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Herman Beck created this book of German-English language practice exercises on ethics, business administration, letter writing, bookkeeping, and other subjects. The volume includes some teacher corrections as well as printed, colored illustrations and a map of Europe.

Herman Beck created this book of German-English language practice exercises on ethics, business administration, letter writing, bookkeeping, and other subjects. Beck wrote his German in Fraktur and Kurrent; his English contains many misspellings and some teacher corrections. Three printed, colored illustrations of a scene from William Tell and poems or lyrics ("Der kleine Tambour" and "Der kleine Grenadier") are included, as well as a printed, colored map of Europe. The names B. J. Beck and Johan Beck are legible on the cover and inside flyleaf; Herman Beck signed his name and initials throughout the volume.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond's service during the Civil War and both father and son's lecture business.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond Sr.'s service during the Civil War and both father and son's lecture business.

The Pond Family Papers series includes one box containing miscellaneous correspondence ranging in date from 1896-1932, Civil War related material, autobiographical sketches, family photographs, and personal photograph albums.

The Civil War related material includes a few items relating to James Pond's Civil War service in the 3rd Wisconsin Cavalry, among which are a typescript of official reports relating to the massacre at Baxter Springs, Kansas, a printed poem on the massacre, and a printed notice of the death in the 1880s of William T. Brayton of the 3rd Cavalry. Pond also collected other reminiscences of the war, including an autobiographical account of Mrs. Horn, wife of a Missouri surgeon, which includes a description of Quantrill's raiders pillaging town and taking her husband prisoner, and a memoir of Edward P. Bridgman, a soldier in the 37th Massachusetts Infantry who served with John Brown in 1856, and may have known Pond.

More than half of this series consists of autobiographical manuscripts, parts of which, at least, were published as magazine articles. Most of these focus on his early years (prior to 1861) when he and his family were living a marginal existence in frontier Wisconsin and when he was a young man in search of a livelihood. The collection includes three major manuscripts, each present in several copies or versions, all of which are related to each other - "A Pioneer Boyhood," "The American Pioneer: My Life as a Boy," and "Pioneer Days" - plus there are less polished manuscripts of childhood and Civil War reminiscences. All appear to have been written initially in 1890, though some copies were apparently made several years later. In addition, there is an autobiographical sketch "How I got started in the Lecture Business" in which he describes his part in Anna Eliza Young's "apostatizing" and entering onto the lecture circuit.

The collection also contains 5 photograph albums. These volumes contain over 800 personal photographs taken between 1896 and 1902, including many pictures of family members at leisure both indoors and outdoors and Pond's business acquaintances from his lecture agency. Travel photographs include views of Colorado Springs, Colorado, and Winnipeg, Manitoba, as well as a group of pictures taken during a visit to England, Switzerland, and Germany in 1901. European items include a series of colored prints, located in Volume 4. The albums contain images of locomotives, railroad cars, and steamships. Volume 1 contains images of the inauguration of William McKinley and Volume 2 contains images of crowds gathered for a GAR parade in Buffalo, New York. Throughout the albums are glimpses of various lecture tours and clients including John Watson (Ian Maclaren) and Anthony Hope in Volume 2 and Francis Marion Crawford in Volume 3. Other notable figures include Sam Walter Foss and William Dean Howells in Volume 1, Charles W. Blair and Edward William Bok in Volume 3, and Sir Henry Morton Stanley, Charles William Stubbs, Robert Stawell Ball, Horace Porter, Frank Thomas Bullen, and Israel Zangwill in Volume 4. In addition to the albums, there are loose photographs of family, James B. Pond Jr., and the Adventurers' Club of New York. Oversized photographs are housed in Box 3.

The Pond Lecture Bureau Papers series consists of one box containing client files (arranged chronologically), loose photographs, and ephemera. Much of the content consists of correspondence between clients/prospective clients and photographs of clients (likely for promotional material). This series spans from 1877 to the 1940s covering periods of ownership from both James B. Pond, Sr. and Jr. Some of these clients are as follows: Henry Ward Beecher, Reverend Joseph Parker, Thomas DeWitt Talmage, Leon Pierre Blouet, Reverend John Watson (Ian Maclaren), William Winter, Edward Rickenbacker, Harry A. Franck, Gunnar Horn, Maurice Brown, and Major Radclyffe Dugmore. Unidentified oversized photographs and a scrapbook are housed in Box 3.

The John W. Christie Princeton University photograph albums pertain to college life in the early 20th century. Events depicted include academic processions, costumed parades, bonfire preparations, and sporting events. The albums also contain numerous views of campus architecture and an image of the Liberty Bell on tour.

These three albums, compiled by Princeton University student John Watson Christie around 1904, contain 219 photographs of college buildings, events, and student life in the early 20th century. Volumes 1 and 2, each 15cm x 18cm, have green cloth covers with the word "Photographs" printed on the front in gold. Volume 3 (18cm x 28cm) has a deteriorating brown leather cover. Each album contains prints of various sizes, usually no larger than 8.5cm x 12cm, and the first two volumes include inscriptions by John W. Christie. A number of photos have come loose from the pages, and a few loose captions are laid into the first volume. An envelope that once housed a letter to Christie, postmarked in 1907, is laid into the second album.

Many of the photographs, including all but a few items in the third volume, are exterior shots of Princeton University buildings, grounds, and unidentified private or university residences. Interior views feature animal skeletons, religious ornamentation, and athletic banners and memorabilia. Most of the remaining items depict social events such as preparations for a bonfire, processions, and graduation ceremonies. Students are often shown in costumes, masks, or women's clothing, and the first two albums contain a few informal portraits of unidentified men and women. Also included are pictures taken during baseball and football games and during a parade that featured Native American costume. Christie also collected pictures of an ornate ship's bell that Princeton alumni presented to the United States Gunboat Princeton and of the Liberty Bell surrounded by a crowd. One photograph of a campus building in the third album is hand-colored.

This collection is made up of 5 financial documents concerning celebrations held in New York City on July 4, 1847, and July 5, 1847.

This collection is made up of 5 financial documents concerning celebrations held in New York City on July 4, 1847, and July 5, 1847. The items pertain directly to agreements between a "committee of arrangement" and the providers of fireworks and musical performances. Alderman Theodore R. de Forest endorsed each item for its accuracy. One earlier receipt concerns a performance by an 18-member band (March 5, 1847). See the Detailed Box and Folder Listing for more information.

Glass-plate negatives (76) include views of Sault Sainte Marie, Michigan, businesses, steamboats, the Soo Locks, school children, parades, including a circus, and miscellaneous images, 1894, 1938, and undated.

The collection is organized by size first and then numerical order. There are 17 glass-plate negatives, each measuring approximately 8 inches by 10 inches, 24 glass-plate negatives, each measuring approximately 6.5 inches by 8.5 inches, and 35 glass-plate negatives, each measuring 5.5 inches x 7.5 inches.

The collection documents businesses (often two businesses are photographed on one plate), various steamers, the Soo Locks, notably Weitzel Lock, lock construction, school children, parades (6 images), of which one is a circus parade with elephants and camels, and a few miscellaneous topics, in Sault Sainte Marie, Michigan, 1894-1900s. Some of the images are dated with two dates, the later being 1938, when they were owned by Gordon Daun. Other images are undated, but they clearly date from the 1894-1900s period.

The descriptions of the negatives are from the original sleeves. Further notation, in square brackets, has been made by the Archivist when there was no original description, when the original description is insufficient to understand what the image is, or when negative is damaged. Abbreviations in the original descriptions are spelled out for ease of use by researchers.

Fifteen of the plates were badly crushed, broken into numerous pieces, or had emulsions that were severely damaged, in several cases peeling off so badly that it looked like a cat had shredded the image. Pat Thelen, Clarke digitizer, had a Herculean task to piece the images back together again and clean up as many problem spots as possible. The badly damaged negatives were withdrawn from the collection. The scanned copies are on a disc and printouts of the images are filed in the rear of Box 3 according to the size of the original plate, and then numerically. These printed images are the best images that could be created from the pitiful remains of the negatives.