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Collection

Albert J. Schimpke collection of R.G. Peters materials, 1890-circa 1970

4 linear feet (in 6 boxes) — 1 oversize folder — 173 GB

Online
The Albert J. Schimpke collection consists of photographs, audio-tapes, and other materials collected by Mr. Schimpke relating to Manistee, Michigan, especially the activities of one of its most prominent local lumbermen, Richard G. Peters.

The Albert J. Schimpke collection of R.G. Peters materials contains papers, photographs, negatives, and audio-tapes of interviews largely relating to lumbering in Manistee, Michigan.

Collection

Charles Adam Weissert papers, 1893-1947

3.3 linear feet (in 4 boxes) — 1 oversize folder

Journalist, historical researcher from Kalamazoo, Michigan; Correspondence, research articles and notes, and photographs.

The Weissert collection includes correspondence, 1893-1947, including letters from Joseph Bailly, Clarence M. Burton, Gurdon S. Hubbard, Chase S. Osborn, Albert E. Sleeper, and George Van Pelt. There are also speeches, and writings mostly on Michigan history topics, including Indian history and the history of Kalamazoo and Barry County. The series of research notes illustrates the variety of Weissert's interests: historical personalities, forts, Michigan cities, and early state history. The photographs and snapshots pertain to Weissert's interest in Michigan history, especially homes, churches, mills, hotels, businesses, and other sites primarily in western Michigan, but also including Sault Ste. Marie and Mackinac Island. There are also photographs of Michigan pioneers, particularly from the Hastings, Michigan area.

Collection

E. C. photograph collection, circa 1907

1 envelope

Photographer from Comins, Michigan. Consists of postcard views of Comins, Michigan, as well as photos of farming, lumbering, and related activities.

The collection consists of postcard views of Comins, Michigan, as well as photos of farming, lumbering, and related activities.

Collection

Gerald T. and Charlotte B. Maxson Printed Ephemera Collection, ca. 1750s-1999 (majority within 1850s-1900)

approximately 5,000+ items in 23 volumes

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

Collection

Helene McTaggart photograph collection, circa 1900-1909

1 envelope

Postcard views relating to the lumber mill in South Boardman, Michigan, and to logging activities near Fife Lake, Michigan.

The collection consists of postcard views relating to the lumber mill in South Boardman, Michigan, and to logging activities near Fife Lake, Michigan.

Collection

Michigan Photographers Society photographs, circa 1880-1925

0.3 linear feet — 1 oversize folder

Organization of Michigan photographers; collected copyprints of historical images.

The collection consists of copyprints (with some negatives) of historical images collected by members of the Michigan Photographers Society. The photographs are arranged alphabetically by name of city where the collector lived. This is followed by descriptions of the images. The strength of the collection is for its visual documentation of various Michigan cities, including street scenes, businesses, private residences, views of ships, railroads, lumbering activities, and local customs.

Collection

New London, Connecticut Photograph Album, 1908-1937

approximately 180 photographs in 1 album.

The New London, Connecticut photograph album contains approximately 180 photographs mainly depicting rural areas, forests, lakes, and beach views in the vicinity of New London, Connecticut, as well as additional travel photographs taken in the 1930s in South Carolina, Florida, New Hampshire, Maine, and Massachusetts.

The New London, Connecticut photograph album contains approximately 180 photographs mainly depicting rural areas, forests, lakes, and beach views in the vicinity of New London, Connecticut, as well as additional travel photographs taken in the 1930s in South Carolina, Florida, New Hampshire, Maine, and Massachusetts. The album (29 x 21 cm) has brown cloth covers and is disbound. Connecticut-related images include a rustic cabin on Gardner Lake, the New London waterfront, and sailboats in the New London harbor. Also included are summer and winter views of a lodge exterior, and interior views showing Christmas decorations. Most photographs highlight natural features, with very few people included. Many images have manuscript captions, and a large number of photos have become loose.

Collection

Sam Sturgis photograph collection, 1860s-1970s

10 linear feet (11 boxes including 1 oversize box)

Photographs collected by Sam Sturgis and Hazel Proctor of Ann Arbor, Michigan; including businesses, street scenes, buildings, people, and activities in Ann Arbor, Brighton, Chelsea, Dexter, Dixboro, Manchester, Saline, and Ypsilanti, Michigan. (Copy negatives and copy prints.)

The Sam Sturgis collection consists of photographic prints and copy negatives of Washtenaw and Livingston County life from the 1860s through the 1970s. Collected by Ann Arbor photographer Sam Sturgis and Ypsilanti banker Hazel Proctor from a variety of known and unknown sources, the collection represents many aspects of life in Ann Arbor, Brighton, Chelsea, Dexter, Dixboro, Manchester, Saline and Ypsilanti. Main subject categories include churches, schools, businesses, buildings, University of Michigan buildings, staff, students and campus life, streets, panoramic views, rivers, recreation and family life, including residences, men, women, and children. Evolving modes of transportation, such as railroads, interurban streetcars, automobiles, and airplanes are also depicted.

Prints and negatives are divided into two parallel series, with negative use restricted to Bentley staff for preservation and security purposes. Each series is arranged alphabetically by city or town and, within each geographical grouping, in the order in which Sturgis collected the items. Sturgis began donating his collection to the Bentley in 1966, and, as items continue to be received, numbering is continued within each geographical grouping, in the original collecting and numbering order established by Sturgis. While some numbers were originally intended by Sturgis to designate the origins of the item, if known, this information has also been added to the item description under the heading "source" to facilitate patron and staff use. The Bentley does not hold a complete set of prints and negatives. Information on the current availability of both prints and negatives is included in each item listing.

Each photograph has a unique identifying number. The "Sturgis Number" consists of a one or two-letter series code, followed by a numerical number with decimal or alphanumeric number, such as AA 267.21 or AA 35A. the collection is arranged by city as follows

City Sturgis Code Number of Images
Ann Arbor AA ca. 1500
Brighton BB 148
Chelsea C 156
Chelsea-Manchester CM 119
Dexter D 124
Dixboro DI 45
Manchester M 123
Saline S 57
Ypsilanti Y 150

An item list of all photographs with description, date (if known), source and photographer, if known, follows the summary contents list on page three of the introduction.

Information on whether the photograph has been published and therefore has further information provided elsewhere is also included in each item description. Unless otherwise noted, all photographs listed as "published" have been published in a series by the Ann Arbor Federal Savings Bank (AAFSB), with editorial supervision by Sam Sturgis and Hazel Proctor. Availability of the respective print and negative concludes each item entry.

The following books, published by the AAFSB in the early 1970s, are annotated with Sturgis' photograph numbers and may be used as a partial guide to the collection. While two copies of each publication are available for consultation in the reading room, only one of each set has annotations. Descriptive captions in these publications as well as the annotated numbers may differ from actual photograph numbers and other information about the photographs. Any reference to these annotations should be verified with the item lists and vice versa to assure accuracy because of occasional inconsistencies. The AAFSB publications with Bentley call numbers are listed as follows:

  1. Proctor, Hazel. Old Ann Arbor Town. 1974. Copy 1 annotated. EC 2 A216.5 P964
  2. Sam Sturgis. Memories of Old Ann Arbor Town, 1967. Copies 1 and 2 annotated. EC 2 A613.5 S935
  3. Proctor, Hazel. Old Brighton Village. 1974. Copy 1 annotated. EC 2 B856.3 P964
  4. Proctor, Hazel. Old Chelsea Village. 1972. Copy 2 annotated. EC2 C516.5 P964
  5. Proctor, Hazel. Old Dexter Village. 1973. Copy 1 annotated. EC 2 D526.5 P964
  6. Proctor, Hazel. Old Manchester Village. 1974. Copy 2 annotated. EC 2 M268.5 P964
  7. Proctor, Hazel. Old Saline Village. 1975. Copy 1 annotated. EC 2 S165.5 P964
  8. Proctor, Hazel. Old Ypsilanti Town. 1974. Copy 2 annotated. EC 2 Y86.5 P964
Collection

Washtenaw County Historical Society records, 1827-2014

17.5 linear feet (in 18 boxes) — 1 oversize folder (UBPl)

Local historical society for Washtenaw County, Michigan Organizational records and collected historical materials.

The Washtenaw County Historical Society records include collected historical documents and photographs relating to the people, events, and history of the county, its cities and townships. There are also administrative records of the organization, including minutes of meetings, subjects relating to Society programs and projects, and financial miscellanea.