Collections : [University of Michigan William L. Clements Library]

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

This album contains gem tintype photographs of men and women of various ages, including young adults and children. One tintype shows a dog sitting on a chair.

This album (8.5cm x 8.5cm) contains 69 tinted gem tintype photographs of men and women of various ages, plus an image of a dog sitting on a chair. Each tintype is placed four to a page, in oval windows about 2.2cm high and 1.7cm across. A few of the people pictured wore accessories such as scarves and hats, and the men, who outnumber the women, appear with facial hair in numerous styles. The album's red leather cover has a raised geometric design on the front and back and previously included a metal clasp.

The John Irwin Griffith photograph album contains tintype and carte de visite portraits of members of the family of Democratic politician and writer, John Irwin Griffith.

The John Irwin Griffith photograph album (15 x 19 cm) contains 33 cartes-de-visite, and 37 tintype photographs of members of the family of Democratic politician and writer, John Irwin Griffith. Included are portraits of infants and one photograph of a man with a long beard. One man is appears standing, wearing a Masonic sash. The photographs were taken in Ohio, Indiana, Iowa, and Nevada.

The album's brown leather cover is embossed in high relief; double clasp with one clasp missing and is housed in a light blue box.

Between 1859 and 1860, William H. Whiton of Tennessee drew pen-and-ink and pencil drawings in a blank autograph album. Topics in the sketchbook include satires of business operations and interpersonal relationships in business settings, love and romance, the hanging of John Brown, and more.

Between 1859 and 1860, William H. Whiton of Tennessee drew pen-and-ink and pencil drawings in a blank autograph album. Topics in the sketchbook include satires of business operations and interpersonal relationships in business settings, love and romance, the hanging of John Brown, and more.

Other drawings include a domestic scene, portraits of men, and incomplete sketches of landscapes and buildings. The volume also includes a list of names at "Mt. Giraffe, Columbia, Maury Co., Tenn." on January 1, 1860.