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The James M. K. Reed Collection consists of four undated items relating to Reed's services as an instructor of practical penmanship in mid-19th century Pennsylvania. It includes two calligraphic drawings of American eagles, one of which is holding a ribbon and flying above a feather quill. The other two items in the collection are subscription lists for students. They detail the terms for the penmanship classes and list patron names, the number of scholars, and whether fees were paid. One list identifies the locale of the classes as being in the vicinity of Patterson's Mills, likely in Pennsylvania. The other list provides no location, but notes the classes are co-taught by "Reed & Boyd" and includes several calligraphic drawings of birds and a feather quill.

The James M. K. Reed Collection consists of four undated items relating to Reed's services as an instructor of practical penmanship in mid-19th century Pennsylvania. It includes two calligraphic drawings of American eagles, one of which is holding a ribbon and flying above a feather quill. The other two items in the collection are subscription lists for students. They detail the terms for the penmanship classes and list patron names, the number of scholars, and whether fees were paid. One list identifies the locale of the classes as being in the vicinity of Patterson's Mills, likely in Pennsylvania. The other list provides no location, but notes the classes are co-taught by "Reed & Boyd" and includes several calligraphic drawings of birds and a feather quill.

A currently unidentified writer copied six Protestant Christian hymns and songs into this volume sometime around the 1850s. The 16 pages of text include "Montgomery", "The Romish Lady", "The Orphan's Song", "Gloom of Autumn", "Remember the poor; or, the Widow's Prayers" (by Rev. H. G. Barrus), "Dying Hymn" (by Alice Cary). The copyist wrote the hymns and songs in a slim blank book with blue-green covers. The front cover bears a printed decorative border at the center of which is an armored prince with sword and shield, standing before a seated Clio with two books and holding out a quill pen to him. Surrounding text explains the relationship between history and "men's great actions." The back cover bears a printed multiplication table and advertising information for Benjamin B. Mussey & Co., Publishers, Booksellers, and Stationers, 29 Cornhill, Boston (including a list of popular books and music books published by Mussey, and types of stationery supplies).

A currently unidentified writer copied six Protestant Christian hymns and songs into this volume sometime around the 1850s.

• "Montgomery"
• "The Romish Lady"
• "The Orphan's Song"
• "Gloom of Autumn"
• "Remember the poor; or, the Widow's Prayers" (by Rev. H. G. Barrus)
• "Dying Hymn" (by Alice Cary)

The copyist wrote the hymns and songs in a slim blank book with blue-green covers. The front cover bears a printed decorative border (with quills) at the center of which is an armored prince with sword and shield, standing before a seated Clio with two books and holding out a quill pen to him. Surrounding text explains the relationship between history and "men's great actions." The back cover bears a printed multiplication table and advertising information for Benjamin B. Mussey & Co., Publishers, Booksellers, and Stationers, 29 Cornhill, Boston (including a list of popular books and music books published by Mussey, and types of stationery supplies).

A member of the Sager family of Canada and Vermont created this handmade volume registering the births of children to Frederick and Lydia Sager, along with other family events. While undated, the volume includes content ranging from 1814 to 1840, suggesting it was produced within that timeframe. Most entries list individuals' names and birthdates, written within pen-and-ink heart frames along with geometric patterns and other embellishments. The entry for an unnamed infant who died the same day it was born includes an illustration of a coffin, while other entries include drawings of objects like a quill, manicules, and flowers. The volume concludes with copies of two Biblical hymns, one carefully written to look like printed type.

A member of the Sager family of Canada and Vermont created this handmade volume registering the births of children to Frederick and Lydia Sager, along with other family events. While undated, the volume includes content ranging from 1814 to 1840, suggesting it was produced within that timeframe. Most entries list individuals' names and birthdates, written within pen-and-ink heart frames along with geometric patterns and other embellishments. The entry for an unnamed infant who died the same day it was born includes an illustration of a coffin, while other entries include drawings of objects like a quill, manicules, and flowers.

• Andrew Alonzo Sager, b. July 19, 1814
• Thomas Jetson Sager, b. August 15, 1816
• Horatio Nelson Sager, b. July 2, 1819
• Adam Sager, b. September 5, 1821
• Eve Sager, b. May 5, 1824
• An unnamed infant, born and died December 14, 1827
• Urane Mary Melissa Sager, b. March 22, 1830

• An unnamed infant, born and died August 4, 1832
• Zeri Saterns Sager, b. May 4, 1838
• Frederick Sager's marriage to Lydia Leffingwell Hawley, May 26, 1813
• Lydia Leffingwell Sager's death, April 4, 1840
• As well as incomplete records for Adam Sager (b. April 3, 1771) and Eve Sager

The volume concludes with copies of two Biblical hymns, one carefully written to look like printed type.

The volume has later covers made from an 1896 advertising board for a New York newspaper.