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This collection, 1927-2000, and updated, contain biographical materials, books, poems, letters, photographs, cassette tapes, poetry serials and monographs, some of which are from or focus on Indigenous poets and poetry, indigenous newspapers in which he published his poetry, indigenous reading materials, and a few objects.

This collection, 1927-2000, and updated, contain biographical materials, books, poems, letters, photographs, cassette tapes, poetry serials and monographs, some of which are from or focus on Indigenous poets and poetry, indigenous newspapers in which he published his poetry, indigenous reading materials, and a few objects. The collection is organized by size, series, and then alphabetically and chronologically. Overall the collection is in very good physical condition, except for the newspapers which are acidic. All the boxes are .5 cubic foot letter size, except for Box 4 which is a .25 cubic foot letter-size box and Box 5 which is a .25 cubic foot legal-size box.

The majority of Boxes 1-5 consists of letters from Carroll Arnett to various people. Three folders contain letters to other poets including J.D. Whitney (1940-), Linda Hogan (1947-) who in 2023 was the Chickasaw Nation’s Writer in Residence, and Peter Blue Cloud or Aroniawenrate (1933-2011), of the Turtle Clan of Mohawk Nation. There are folders with letters from Arnett’s time at Knox College and Central Michigan University (CMU), which includes his request for a sabbatical and promotion. There is also a substantial number of letters between Arnett and his main publisher, (The) Elizabeth Press. There are folders with poems and publications written by Arnett including: La Dene, Someone in Another Place, and Thematic Structure in Keats’s Endymion. There are three folders of notes written by Arnett about the American Indian Movement (AIM), the Michigan Civil Rights Commission Report, and Wounded Knee. There are photographs of Arnett. There is a folder of documents and notes while Arnett was on the CMU President’s Advisory Committee that investigated the “Chippewas” as the University Symbol. There are two folders of Arnett’s association with the National Right to Work Legal Defense Foundation, a nonprofit organization that seeks to advance right to work laws in the U.S. Arnett brought a court case against CMU and the Michigan Education Association, which is documented in the collection. There is also a folder containing a racist letter that was sent to Arnett while he was teaching at CMU that contains cruel racist language.

Box 4 contains folders that are not entirely related to Arnett but are Indigenous reading materials that Arnett collected. There are two folders with educational materials on the Cherokee language. There is a folder of materials from AIM. There are also materials from Dennis Banks who visited CMU in 1973, including a photograph.

Box 5 is legal-size (.25 cubic foot) box containing three folders with objects including: an AIM pin, AIM bumper stickers, and Arnett’s glasses and case.

Boxes 6-9 consists mainly of publications in which he published his poetry, including serials as well as a few journals or books he edited or which were dedicated or inscribed to him, and poetry and indigenous newspapers. Indigenous reading materials, poetry in serials or monographs, are also included. Most of these materials are in English, but some are in Cherokee and Dutch. Issues of indigenous-generated or focused newspapers and general poetry newspapers, all but one of which contains one or more poems by Arnett, complete the collection. The newspapers are mainly in English but also include poetry and other information in Mohawk, Shawnee, and Cherokee.

Processing Note:

During processing 5.5 feet of materials were withdrawn, including duplicates, miscellaneous letters, blanks, reading materials, out-of-scope material, and duplicate and/or miscellaneous publications.

Numerous books and periodical titles donated with the collection were separately cataloged, both examples of Arnett’s writing and editing, and materials written by other indigenous writers. The Clarke also has publications by Arnett that preceded the donation of this collection. Titles in boxes 6-9 were originally going to be separately cataloged, but due to resources it was eventually decided to add them to this collection.

Carroll Arnett’s suitcase, a powder horn, and an Oklahoma state flag were transferred to the CMU Museum of Cultural and Natural History.

Eleanor I. Moss collected poems, sketches, and engravings in this volume in the early 19th century. Male and female acquaintances contributed poems about friendship, nature, and religion. The visual material depicts buildings, people, and nature.

The Eleanor I. Moss autograph book contains 54 pages of poems, proverbs, engravings, and manuscript drawings and sketches. Moss's acquaintances contributed poems and extracts in the late 1820s, on subjects such as friendship, nature, and religion. Some entries are dedicated to "Ellen." "Caroline W." wrote a poem entitled "Thoughts by a sailor" (page 13), and "Life" (attributed to Byron) was copied with gold ink (page 39). Pages 108-109 and 115 have proverbs and prose passages with moral advice, dated 1845. The volume includes hand-drawn sketches and illustrations. Several engravings are pasted in. Most illustrations depict buildings in the British isles and country scenes.

• Couple under an arch (page 1)
• Dublin Castle (page 7)
• Two men and a woman, colored (page 11)
• Quarry Hill, Kent (page 11)
• Building by a body of water (page 21)
• Castle Acre Castle, Norfolk (page 29)
• Castle by a body of water (page 49)
• Stone building and cemetery (page 61)

• Open book (page 3)
• Boy holding paper (page 7)
• Bird, colored (page 59)
• People on a bridge, next to a man in a small boat, colored (page 63)
• Various flowers (page 122-125)

E. Merritt Cole of Colorado created these 55 manuscript poems and fine-line ink drawings of flowers and plants around the turn of the 19th-20th century. The artist used calligraphic lettering for their poetry, including tree-shaped characters. A few groups of illustrations are bound with ribbon and appear to have been created as gifts or gift books. Many of the works include multiple stages in the process of creating a final version.

The Irene Levis Roberts album, entitled "Flowers of Loveliness," contains poems by W. H. Green and A. H. Roberts of Smyrna, Delaware, and Edmund Brewster Green of New York, New York. A note about Roberts's baptism is also present.

The Irene Levis Roberts album, which has the title "Flowers of Loveliness" imprinted on the cover, includes 9 entries (17 total pages): 8 poems and 1 note. The poetry, mostly written by A. H. Roberts, concerns topics such as nature and the seasons, religion, travel, and death (see below for a full list of titles). The note by Thomas C. Murphy, pastor of the Methodist Episcopal church in Smyrna, Delaware, pertains to the baptism of Irene L. Roberts on performed on March 11, 1855. Colorful crayon scribbles appear over one of the poems and on several of the later pages.

The book contains a series of colored prints show women dressed and decorated as flowers, each representative of a virtue.

• "To My Niece," by W. L. Green, November 25, 1852 (1 page)
• "The Flight of Time," by Edmund Brewster Green, September 7, 1844 (2 pages)
• "To My Friends," by A. H. Roberts, undated (2 pages)
• "On the Death of Mrs. S. M. of This Place," by A. H. Roberts, undated (2 pages)
• "Lines Suggested on Witnessing the Burial of Mr. D. Carr, Respectfully Addressed to His Widow," by A. H. Roberts, undated (2 pages)
• "The Home of the Christian," by A. H. Roberts, undated (2 pages)
• "The Hindoo Mother," by A. H. Roberts, undated (3 pages)
• "Reflections on My Past Visits to Cantwells Bridge, Addressed to E. D. Clark," by A. H. Roberts, copied by I. Roberts, May 1863 (2 pages)

This composition book was kept by 8–10-year-old Mildred Wood and Mary Wood while living in Illinois and Missouri. The volumes include copied song lyrics and poems, and pencil and crayon drawings. A number of pressed flowers and leaves are laid into the volume.

This composition book was kept by 8–10-year-old Mildred Wood and Mary Wood while living in Illinois and Missouri. The volumes include copied song lyrics and poems, and pencil and crayon drawings. A number of pressed flowers and leaves are laid into the volume.

The song lyrics and poems focus on themes relating to nature, love, and friendship, and include titles such as "Missouri School Song," "The Yellow Rose of Texas," and "Illinois." The drawings feature flowers, houses, and a portrait of Henry Wadsworth Longfellow. One outdoor scene shows two girls playing in front of a house, labelled "Living on the farm." Two pencil and crayon drawings done on tracing paper are laid into the volume: one of a ladies' boot with the name "Hamilton Brown shoe Co." on it, and another of a valentine with Cupid holding a bow and arrow.

Several entries are suggestive of schoolwork, such as sentence diagrams, a list of courts, a passage about U.S. history, a list of teachers in the Venice Public School and the average grades in their classes, and a list of the "Names of the Teachers I have had at Differ[e]nt Schools." Another passage is titled "The Japanese Fan."

Later entries were written in a different hand and consist mostly of quotations and proverbs. The word "Graduate" is printed on the cover of the volume.

The Montgomery (N.Y.) Young commonplace book contains 19th-century poems and prose pieces on topics such as friendship, nature, and religion.

The Montgomery (N.Y.) Young commonplace book contains 52 pages of 19th-century poems and prose pieces on topics such as friendship, nature, and religion. The volume's poems are primarily concentrated on pages 1-54 and 64-66, with prose works appearing on pages 27, 55-63, and 174-175. Additional poems may be found on 10 newspaper clippings and 1 manuscript fragment laid into the volume. Some of the poems are attributed to members of the Young family and other writers, who usually gave their location as Montgomery, New York, and H. Houston wrote several poems at "Hunting-grove" in August 1821 (pages 18-21). The poetry pertains to subjects such as friendship, affection, and love; winter, snowstorms, flowers, and other natural phenomena; and religion. One playful poem is entitled "Inscribe'd to a Miss Little" (page 8); one acrostic spells "Eliza Young" (page 43); and one is dedicated "To Eliza" (page 65). Female members of the Young family wrote several of the poems, such as "On Female Excellence," which is attributed to E. Young (page 45). Other entries of interest are "Lines written to a friend about to marry a second time" (page 51); "The Happy End," a musing on the afterlife; and a newspaper poem about Mary, Queen of Scots (laid in).

Short prose pieces concern friendship (page 28, pages 174-175) and the properties of various fruits, trees, and plants; the latter are copied from William Prince's A Short Treatise on Horticulture, The New York Mirror, and other sources (pages 55-63). Poetic lines and quotations on page 47 are attributed to "Tompson" [Scottish poet James Thomson] and, mistakenly, to William Shakespeare.