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University of Michigan student organization founded to promote interest in jazz through concert and lecture series. Audio-tapes of lectures, photographs, posters, announcements of concerts, newsletters, grant files, and scattered correspondence.

The Eclipse Jazz records include photographs, sound records of the various lectures and concerts, posters and flyer notices of concerts, and miscellaneous administrative materials, such as grant applications, correspondence, and newsletters of their activities.

Edwin Franko Goldman (1878-1956) was an American composer and conductor for military bands. Collection, assembled by Goldman, of autographs, letters, photographs, and musical scores of many musical celebrities from his lifetime and before.

The Edwin Franko Goldman Autograph Collection consists of two series: Background Materials and Autographed Photographs and Manuscripts. The collection contains autographs, letters, photographs, and musical scores of such notable musical celebrities as Antonin Dvorák, George Gershwin, Franz Liszt, Wolfgang Amadeus Mozart, John Philip Sousa, Johann Strauss, and Igor Stravinsky.

G. Hoyt Whipple (1917-1999) was a University of Michigan professor emeritus of environmental and industrial health, research scientist, and photographer. Black-and-white photographs taken by G. Hoyt Whipple in November 1962, of members of the Stanley Quartet.

The collection consists of black-and-white photographs taken by G. Hoyt Whipple in November 1962, of members of the Stanley Quartet. The Stanley Quartet—which was part of the University of Michigan's School of Music and performed between 1949 and 1970--was one of the earliest of the ensembles in residence established at schools of music in the U.S. Includes images of Gilbert Ross, Gustave Rosseels, Robert Courte, and Jerome Jelinek, holding their instruments.

Professor of music at the University of Michigan, and founder and first violinist with the Stanley Quartet. Correspondence relating to music and musical performance and to his career at the University of Michigan; publications; photographs; scrapbooks containing clippings, programs, correspondence, and an occasional photograph; files relating to his violin performances and work with the Stanley Quartet.

The Gilbert Ross papers serve to document Ross' growth and development as a violinist, as well as the growth and development of the Stanley Quartet. With the exception of the alphabetical correspondence files the collection is in chronological order, wherever feasible. Some overlap of dates exists in the clippings files as well as the scrapbooks. The papers are arranged in eight series reflecting the various events and activities in Ross' life. These include: Correspondence, Teaching Career, Publications, Violin Performance, Stanley Quartet, Photographs, Scrapbooks and Notebooks, and Printed Music.

Executive director of the Detroit Urban League. Correspondence, scrapbook, photographs, and miscellanea concerning personal matters, the work of the Urban League, and the concerns of the black community of Detroit.

The collection consists of personal correspondence, a scrapbook documenting in part his career as executive director of the Detroit Urban League, and scattered photographs. There is also the transcript of an oral history interview of John Dancy made in 1964.

Ann Arbor, Michigan, resident. Consists of a photograph of Glazier Way in Ann Arbor and a house that probably belonged to Richard Glazier. Also included are photographs of Hill Auditorium as well as the orchestra and other employees of Ann Arbor's Majestic Theater.

The collection consists of a photograph, dated circa 1900, of Glazier Way in Ann Arbor and a house that probably belonged to Richard Glazier. Also included are photographs, dated circa 1920-1929, of Hill Auditorium as well as the orchestra and other employees of Ann Arbor's Majestic Theater. Some of the photographs dated in the 1920s were taken by Underwood's father, Jacob Hanselman (1853-1948). Hanselman was a professional Michigan photographer who worked in East Saginaw, Manistee, and Ann Arbor.

Otto's Band was a popular Ann Arbor, Mich. band composed primarily of German-born or American-born musicians with German ancestry. The Otto band is known as the first band to play the University of Michigan's fight song, "The Victors". Consists of photographs (copy prints) of the band.

The collection consists of photographs (copy prints) of an Ann Arbor, Michigan, band that was composed mostly of German Americans.

Battle Creek, Michigan, African American singer and music teacher, member of the Battle Creek Chapter of the National Association for the Advancement of Colored People. Correspondence, newspaper clippings, and other material relating to her professional career, diaries recording daily activities and personal thoughts, and photographs.

The collection has been arranged into the following series: Personal / Biographical; Writings, speech notes, compositions; Community activities; and Diaries.

The register of the Merchants Exchange Hotel of Portland, Maine, contains daily entries from fall 1891 through winter 1892, documenting the names of each visitor to the hotel, their city of origin, and room number. The register is a partially printed volume, created by Maynard, Gough & Co. of Worcester, Massachusetts, manufacturers of "Advertising Hotel Registers" and suppliers of other hotel printing. One significant aspect of the register is the regular influx of actors, minstrel groups, comedians, variety show persons, burlesque performers, theater production casts, and other artists. Perhaps with a mind to free advertising, these artists tended to identify their company, management, production, or show dates alongside their names.

The register of the Merchants Exchange Hotel of Portland, Maine, contains daily entries from fall 1891 through winter 1892, documenting the names of each visitor to the hotel, their city of origin, and room number. The register is a partially printed volume, created by Maynard, Gough & Co. of Worcester, Massachusetts, manufacturers of "Advertising Hotel Registers" and suppliers of other hotel printing. It begins with a printed guide to city populations and hotel rates for establishments across the United States, along with two pages of printed advertisements for hotels in New York and New England. Each page of the register has a printed header and every other leaf contains the same advertisements throughout the volume. The first and last pages have pasted-in newspaper clippings with transportation information and other matter.

One significant aspect of the register is the regular influx of actors, minstrel groups, comedians, variety show persons, burlesque performers, theater production casts, and other artists. Perhaps with a mind to free advertising, these artists tended to identify their company, management, production, or show dates alongside their names.

The following is a partial list of the performance groups that checked into the hotel:

• Peck and Fursman's Uncle Tom's Cabin Company (August 20-28, 1891).
• Emily Zola's Parisian Beauties (September 7, 1891).
• Leonard and Flynn, comedy duo, John Leonard and John Flynn, "Two Irish Cuckoos" (October 22, 1891).
• Charles Mumford, manager of the Fisk Jubilee Singers (November 1, 1891).
• Agent and company performing the "Crystal Slipper"--individual names not listed (November 8 and 12, 1891).
• The Novelty Trio of Rolland Carter, William Hafford, and Jack Bryant (November 15, 1891).
• A group including Frank Sheridan and Charles A. Morton (November 17, 1891).
• The Blue and Gray Company, en route (November 20, 1891).
• Members of a production of "Ship Ahoy!" (November 24, 1891).
• J. C. Knapp and Frank Smith of Hi Henry's Minstrels (December 26, 1891).
• The Lucius Consolidated Minstrels, including "Gen. Sgt." George W. Huntley (January 11 and 16, 1892).
• Whallen & Martell's vaudeville company (February 11, 1892).
• Part of the Ullie Akerstrom Company (February 15, 1892).
• The Royal Pass Company (February 19, 1892).
• Fay Foster Burlesque Company (February 22, 1892).
• Part of Cleveland's Minstrels (April 17, 1892).
• A production of "One of the Finest" with Henrietta Berleur (April 27, 1892).
• Primrose and West's Minstrels (May 6, 1892).
• Part of a production of "Uncle Hiram" (May 11, 1892).

Organist and professor of music at the University of Michigan, and other members of the Christian family; correspondence, clippings, concert programs, and other papers re his teaching, concert career, European student days, etc.

The Palmer Christian collection is comprised of four series: Correspondence and other papers; Programs and reviews of recitals; Madrigals; and Photographs. The correspondence is noteworthy for long-term correspondents such as symphony conductor Eric De Lamarter who regularly communicated with Christian for over twenty year period beginning in 1925 and from Eugene Ormandy. During World War II, Christian received many letters from former students then serving in the military.