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Allegan County, Michigan, family; correspondence, diaries, photographs, and business papers.

The collection consists of family correspondence, genealogical materials pertaining to the history of the Hutchins and Robertson families, miscellaneous writings of Henry Hudson Hutchins, papers concerning the family's fruit growing interests, and the development of the Saugatuck and Ganges Telephone Co. The collection is of significance for materials relating to the history of Allegan County, Michigan.

Grand Rapids Michigan businessman and politician, active in lumbering and banking in Wisconsin and Michigan, Democratic party official, head of Board of World's Fair Managers for Michigan, overseeing state's exhibits at 1893 Columbian Exposition. Collection primarily documents business activities with some material on World's Columbian Exposition, as well as personal and family material.

The Weston collection primarily documents the career of Isaac M. Weston. Included are smaller series of papers of his brother and father. The collection includes correspondence, topical files, business and legal papers, and photographs. Of note are materials concerning Michigan's exhibit at the World Fair in 1893 and papers concerning lumbering and land interests in Michigan and Wisconsin.

Professor of English in the College of Engineering at University of Michigan, and student of songs and folklore of the Great Lakes. Correspondence, 1931-1956, bibliographic notecards on Great Lakes and Michigan folklore, unpublished manuscript entitled, "The Great Lakes", recordings of Great Lakes folk music, transcribed lyrics for the folksongs, notes, books and newspaper clippings on topics relating to folklore and history of the Great Lakes; and photographs.

The Ivan Walton collection documents Professor Walton's persistent efforts over a period of several decades to gather and preserve the cultural heritage of the Great Lakes, and to make its existence and significance known to his colleagues and the general public.

The collection is organized into eleven major series: Correspondence; Michigan Folklore Society; Field notes and logs; Student class notes; Research materials; Research notes (paper slips); 3x5 card files; Walton manuscripts; Transcripts; Photographs; and Sound recordings. In addition, Box 1 contains the Introductory series that includes the 1979 finding aid to the collection, prepared by Wil Rollman and Cheryl Baker under the auspices of the Michigan Sea Grant Program. Researchers should be advised that the 1979 finding aid contains some inacuracies.

Michigan based author of adventure stories set in Alaska and Canada, screen writer and motion picture executive, and conservationist, a founding member of Izaak Walton League and member of Michigan Conservation Commission. Papers documenting his literary, film and conservation activities include manuscripts of books, screenplays and other writing and correspondence and photographs.

The James Oliver Curwood papers include correspondence, newspaper clippings, scrapbooks, manuscripts of publications, copies of books, and miscellanea; include material concerning his literary activities, the writing and production of motion pictures, his promotion of conservation causes, especially forest fire prevention, deer herd management, and the campaign against water pollution, and his work with the Conservation Commission, particularly his disputes with the Michigan Department of Conservation, Governor Alexander J. Groesbeck, and state director of conservation, John Baird; also copies of correspondence collected by Ivan Conger.

Photographs include pictures taken on hunting and fishing trips to British Columbia, the Canadian Northwest, and other areas of Canada; portraits; and photos of the Saginaw River (Michigan), and of pollution caused by the Michigan Sugar Company; also one film (two videotape copies), including scenes from God's Country and the Law.

Escanaba, Michigan, newspaperman. Subject files (including collected materials) relating to his research interest in Michigan's Upper Peninsula, notably in the area of Cedar River, Escanaba, and Menominee; include manuscript of writings, subject files, and photographs.

The papers of Jean Worth consists largely of collected material relating to his research interest in Michigan's Upper Peninsula. The collection has been divided into the following series: Cedar River; Escanaba; Menominee; and Upper Peninsula -General.

Detroit, Michigan resident. Consists of photographs of lumbering activity and log cabins near Oscoda, Michigan.

The collection consists of photographs of lumbering activity and log cabins near Oscoda, Michigan.

Ann Arbor, Michigan, businessman, publisher of Ann Arbor Courier, Republican politician, and regent of University of Michigan. Correspondence, letter books, speeches, newspaper clippings, and photographs; papers (1909-1920) of Michigan Public Domain Commission, of which Beal was a member; papers (1877-1904) concerning Port Huron Gas Light Company; and printed material and miscellanea (1885-1905) concerning League of American Wheelmen and his interest in bicycling.

The Junius E. Beal papers include correspondence, papers accumulated from his various interests and organizational activities, subject files, speeches, newspaper clippings, and photographs. The series in the collection include: Correspondence, Michigan Public Domain Commission, Topical Files; and Other Materials. Most of the files in the collection relate in some way to Beal's life in Ann Arbor, either as a student, a businessman, a public figure, as someone who took civic responsibility seriously and was determined to serve his community and the university that he loved.

Photographs, contact prints, and glass negatives collected by Mrs. Robert Jensen.

The collection consists of photographs, contact prints, and glass negatives relating to miscellaneous topics, including ice cutting and storage at Mackinaw City, Michigan, and logging and other activities at or near Harbor Springs and Haring, Michigan. There are also some photographs of railroads, ships, and a lighthouse.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

• 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

• Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
• Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

• 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

• Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
• Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

• Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

• Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

• Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
• Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
• One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

• Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
• Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

• Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
• One 10 x 12.5 cm glass negative view of the Clements Library exterior.
• Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
• Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

• Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
• Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
• Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
• Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

• Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
• Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

• Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
• Four 8 x 10 cm slide reproductions of paintings.
• Three 8 x 10 cm slides of miscellaneous content.

• 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

• 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

• 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

• 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

• 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

• 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

• 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

• 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

• 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

• 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

• 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

• 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

• 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

• 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

• Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
• Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

• Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

• 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

• 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

• 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

• 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

• Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
• Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
• Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
• One 12.5 x 18 cm glass negative titled “Girl on Bicycle”

Papers, of the Josiah Littlefield family of Monroe County and Farwell, Clare County, Michigan. Correspondence, typescript of autobiography, and excerpted typescript of University of Michigan student diary, 1867-1871, of Josiah Littlefield, surveyor, lumberman, and conservationist; also letters of other members of the Littlefield and Hall families; and photographs.

The Littlefield family collection documents several generations in the life of a family which migrated from Grafton, New York about 1830, and came to Michigan, settling first near Ash in Monroe County and later in Farwell in Clare County. The collection (311 items) spans the period of 1834 to 1935, and consists almost entirely of letters among family members, though there is a small group of printed items dealing with University of Michigan activities and life in Farwell, Michigan. Included with the papers are the correspondence, autobiography, and excerpted diary of Josiah Littlefield. There is also correspondence of Littlefield's wife, Ellen Hart Littlefield, his mother, Mary Hall Littlefield, his daughter, Ellen Littlefield Elder, and his uncle, Edmund Hall.

The correspondence comprising the collection includes several recurring subjects: schooling, medical treatment, social customs, religious matters (selecting ministers, sermons, and church activities), agriculture (types of crops grown and prices received), food prices in Michigan, fashions of domestic furnishings (see Josiah Littlefield folder: September 13, 1874, September 24, 1874, October 4, 1874 and January 1, 1874 from Ellen Hart Littlefield; Mary Hall Littlefield folder: October 14, 1874 from Josiah Littlefield; Ellen Hart Littlefield folder: March 3, 1875 from Lucy Hart and October 5, 1873, letter from Josiah Littlefield; see Ellen Hart Littlefield folder: April 25, 1875 from Jessie Hart Williams).

Interesting though brief descriptions of Oberlin College in the 1830's occur in letters from Edmund Hall (see Martha Smith Hall folder: February 15, 1840 from Edmund Hall; and Mary Hall Littlefield folder: May 21, 1836 and October 11, 1836 from Edmund Hall). Mr. Hall apparently became involved in abolition activities in Michigan in the mid 1840's. A listing of seven speeches scheduled for September or October, 1844 is in the first Edmund Hall folder.

In the area of women's history, parts of the collection cover several topics of interest in addition to those referred to as recurring subjects. Martha Smith Hall, Josiah Littlefield's maternal grandmother left her husband E.F. Hall in New York state about 1830 and migrated to Michigan with her children. She managed to establish a new home and raise and educate her family without any economic help from her husband. (see Martha Hitchcock folder: February 2, 1854 from E.F. Hall, October 12, 1855 from Carolina A. Kinsley; see Edmund Hall folder: August 13, 1855 and August 21, 1855 from Carolina A. Kinsley, October 20, 1855 from Martha Hitchcock, and October 2, 1855 to Mrs. Kinsley from Edmund Hall).

Reference to a case of post-natal depression so severe that it culminated in temporary insanity and the killing of a child occurs in the Josiah Littlefield folder (January 15, 1875 from Ellen Hart Littlefield). Descriptions of another serious post-natal depression are contained in the Josiah Littlefield folder (January 15, 1875 from Ellen hart Littlefield and May 21, 1877 from Margaret Hart).