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The Earl V. Moore collection consists of the personal and professional papers of a noted musician, composer and director. Moore taught music at the University of Michigan from 1916 and served as director of the School of Music from1923 until his retirement in 1960.

The papers of Earl V. Moore document his career as professor and dean of the School of Music of the University of Michigan, as well as his career as a composer and performer. Though some of the papers and visual images date from the 1870s, the bulk of the collection dates from the 1920s through the 1960s. Consisting of three linear feet of papers and visual materials, the collection reflects Moore's many accomplishments as conductor, composer, lecturer, organist, and participant in professional societies.

The Moore papers have been divided into seven series: Biographical/Personal Materials, Correspondence, Topical Files, Newspaper Clippings, Musical Scores, Sound Recordings, and Visual Materials.

Professor of Latin and acting president of University of Michigan. Correspondence, 1855-1856, to his wife, describing his travels and experiences in Europe; also material pertaining to affairs of University of Michigan, including letters from Andrew D. White of Cornell University; biographical and genealogical material on Frieze, eighteen volumes of records of European travel; and photographs.

The Frieze papers are comprised of personal and professional materials, including correspondence to colleagues and family; travel diaries and letters to his wife, Anna, written while traveling in Europe, 1855-1856 and 1872-1873; lectures and essays; papers from his years as a student at Brown and as a Latin instructor; various papers on his views of university education and his ideas for curriculum improvements; biographical material on the Frieze family; and photographs. For additional details on correspondents, see the Selective Index to Correspondence, which includes Frieze's wife, Anna, daughters Carrie and Addie, James B. Angell, President James A. Garfield, and other notable people.

Organist and professor of music at the University of Michigan, and other members of the Christian family; correspondence, clippings, concert programs, and other papers re his teaching, concert career, European student days, etc.

The Palmer Christian collection is comprised of four series: Correspondence and other papers; Programs and reviews of recitals; Madrigals; and Photographs. The correspondence is noteworthy for long-term correspondents such as symphony conductor Eric De Lamarter who regularly communicated with Christian for over twenty year period beginning in 1925 and from Eugene Ormandy. During World War II, Christian received many letters from former students then serving in the military.