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Collection

John P. Cook Photograph Collection, ca. 1870s-1915

9 photographs

The John P. Cook photograph collection contains 9 photographs associated with U.S. Army officer John Pope Cook, including 7 images given to Cook by Dakota Territory-based Indian trader Charles Philander Jordan.

The John P. Cook photograph collection contains 9 photographs associated with U.S. Army officer John Pope Cook, including 7 images given to Cook by Dakota Territory-based Indian trader Charles Philander Jordan.

Among the photographs that were given to Cook by Jordan are a heavily retouched cabinet card studio portrait of Sitting Bull and a stereograph view on a cabinet card-sized mount captioned "No. 45 Spotted Tail's Tepee," both taken by photographer W. R. Cross; a studio group portrait of Red Cloud and Charles P. Jordan on a mount of Washington, D.C.-based photographer John Nephew bearing the verso inscription "To my most esteemed friend Gen. John Cook. C. P. Jordan July 9/89"; and five studio portrait photographs taken by John Alvin Anderson of six of Jordan's children born to his Lakota wife Julia Walks First Jordan (1859-1913; a niece of Red Cloud's, also known as Winyan Hoaka, True Woman, Weah-Wash-Tay, The Beautiful One), identified through verso inscriptions as "Mary J. Jordan," "Everard Cady Jordan," "Collins Custer Jordan," "Edwin E. & Wm Ward Jordan," and "Ella Adaline Jordan." The date and location of the portrait of Red Cloud and Jordan may point to the possibility of that image having been produced while the subjects were in Washington, D.C., during the 1889 Sioux Land Commission negotiations.

Also present are two photomechanically-illustrated postcards that date to the early 20th-century. One postcard bearing an advertisement for the Northern Pacific Railway was postmarked June 11, 1915 and addressed to John P. Cook's daughter Nina Cook in Frontier, Michigan, with the message "Dear Nina: I am on my way wish you were with me love Fred." The second postcard bears a profile view of the U.S.S. Nebraska and appears to have been postmarked August 1, 1910 and was addressed to Cook at his residence in Ransom, Michigan, with the message "Dear cousin sorry to make you all wait so long for ans (sic) to your kind letters but can't be helped this is a photo of one of the ships with the Atlantic fleet."

Collection

Sophie Toclanny Photograph Collection, 1910-ca. 1960 (majority within 1910-1913)

25 postcards, 1 albumen print, and 1 platinum print

The Sophie Toclanny Photograph Collection consists of 25 postcards (including 15 real photo postcards and 10 color printed cards) and 2 photographic prints, most of which were sent by Chiricahua Apache woman Sophie Toclanny to a white American family living in Pennsylvania in the early twentieth century.

The Sophie Toclanny Photograph Collection consists of 25 postcards (including 15 real photo postcards and 10 color printed cards) and 2 photographic prints, the majority of which were sent by Chiricahua Apache woman Sophie Toclanny to a white American family living in Pennsylvania in the early twentieth century.

The collection contains postcards and photographs sent by Sophie to the family of George K. (1870-1937) and Susan E. Geiser (1871-1939) living at 731 Moss St., Reading, Pennsylvania. It is unclear how Sophie came to know the Geiser family; it is possible that she made their acquaintance through either of her first two husbands, both of whom graduated from the Carlisle Indian Industrial School in Carlisle, Pennsylvania. Her messages to the Geiser family indicate that she had a close, ongoing relationship with them. Sophie inquires about Geiser family members including their son William “Bill” G. Geiser (1891-1924), refers to gifts she is sending them such as a traditional Apache cradleboard, and expresses dismay that they are not writing her as often as she would like. One undated real photo postcard bears an image originally taken by Edward Bates of an unidentified Comanche woman carrying a child in a cradleboard; Sophie's message states that “They [the Comanche] dress all to gather [sic] different from the way we dress. I am sending you one of my self in Indian dress too.” In another undated real photo postcard showing another Bates photo captioned “Apache Babe and Cradle”, Sophie writes that she is “sending you a cradle like the Apache make for their babies. On this card a real one. This was taken out in their hay camp. I am so sorry that I was so long in sending it. But hope you will like it.” A number of postcards show wear or damage on the corners, suggesting that they were likely kept in an album for some period of time.

Sophie identifies herself and other family members in several of the real photo postcards. In one photograph showing six people posing on rocks near a dam waterfall on the Mescalero Reservation, Sophie identifies herself as the individual at left “sitting down by my little sister.” The young girl in this photograph is likely Sophie’s younger sister Edith, while the “married sister” standing at right is likely Emma. Both Edith and Emma appear in multiple photographs. Unidentified individuals in the family photos include an uncle, a cousin, the husband of said cousin, and a white woman who apparently married another one of Sophie’s uncles.

Other items of particular interest include postcards with images of Apache camps in Oklahoma and New Mexico; the Apache mission at Fort Sill; the funeral of Comanche chief Quanah Parker; portraits of Indian families (including a group portrait of a Sac & Fox family by W. H. Martin), mothers, and women; and portraits of famous Native American chiefs including Sitting Bull, Geronimo, Eagle Feather, and Red Cloud. The Red Cloud postcard bears the message “From a friend you have forgotten. But she never will forget you. Ft Sill Friend.”, while the Geronimo postcard reads “I received the pretty card to-day. I was glad to get it. So in return I thought I will send you one of Geronimo. I guess you all heard of him. What ever became of William. How is little girl now. From Sophie.” The postcards bearing images of Red Cloud, Eagle Feather, and Sitting Bull are all based on reproductions of original paintings by L. Peterson that were photographed and copyrighted by H. H. Tammen in the early twentieth century. Other color printed postcards include images of Pueblo Indians selling pottery, a Pueblo Indian infant, an Indian camp scene at the 101 Ranch in Bliss, Oklahoma, and an illustrated scene of an Indian woman going over a waterfall in a canoe titled “Red Man’s Fact.”

One color printed postcard bearing a portrait of Mohawk chief Bright Canoe was produced in the 1960s and thus could not have been included by Sophie.

Several real photo postcards include photographs taken by Edward Bates (1858-1941). Based in Lawton, Oklahoma, Bates took numerous portraits of Native Americans living at nearby Fort Sill. Bates is known to have produced at least one portrait of Edith Toclanny, and it is possible that he photographed other members of the Toclanny family.