at The Colored Men's Convention of 1840 (also pictured, October 30, 1860, p. 63). A letter from William F. Russell, a former member of the state legislature, is laid into the volume after the autographs (April 19, 1886).

Edward E. Wilcox, a native of Franklin County, New York, wrote narrative recollections of hunting trips, painted watercolors, created sketches and drawings, and pasted photographs and newspaper clippings in this volume around the 1890s. Most of the material concerns hunting and fishing excursions in northern New York and southern Québec.

Edward E. Wilcox, a native of Franklin County, New York, wrote narrative recollections of hunting trips, painted watercolors, created sketches and drawings, and pasted photographs and newspaper clippings in this journal from approximately 1893-1896. Most of the material concerns hunting and fishing excursions in northern New York and southern Québec. The volume contains 200 pages, not all of which are used.

Wilcox wrote a 2-page introduction on June 2, 1893, intending to record details of his life for friends and family to discover after his death. In approximately 43 additional pages of prose, he wrote about his courtship with and wedding to Clara Stuart, his early years in New York City, numerous hunting and fishing trips in northern New York, and a summer vacation in New Hampshire and Québec. Two of the accounts describe a salmon run and an encounter with bears, and one pertains to a youthful prank. Some of the journal's watercolors, drawings, and sketches illustrate aspects of Wilcox's travel stories; most depict hunters, fishers, fish, rowboats, cabins, and woodland scenery. One pencil drawing utilizes shading to create the illusion of a nighttime view and appropriate shadows. Photographs include a picture of a man in a military uniform posing by a paper globe and paper cannonballs (possibly taken around 1917), studio portraits of an unidentified man and woman, a studio portrait of a man in his underwear, views of steamboats in a canal or lock, pictures of cacti in a desert, and a picture of hunters in a wooded area. Also present are interior shots of a shipping or similar commercial office and a man working in an enclosed office space, as well as street scenes. Two newspaper clippings concern E. E. Wilcox's use of shed human skin as a painting canvas and a painting he made as a young man.

The Gibson family vacation album contains photographs taken in South Carolina, Florida, Virginia, and New York circa 1897. The volume includes pictures of warships, buildings, and members of the Gibson family.

The Gibson family vacation album (14cm x 18cm) contains 23 photographs taken in South Carolina, Florida, Virginia, and New York circa 1897, as well as two halftone photomechanical prints and a carte de visite. The volume includes pictures of warships, buildings, and members of the Gibson family. The album's cloth-bound covers have two decorative designs, with the title "Photographs" appearing on the front. Each photograph is behind an 8cm x 8cm window.

The majority of the pictures show scenery and buildings in the South, such as George Washington's home at Mount Vernon, the Gonzalez-Alvarez House in Saint Augustine, Florida (accompanied by a newspaper clipping entitled "Oldest House in America"), the Saint Augustine slave market, Fort Sumter, and a Confederate monument in Magnolia Cemetery (Charleston, South Carolina). Other photographs from Florida show Saint Augustine streets and groups of people posing by palm leaves, bathing at Daytona Beach, and embarking on a picnic. The album contains three shots of sea-going vessels involved in the blockade of Cuba: the tugs, The Three Friends, the Dauntless, and the USS Vesuvius. The remaining items include a picture of women playing baseball in Salamanca, New York, and printed halftones of Elizabeth Cady Stanton and Willard A. Gibson. A carte-de-visite of a painted portrait of three young women is included.

The Grace Chandler Footlight Club scrapbook contains correspondence, photographs, plays, and ephemera related to the club's activities in the mid- to late 1890s. The amateur theatrical company performed in Eliot Hall, a theater in the Jamaica Plain neighborhood of Boston, Massachusetts.

The Grace Chandler Footlight Club scrapbook contains around 45 pages of correspondence, photographs, plays, and ephemera pertaining to the club's activities in the late 19th century. Most items are dated between 1894, when Chandler joined, and 1898.

Chandler collected numerous programs from the Footlight Club's many performances, including several in which she participated as a member of the cast and a few that served as charity events for a convalescent home and other causes; tickets for performances and dress rehearsals are also included. Chandler received official correspondence regarding her membership and directors' reports, as well as manuscript letters congratulating her for recent performances; most are still in their original envelopes. Of particular interest is a letter from Horace Vale to "Miss Verrinder" calling off their engagement after hearing rumors of her "desperate flirtation" with another man (postmarked March 20, 1895). The album includes 7 photographs of sets on a stage. Other items include newspaper clippings, printed copies of plays, an advertisement, a dried rose, and copies of the Footlight Club's constitution as amended in December 1888 and January 1895.