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1 volume
The Eleanor I. Moss autograph book contains 54 pages of poems, proverbs, engravings, and manuscript drawings and sketches. Moss's acquaintances contributed poems and extracts in the late 1820s, on subjects such as friendship, nature, and religion. Some entries are dedicated to "Ellen." "Caroline W." wrote a poem entitled "Thoughts by a sailor" (page 13), and "Life" (attributed to Byron) was copied with gold ink (page 39). Pages 108-109 and 115 have proverbs and prose passages with moral advice, dated 1845. The volume includes hand-drawn sketches and illustrations. Several engravings are pasted in. Most illustrations depict buildings in the British isles and country scenes.
- Couple under an arch (page 1)
- Dublin Castle (page 7)
- Two men and a woman, colored (page 11)
- Quarry Hill, Kent (page 11)
- Building by a body of water (page 21)
- Castle Acre Castle, Norfolk (page 29)
- Castle by a body of water (page 49)
- Stone building and cemetery (page 61)
- Open book (page 3)
- Boy holding paper (page 7)
- Bird, colored (page 59)
- People on a bridge, next to a man in a small boat, colored (page 63)
- Various flowers (page 122-125)
55 items
1 volume
The Irene Levis Roberts album, which has the title "Flowers of Loveliness" imprinted on the cover, includes 9 entries (17 total pages): 8 poems and 1 note. The poetry, mostly written by A. H. Roberts, concerns topics such as nature and the seasons, religion, travel, and death (see below for a full list of titles). The note by Thomas C. Murphy, pastor of the Methodist Episcopal church in Smyrna, Delaware, pertains to the baptism of Irene L. Roberts on performed on March 11, 1855. Colorful crayon scribbles appear over one of the poems and on several of the later pages.
The book contains a series of colored prints show women dressed and decorated as flowers, each representative of a virtue.
- "To My Niece," by W. L. Green, November 25, 1852 (1 page)
- "The Flight of Time," by Edmund Brewster Green, September 7, 1844 (2 pages)
- "To My Friends," by A. H. Roberts, undated (2 pages)
- "On the Death of Mrs. S. M. of This Place," by A. H. Roberts, undated (2 pages)
- "Lines Suggested on Witnessing the Burial of Mr. D. Carr, Respectfully Addressed to His Widow," by A. H. Roberts, undated (2 pages)
- "The Home of the Christian," by A. H. Roberts, undated (2 pages)
- "The Hindoo Mother," by A. H. Roberts, undated (3 pages)
- "Reflections on My Past Visits to Cantwells Bridge, Addressed to E. D. Clark," by A. H. Roberts, copied by I. Roberts, May 1863 (2 pages)
1 volume
The Montgomery (N.Y.) Young commonplace book contains 52 pages of 19th-century poems and prose pieces on topics such as friendship, nature, and religion. The volume's poems are primarily concentrated on pages 1-54 and 64-66, with prose works appearing on pages 27, 55-63, and 174-175. Additional poems may be found on 10 newspaper clippings and 1 manuscript fragment laid into the volume. Some of the poems are attributed to members of the Young family and other writers, who usually gave their location as Montgomery, New York, and H. Houston wrote several poems at "Hunting-grove" in August 1821 (pages 18-21). The poetry pertains to subjects such as friendship, affection, and love; winter, snowstorms, flowers, and other natural phenomena; and religion. One playful poem is entitled "Inscribe'd to a Miss Little" (page 8); one acrostic spells "Eliza Young" (page 43); and one is dedicated "To Eliza" (page 65). Female members of the Young family wrote several of the poems, such as "On Female Excellence," which is attributed to E. Young (page 45). Other entries of interest are "Lines written to a friend about to marry a second time" (page 51); "The Happy End," a musing on the afterlife; and a newspaper poem about Mary, Queen of Scots (laid in).
Short prose pieces concern friendship (page 28, pages 174-175) and the properties of various fruits, trees, and plants; the latter are copied from William Prince's A Short Treatise on Horticulture, The New York Mirror, and other sources (pages 55-63). Poetic lines and quotations on page 47 are attributed to "Tompson" [Scottish poet James Thomson] and, mistakenly, to William Shakespeare.