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Professor of music and director of the University Musical Society at University of Michigan. Correspondence, articles, lectures, speeches, autobiography, and photographs.

The Stanley collection consists mainly of manuscripts of his articles, lectures, and speeches on musical topics. There is, in addition, Stanley's research material, including musical notes and analyses, notes intended to accompany illustrations of musical instruments found in the Stearns Collection of Musical Instruments at the University of Michigan, and scrapbooks containing concert programs featuring Stanley and his work. Stanley's autobiography, "Echoes of a busy life or reminiscences of a professor emeritus" is a valuable source of personal information.

This collection contains correspondence with anthropology professor Leslie White (from Ann arbor, Michigan, later San Carlos, California), and South Dakota sheep rancher George Reeves; etchings, and photographs.

This collection contains correspondence with Anthropology professor Leslie White, and South Dakota sheep rancher George Reeves. Etchings from the 1920s include a view of the bridge on the Raisin River and a scene of a house in Lower Town, Ann Arbor, Michigan. There are also group portraits of children at Tappan School and of Van's Marine Band, Ann Arbor, Michigan.

Founding editor of Esquire magazine; collection is a mix of personal papers and business records, biographical information, personal correspondence with or about many of the authors who contributed to the magazine, speeches and photographs.

The Gingrich papers consists of a mixture of personal and office files detailing the management of Esquire magazine and Gingrich's various other interests and activities. The collection, consisting of correspondence, speeches, photographs, and subject files, should be used in conjunction with the files of Esquire Magazine which came to the library at the same time but with a separate deed of gift. The two collections together are indispensable for any study of Esquire, Gingrich's career as a publisher, and the influence of Gingrich on the careers of some of America's most important literary figures of the twentieth century.

This oversized scrapbook consists of sections of Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson.

This oversized scrapbook consists of sections of printed Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson. The back cover bears the print "Toilers of the Sea - Trawling on t[he Dogger Bank]," showing fishermen at sea.

Signed portraits of prominent musicians and U-M music professors, including Ross Lee Finney and Paul Doktor.

Charles A. Sink was president of University Musical Society. Photographs (mainly autographed portraits) of musical performers, many of whom appeared in performances of the University Musical Society.

The collection consists of photographs (mainly autographed portraits) given to Sink in his responsibility as president of the University Musical Society. There are over 550 photographs, most of them are 8" x 10" prints. They have been arranged into two alphabets, one for individual photographs and one for photographs which were originally in an album. The listing includes "see" and "see also" references so that every occurrence of a person can be located whether it is in a file for a different individual or located separately because of size. The exception to this is for some of the group photos for which the group is identified but individuals are not (or their signatures are not legible). Unidentified photographs (there are three) are in a folder at the beginning of Box 1. There is one photograph per folder unless otherwise indicated. Some of the multiples are duplicates.

Republican member of the state house and the state senate; president of the University Musical Society. Legislative and campaign files, 1919-1935, detailing his election campaigns, his activities within the legislature, and his various responsibilities as a member of the Republican State Central Committee; general correspondence files, 1922-1960, largely pertaining to his work with the University Musical Society and other civic activities; topical files; family history and memoirs; diaries and appointment books; papers of wife Alva Gordon Sink; and visual materials.

This collection consists of 113 letters, written primarily between Union soldier Doctor Tarbell and his fiancée, and later, wife, Mary Lucy Conant. Doctor served as a Sergeant in New York's 32nd Infantry, Co. A, and as a Lieutenant, Captain, and Brevet Major in the Commissary Regiment, U.S. Volunteers.

The Doctor Tarbell and Mary Conant papers are comprised of 112 letters, written primarily between Union soldier Doctor Tarbell and his fiancée (and later wife), Mary Lucy Conant, and one genealogical document. Doctor served as a sergeant in the New York 32nd Infantry, Co. A, and as a lieutenant, captain, and brevet major in the U.S. Volunteers. The collection covers Doctor’s war-time service in the Union Army and some of his post-war career. The Civil War letters form a remarkably dense series that highlights the intimate relationship of Tarbell and his fiancée Mary. The collection contains 35 letters from Doctor to Mary, and 46 letters from Mary to Doctor, mainly during 1864 and 1865. Additionally, Doctor wrote one letter to his parents T. B. and Lydia Tarbell, and received two letters from them and two from his siblings. The remaining 29 letters are either from relatives of Mary or they pertain to post-war activities of the Tarbells.

Both Tarbell and his fiancée wrote in an educated and literary style; their letters reveal an affectionate relationship. Between January and February 1864, both Tarbell and Conant wrote almost exclusively about their relationship. However, as the Army of the Potomac moved south, both writers began to focus more on the progress of the war and to assume a more fervently patriotic tone. Many of Mary's letters contain political asides ("Does the Army weary of Gen. Meade, or is it politicians & aspirants that wish to oust him?" March 13, 1864); references to life at home during wartime; and several extended lyrical passages and pro-Union sentiments. Tarbell's responses, which were also substantive and descriptive, often referred to military matters, his work as a commissary, and army morale.

At times, Tarbell's patriotism and pride in his commission shine through, as during his company's inspection by General Ulysses S. Grant (April 18, 1864). Tarbell described the journey down to Richmond, his regiment's movements, what he knew of the progress of the war, the actions of the 6th Cavalry Corps, and his encounters with southern civilians. He wrote to both Mary and his parents from Danville Military Prison, expressing his hopes that an exchange of officers was imminent (October 22, 1864, and November 20, 1864). After his release, he recounted the parades in Washington, D.C. following the ending of the war, and the review of General Sherman’s Army (May 25, 1865). On July 28, 1865, he mentioned his promotion to brevet major.

The 5 letters written to Mary during Tarbell's imprisonment are filled with sympathy and encouragement, along with family news. In a letter from Mary's young niece, Hattie Carpenter, she described the return of soldiers to Iowa (January 15, 1865). Mary A. E. Wages wrote to Miss Hardy requesting funds to establish a freedman's high school in Richmond: "The black people of Richmond are the only loyal people in the whole city...They not only need help, but are worthy objects of it" (Nov. 18, 1866).

The 13 letters from 1881 suggest that the Tarbells were in some unspecified financial difficulty, and that Doctor had been employed as a typewriter agent. The remaining 10 letters were written by Tarbell or Conant relatives and friends.

This collection also contains one genealogical document that lists the birth and marriage dates for members of the Conant and Tarbell families (1793-1884). Included is a list of Doctor and Mary Tarbell's children. This document is undated and unattributed.

Political activist, concert pianist, sister-in-law of Eleanor Roosevelt. Biographical materials; correspondence with politicians, musical figures and other dignitaries; also personal materials concerning her concert career, her campaign for Congress in 1942, notably a journal of her daughters' trip to Europe in 1949; and photographs.

The papers of Dorothy Kemp Roosevelt relate to her political and social interests and activities. The collection is divided into three series: Biographical materials, Correspondence, and Personal.

The Earl V. Moore collection consists of the personal and professional papers of a noted musician, composer and director. Moore taught music at the University of Michigan from 1916 and served as director of the School of Music from1923 until his retirement in 1960.

The papers of Earl V. Moore document his career as professor and dean of the School of Music of the University of Michigan, as well as his career as a composer and performer. Though some of the papers and visual images date from the 1870s, the bulk of the collection dates from the 1920s through the 1960s. Consisting of three linear feet of papers and visual materials, the collection reflects Moore's many accomplishments as conductor, composer, lecturer, organist, and participant in professional societies.

The Moore papers have been divided into seven series: Biographical/Personal Materials, Correspondence, Topical Files, Newspaper Clippings, Musical Scores, Sound Recordings, and Visual Materials.