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The Ella Benedict collection contains 27 letters addressed to Benedict from several female friends during the late 1860s. The content concerns the daily activities of the women, including cooking, courtship, and social events, such as picnics, fairs, sporting activities, and dances.

The Ella Benedict collection contains 27 letters addressed to Benedict from several female friends, who described their daily activities. Two women, Rhoda Golibart and Addie T. Moore of Port Deposit, Maryland, wrote the majority of the correspondence, and others wrote from various locations in New York and Maryland. In their friendly letters, full of local news, Ella's correspondents discussed a variety of topics, including cooking, courtship, and social events. Occasionally, the women alluded to sporting activities, including horse racing (September 21, 1865), ice skating (November 22, 1866), and "Base Ball" (June 2, 1867). Several of the letters pertain to fairs, picnics, and dances, which provided the women an opportunity to discuss various gentlemen.

The Frederick Gilbert Bourne collection is made up of correspondence, photographs, printed items, and ephemera related to Bourne, president of the Singer Manufacturing Company and commodore of the New York Yacht Club, and to his son-in-law, Ralph Strassburger, who served as consul general to Romania, Bulgaria, and Serbia in 1913.

The Frederick Gilbert Bourne collection is made up of 73 letters, 11 telegrams, 9 photographs, 1 photograph album, 17 invitations and pieces of ephemera, and 22 printed items related to Bourne and to his son-in-law, Ralph Strassburger.

The Correspondence series (84 items) comprises the bulk of the collection, and is arranged by author and recipient. Bourne composed 45 letters to his daughter May and her husband, Ralph Beaver Strassburger, offering financial advice and sharing news of his social and leisure activities near his Long Island home and during his vacations on Jekyll Island, Georgia. These vacations often included hunting trips and yachting excursions. Several letters composed in 1912 and 1913 reflect Strassburger's time as a diplomat in Eastern Europe, with content respecting his father-in-law's efforts to secure him a reassignment following a local cholera outbreak. Bourne commented on the 1912 presidential election and controversial office appointments made by the outgoing Taft administration.

Incoming correspondence to Frederick Gilbert Bourne documents the social lives of his wealthy friends and family members in the early 20th century. Additional correspondence includes personal letters addressed to Ralph and May Strassburger and to Mrs. Emma Bourne from various acquaintances. The telegrams (11) contain messages between members of the Bourne family, most related to travel arrangements.

The Photographs series includes 9 individual photographs and one photograph album. Nine silver gelatin prints and real photo postcards depict Frederick Gilbert Bourne; "The Towers" on Dark Island, New York; and Indian Neck Hall, Bourne's estate in Oakdale, Long Island, New York (including 1 panoramic photo). The photo album, ca. 1904-1914, contains over 100 images of yachts and automobiles, as well as scenes from Jekyll Island, Georgia, and the leisure activities of wealthy Americans (including sailing races).

The Printed Items and Ephemera series includes 6 visiting/calling cards, a menu, 10 invitations, 7 picture postcards, 13 newspaper and magazine clippings, a magazine, and a book. The calling cards and invitations pertain to the activities of Frederick and Emma Bourne; the postcards depict the Bourne's estates and other buildings; and the clippings, magazine, and book concern Frederick Bourne (including yachting articles from The Rider and Driver and The Illustrated Sporting News). One of the calling cards is personally addressed to Bourne by J. Pierpont Morgan. The book is Henry H. Klein's Dynastic America and Those Who Own It (1921). The series also contains a reproduction of a document commending Bourne's lengthy service with the Singer Manufacturing Company (March 7, 1906) and a composite image of Frederick Bourne working in various occupations.

The Media series is comprised of 6 compact discs containing digital images of the Frederick G. Bourne family, the Jekyll Island Club, and Airy Hall Plantation, the South Carolina plantation owned by Robert George Elbert, another of Bourne's sons-in-law. The series also includes a VHS tape with filmed views of Bourne's estates and of Ralph Strassburger's home, transferred from a 28 millimeter reel from 1918.

This collection is comprised of 14 illustrated letters that Henry Brevoort Eddy of Mamaroneck, New York, wrote to Louise Lyman, a friend living in Tarrytown, New York, and London, England. Eddy discussed his social life in Tuxedo Park, Mamaroneck, and New York City, and illustrated each letter with multiple (often humorous) ink drawings.

This collection is comprised of 14 illustrated letters that Henry Brevoort Eddy of Mamaroneck, New York, wrote to Louise Lyman, a friend living in Tarrytown, New York, and London, England. Eddy wrote 4 letters from New York City and Tuxedo Park, New York, between July and September 1895; he discussed a heat wave affecting Tuxedo Park and the surrounding area, as well as Sunday excursions in New York City, illustrated with cartoon portraits of beachgoers and a ferry boat. While in Tuxedo Park, he wrote of and illustrated sporting activities such as golf, bicycle riding, and tennis. A humorous drawing in his letter of August 12, 1895, shows a man and a woman quivering after a loud burst of thunder. In his other undated letters, he described and illustrated aspects of his social life and leisure activities, which included his frequent attendance at the Harvard Club in New York City. He often wrote his letters on Harvard Club stationery.

Eddy shared his observations on topics such as the effects of bicycling on women and commented on Lyman's letters and letter-writing habits. He occasionally mentioned his artistic work, including his upcoming posters for the New York Ledger and his desire to make his living drawing cartoons. Accompanying illustrations depict Eddy and others reading, and include several sketched cartoon portraits. Many of Eddy's drawings and observations were humorous, and on one occasion his work prompted him to depict himself as the devil drawing cartoons. Two illustrations show men fighting, and 3 refer to "Carl," an African-American acquaintance. One letter dated "July 8" includes a newspaper clipping of a poem Eddy composed, illustrated with several small, refined drawings and titled "This Is the House That Jack Built."

The Laura Page Butcher photograph album contains photographs, newspaper clippings, and ephemera pertaining to Butcher's leisure activities and travels in the United States, Europe, and North Africa in the late 19th and early 20th centuries.

The Laura Page Butcher photograph album (27cm x 37cm) contains around 350 photographs with newspaper clippings and printed ephemera pertaining to Butcher's career as an artist, her leisure activities, and her travels in the United States, Europe, and North Africa from June 1897-June 1903. The photographs include single prints, cyanotypes, and individual prints assembled into panoramas. Most of the photographs are original snapshots, with professionally portraits and some commercially produced views included. The album has been reconstructed and re-bound; the original cover, with the title "Photographs" printed on the front, is housed separately. Some quotations and captions, usually providing a location and date, are written directly onto the album pages or onto photographs.

Most photographs are informal and studio portraits of men and women, pictures of women enjoying leisure activities, exterior and interior shots of mansions and hotels, and views of natural and urban scenery from Butcher's vacations and international travels. Portrait subjects include Laura Page Butcher, her traveling companions, artist friends, and a large formal wedding party. Groups of women are shown painting, riding horses, driving carriages, swimming in an indoor pool, and golfing. Butcher's travel photographs from Paris, France; Funchal, Madeira; Granada, Spain; Algiers, Algeria; and Alexandria and Cairo, Egypt, focus on urban scenery, landmarks, and local populations. Included are the Eiffel Tower, Alhambra, the Great Sphinx, and Giza pyramids. Timeless examples of tourists photographed at Giza in Egypt appear. Photographs of Paris include the Exposition Universelle of 1900. Butcher's return to the United States on the steamship St. Louis is documented with several dramatic seascapes. Many images of leisure activities taken along the eastern shore of the United States. Other images of note show the parade for the dedication of the Fairmount Park, Philadelphia Washington Monument in 1897, an American soldier in uniform taken in Manila, Philippines; one colored photomechanical print shows a group of people in Algiers surrounding a ritual activity or performance. Also of note is a panorama of a bull fight given by Spanish prisoners of war held on Seavy's Island, Maine, with William Jean Howells identified as a spectator.

The album also includes newspaper clippings and ephemera items. The clippings are primarily society page items about the activities of Laura Page Butcher and her siblings, such as the family's vacations in West Virginia, Laura's winter in France, and Alice Tyson Butcher's wedding. Quotations often pertain to art, among other subjects.

Of particular note are the photographs, notes, and ephemera related to Butcher's art career. Images appear of young women in artists' smocks with palettes, in life classes, sketching outdoors at the Shinnecock School, in a Paris atelier and other unidentified studios. An interest in James McNeill Whistler is revealed by the inscriptions quoting Whistler's "Ten O'Clock" lecture, a copy of the butterfly monograph of Whistler, and comment on Whistler's work transcribed from the periodical "The Trimmed Lamp" appearing on pages five and ten, and Whistler antidotes in clippings elsewhere in the album. Material related to Butcher's participation in the exposition of the Société Nationale des Beaux Arts at the Grand Palais, including her letter of admission, is on page 19.