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This partially printed, annual daily diary was kept by 12-13 year old Alice L. Gardner of Warren, Rhode Island, over the course of 1886. Her brief entries reflect on social matters, local news, church activities, games, school, dance, theater, and musical lessons.

Alice L. Gardner noted her family's travels to Providence, Boston, and other nearby locales, for social visits, shopping, and other matters. She remarked on her and her family's attendance of theatre and musical performances. While at times she only notes going to "the Opera," she occasionally names the performances. Some of the shows she mentioned include The Mikado (January 2), Francesca da Rimini (January 16), Victor, the Blue-Stocking (May 8), The Old Homestead (October 9), The Merry Wives of Windsor (October 27), and The Jilt (December 18).

Alice Gardner's entries relating to her schooling pertain to exercises, exams, absences of teachers and classmates, and more. At times she names the texts assigned to her for school work or pieces she was to learn for musical lessons. She noted playing piano, taking up banjo lessons, dancing, and singing. She also frequently mentioned playing games with family friends, including whist, backgammon, casino, among others.

The diary also includes brief mentions of notable events, such as the marriage of Grover Cleveland (June 2) and the Charleston earthquake (September 22). At least two entries reflect racial attitudes. Her entry for October 22nd described a party which included racial and ethnic costumes. Alice also noted when Le Bing, a Chinese man, opened a laundry (November 9).

The section for "Cash Accounts" at the back of the diary includes several entries, principally for October to December for purchases of candy, food, and ribbon. Several addresses are also included at the back of the volume, as well as one entry in the section to record letters received and answered.

Four disbound notebook pages are housed in the pocket at the back of the volume. They include a musical notation, mathematical notes, a tongue-twister about snuff, a list of birthdays, quotations and proverbs, and drawings. Drawings represent a six-pointed star, a small pig and donkey, clocks and wall hangings, and a "Newport Girl," "Crescent Park Girl," and "Boston Girl" wearing different styles of dress.

A clipping of hair bound in a pink ribbon and a sample of grass are laid in the volume.

This collection is made up of the correspondence and business papers of Andrew Law, composer and compiler of tune books. Dating primarily during his most productive professional years, these papers also contain manuscript sheet music and printed proof sheets.

The Law papers contain over 500 letters written during the most productive years of Andrew Law's professional career as a singing master, composer, and compiler of tune books, 1780-1821. Most of the correspondence relates to Law's musical publications, his ideas on music, and family matters, and together, they form an invaluable archive of the mind and work of one of the most prolific tunesmiths of the Early Republic.

In addition, the collection includes approximately 700 accounts, receipts, and other business papers; personal memoranda relating to Law's travels and financial affairs (350 pp.); 35 lists of students; and miscellaneous sheet music (368 pp.).

The Lancisco Hill collection consists of one full-length studio portrait of Pima Indian Lancisco Hill as well as three letters sent by Hill to a white American woman named Frances W. Anderson Gillette between April 1908 and July 1911.

The Lancisco Hill collection consists of one full length studio portrait of Pima Indian Lancisco Hill as well as three letters sent by Hill to a white American woman named Frances W. Anderson Gillette between April 1908 and July 1911.

The studio portrait is a gelatin silver print on a near cabinet card size mount (14.5 x 10.5 cm). Hill can be seen wearing traditional Plains Native American clothing while holding a tomahawk. The clothing and tomahawk were possibly studio props supplied by the unidentified photographer. A contemporary ink inscription on the verso reads "To Mrs. Wm. H. Anderson from Lancisco Hill 12/23th/05."

The first letter (ALS, 4 pages) is dated April 24, 1908, and is addressed to "Mrs. Frances W. Anderson, #254 N. Soto Street Los Angeles, California c/o Mrs. Ward Chapman." Hill asks Anderson if she would be able to locate the C. G. Conn's store and procure three baritone springs for him while she is in Los Angeles. Hill also describes recent weather and indicates that Anderson's horses (including "Joe" and "Alice") are doing well, that he purchased a new bag of hen feed, and that a former neighbor stopped by and will soon be calling on Anderson when they visit Los Angeles.

The second letter (ALS, 3 pages) is dated May 2, 1908, and is also addressed to "Mrs. Frances W. Anderson, #254 N. Soto Street Los Angeles, California c/o Mrs. Ward Chapman." In this letter, Hill lists several chores he has recently completed at Anderson's estate, including taking a book to an unnamed woman, shoeing horses, and letting the hens out. Hill also thanks Anderson for sending him lyrics for a song and states that he thinks he can "sing it for you now at any time we get some one to play for me. I go to the Arizona School of Music now and I know I am learning it right."

The third letter (ALS, 6 pages) is dated July 24, 1911, and is addressed to "Mrs. E. G. Gillette, #414 Andover Street, Lowell, Mass." Hill discusses goings on at the Phoenix estate including recent rainy weather, the birth of a bull calf, the cats being in good health, repair work that needed to be done following a storm, and his inviting a woman named "Ms. Howsel" over for meals regularly since she is "not very busy this summer." Hill also touches on how he borrowed a total of $100 from "Ida Larson" and "Walter" to pay for a musical instrument he named "Comet," and that he would appreciate it if Frances and her husband could assist him in clearing this debt.

The Langstroth Family papers document the activities and relationships of several generations of the Langstroth family, originally of Philadelphia, including the founding of several schools for women and African Americans, the experiences of a patient the Friends Asylum, and service in the Civil War.

The correspondence series comprises 600 items covering 1831-1955, and sheds light on the personal lives, careers, and activities of several generations of the Langstroth family. The bulk of the earliest letters, dating from the 1830s, are from Catharine Langstroth to her father and siblings. These letters concern the death of her sister Sarah, financial issues, and the health of several family members, including Margaretta, and refer to temperance (July 20, 1835 “It affords me much pleasure to know that you gathered in your hay on temperance principles”) and religious study. One letter of particular interest is dated January 3, 1839, and was written by Margaretta during a stay at the Friends Asylum in Philadelphia. It describes a harrowing series of treatments for unspecified mental problems: “My head has been cut open to the bone for 3 inches; and large [peas?] inserted; a lead placed over the slit and on the top of this a bread & milk poultice has been applied for two months… My hair has been shaved at least 6 times; and three times since the head was opened.” Margaretta also described the Asylum’s lectures, food, and other patients (“only deranged at intervals”).

Letters from the 1840s and 1850s were written by a variety of family members and document the founding of Mount Holly Institute for Young Ladies; the courtship of Thomas Langstroth, III, and Mary Hauss; and a range of religious attitudes, from Margaretta’s intense piety to Thomas’ doubt (December 12, 1853: “most all the young men in our church just before they got married have made a profession of religion, and how have they turned out! Look at them one half are as bad as they were before: but I have no right to judge.”). In early 1855, Margaretta wrote a series of letters from near Pine Bluff, Arkansas, describing her efforts at religious and educational outreach to slaves, for whom she felt sympathy (February 7, 1855: “Slaves! poor slaves! how my heart bleeds for them, they toil from night to morn, from morn to night--live and die here without knowledge enough to save the soul.”).

Little documentation of the family exists from the Civil War period, despite Edward and Thomas’ service on opposite sides, but Edward’s letter to Margaretta of July 14, 1865, indicates a rift between himself and his sisters, perhaps arising from his joining the Confederacy. Letters of the 1860s and 1870s are mainly incoming to Margaretta and concern teaching, finances, and advice. A number of letters to Thomas from the 1880s contain information about his brother Edward’s health. Approximately 25 folders of letters date from the 20th-century and were written between Hugh Tener Langstroth, his sister, Sara Paxson, and other relatives. These concern travel, social visits, health, and business matters.

The financial and legal documents series consists of 124 items relating to the Langstroth family, covering 1778-1913. It includes wills, records relating to milling, land indentures, an account book of 1814-1817 kept by Thomas Langstroth, Jr., paperwork related to loans, and other materials. Some materials relate to the bank failure which forced Langstroth to sell his mill in 1836. Only 15 items date from 1851-1913.

The diaries and journals series represents six volumes and a few fragments, covering the 1830s to the 1860s, all written by Margaretta Langstroth. The volumes dating from the 1830s contain biographies of historical figures and may have been used in school. Subsequent diaries recorded daily entries of varying length, covering parts of 1864-1868. The 1864 volume includes Margaretta’s memorials of deceased family members and is thus a good source of genealogical information. More commonly, her entries describe daily activities, religious meditations, and frequently seem to reflect a fragile mental state, as in this exceprt of April 15, 1865: “Abraham Lincoln shot in the Washington Theatre Secretary Sewar [sic] had this throat cut I hope Edwar [sic] has no hand in this what makes me fear that he had” or an entry of June 19, 1866, describing the death of a robin: “I felt very badly cannot describe my suffering poor bird…read hymns as it was dying wondering if it would live elsewhere[.] In bed all day so distressed so wretched…” In a number of passages, Margaretta noted the Sunday School classes that she taught, and commented on the number of students and the subjects of her lessons.

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

An unnamed parent or caregiver kept notes about children in a partially used Teachers' Institute Note Book, 1886. The volume was printed in Chicago and Maquoketa, Iowa, by Donohue & Henneberry and W. M. Welch, respectively, and includes advertisements on the inside covers for educational texts and forms. Two pages of manuscript notes define musical intervals. An additional nine pages of text sporadically document the words and actions of at least two children, Harry and Inez, between the ages of 1.5 and 5.5 years old. The writer notes the ages at which children were singing, the type of art they created, the humorous questions, observations, and comments they made, and religious thoughts they vocalized.

The childhood observations about death, spirits, and God reflect a religious upbringing and household, including one entry about how Harry "was drawing a picture of a deathbed scene where angels were coming to carry the man's spirit to God in accordance with what he had been told on the subject. He said 'Mama I guess one angel holds the man's mouth open while the other takes his spirit out of him.' " Comments about dogs, toys, and imaginative games speak to youthful entertainment and play, and others are more suggestive about the conditions in the children's environment that caught their attention. Questions like "what color is the moon on the other side," or observations that a dead mouse "is kind of wilted isn't it," provide insights into what the children were seeing and wondering about.

One entry at the back of the volume reads, "J. D. McAuliff (Heals by rubbing) St. Louis, Mo."