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The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

• 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

• Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
• Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

• 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

• Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
• Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

• Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

• Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

• Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
• Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
• One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

• Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
• Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

• Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
• One 10 x 12.5 cm glass negative view of the Clements Library exterior.
• Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
• Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

• Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
• Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
• Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
• Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

• Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
• Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

• Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
• Four 8 x 10 cm slide reproductions of paintings.
• Three 8 x 10 cm slides of miscellaneous content.

• 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

• 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

• 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

• 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

• 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

• 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

• 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

• 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

• 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

• 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

• 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

• 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

• 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

• 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

• Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
• Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

• Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

• 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

• 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

• 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

• 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

• Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
• Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
• Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
• One 12.5 x 18 cm glass negative titled “Girl on Bicycle”

Professor of anthropology at University of Michigan, student of the culture of the Pueblo Indians of the southwestern United States, and of the career of early American anthropologist, Lewis H. Morgan. Correspondence files, articles and reviews relating to all phases of his anthropological interests, research notes on Lewis H. Morgan, and field notes pertaining to his trips among the Pueblo Indians, and collection of scholarly publications.

The Leslie A. White papers document the fifty-year career of one of America's most distinguished and influential anthropologists. The collection documents through correspondence and other materials the development of modern anthropological theory and practice, particularly the concept of cultural evolution and his theory that the control of energy is basic to the evolution of culture. The collection has been arranged into the following series: Correspondence; Course Work; University Career; Biographical/Personal; Writings; Speeches and Lectures; Miscellaneous; Field Notes and Research Trips; and Published Materials.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

For an item-level description of the collection, with information about each manuscript, please see the box and folder listing below.

State Representative from Lapeer, Michigan; U.S. Congressman, 1913-1931, and special attorney to the Secretary of the Interior, 1931-1932; correspondence, speeches, newspaper clippings, scrapbooks, photographs, campaign materials, and other items relating to his advocacy of the national park system, the concept of historic preservation, fair employment practices legislation, increased support for Howard University and all other aspects of his career.

The Louis C. Cramton papers came to the Bentley Historical Library in three separate accessions (1948-1950; 1971; 1987). The collection has been arranged into six series: Correspondence, Miscellaneous Papers, Topical Files, Newspaper clippings/Scrapbooks, Photographs, and Louis Kay Cramton Papers.

The Louisiana Purchase Exposition photograph album contains 53 images that document the Louisiana Purchase Exposition held in St. Louis, Missouri, from April to December, 1904.

The album (14 x 19.5 cm) has brown faux-leather cloth covers and black paper pages. Photographs include images of different monuments and buildings (including international, state, and trade buildings), fairgrounds scenes, and various exhibitions including Filipino, Chinese, and Native American human zoo villages as well as the "Ancient Locomotives" and "U.S. Life Saving Exhibit." Also of note are two photographs of "Festival Hall at night."

This collection is made up of 2 items related to Louis Vilemont: a bound journal that he composed while traveling in North America around 1795, with essays, and a letter by the Baron de Carondelet dated June 28, 1795. In his journal, Vilemont commented on the scenery, white residents, and Native Americans.

This collection is made up of 2 items related to Louis Vilemont: a journal that he composed while traveling in North America around 1795, with related essays; and a letter by the Baron de Carondelet dated June 28, 1795.

Vilemont titled his 169-page volume Journal De Mes Voyages, Depuis mon Débarquement à Philadelphie jusqu'à mon arrive à la Nouvelle-Orléans; avec quelque notes topographiques Et un Examen Rapide, naturel Et Politique Des Productions Et Peuples que j'ai Rencontrés. The first 2 pages contain introductory remarks. A 100-page account of his travels beings with his departure from Madrid, Spain, to America, where he visited Philadelphia, Pennsylvania; he described the city and its residents in detail. On his trip to New Orleans, Vilemont wrote about the landscapes and people he saw along the way; for example, he encountered Daniel Boone while traveling through Kentucky (p. 34).

The second part of the volume (pp. 101-169) contains essays about multiple subjects, such as the Louisiana fur trade and Native Americans' involvement in local commerce. One essay includes a chart of various tribes, with the numbers of armed men, and primary locations (p. 99). Other essays concern unidentified Native American tribes' religious beliefs and political organizations. Vilemont wrote marginal notes throughout the volume.

The Baron de Carondelet's letter, dated June 28, 1795, pertains to political issues within Louisiana. He shared his enthusiasm about the recent capture of "Vexerano," who had been accused of murder the previous year, and expressed concern about Vilemont's unauthorized travels in the area.

Collection of stereograph images of views of Michigan’s Upper Peninsula in the late nineteenth century.

This collection consists of six envelopes of stereographs published by Bailey & Whitesides, C. B. Brubaker, and A. G. Emergy, and some photographed by B. F. Childs. The images are scenes of Michigan's Upper Peninsula in the late nineteenth century, including Michigamme, Houghton, Hancock, and Sault Sainte Marie, Michigan and the Pictured Rocks.

Melvin Randolph Gilmore was one of the preeminent ethnobotanists of his generation and served as Curator of Ethnology for the Museum of Anthropology at the University of Michigan from 1929 to 1939. The Gilmore Papers contain correspondence, topical files, field notes, photographs, and manuscripts related to his work among Native American groups of the Plains and Prairies, including the Arikara and the Omaha.

The Melvin R. Gilmore Papers consist of three series: Correspondence; Research, Writing, and Field Work; and Photographs. With the exception of the Correspondence series, much of the material in the papers is undated, but appears to date mainly from 1905 to 1930.

The Northwest Territory Celebration letters chronicle the daily experiences of a group of re-enactors who traveled from Ipswich, Massachusetts, to Marietta, Ohio, by ox-driven Conestoga wagon and self-made flatboat in 1937-1938 to mark the 150th anniversary of the establishment of the Northwest Territory.

The 64 Northwest Territory Celebration letters chronicle the daily experiences of a group of 36 historical reenactors who traveled from Ipswich, Massachusetts, to Marietta, Ohio, by ox-driven Conestoga wagon and self-made flatboat in 1937-1938, commemorating the 150th anniversary of the establishment of the Northwest Territory.

The party produced letters en route almost daily from December 3, 1937-January 20, 1938; weekly from January 20, 1938-March 29, 1938; and almost daily from March 29, 1938-April 7, 1938. These letters were sent to subscriber Fred G. Olson of Fulton, Illinois, and contain reports about towns in Massachusetts, Connecticut, New York, Pennsylvania, and Ohio. At some stops, local Boy Scout troops or other groups staged reenacted attacks by Native Americans; at other times, the travelers faced difficulties when crossing snowy landscapes and the Allegheny Mountains. The travelers mentioned their oxen, "Tom" and "Jerry," and other animals, such as horses and dogs. While at West Newton, Pennsylvania, they discussed their efforts to construct 18th-century flatboats for the final leg of their journey (February 10, 1938-March 29, 1938).

The Northwest Territory Celebration Commission authorized the journey, and postage was free. Each of the letters was folded, addressed, and sealed with wax in the style of 18th-century post. The address on each is accompanied by an illustration by party member Milo Scott. The illustrations depict scenes of the journey and of pioneer life.

The Ogden family papers consist of letters and legal documents related to members of the Ogden family of New York State, particularly David A. Ogden, Thomas L. Ogden, and Gouverneur Ogden.

The Ogden family papers consist of three fairly discrete groups relating to members of the Ogden family of New York State:

• Papers of David A. Ogden (19 items, 1811-1819)
• Ogden Family Papers (ca. 5000 items, 1790-1850)
• Papers of Gouverneur Ogden (28 items; 1791-1810)

The David A. Ogden group records Ogden's efforts between 1811 and 1819 to persuade the Monroe administration to remove the Seneca Indians from the 200,000 acres in western New York that he and his associates had purchased from the Holland Land Company. Included are the sales agreement, the articles forming the Ogden Land Company, and a long memorial to President Monroe. The David A. Ogden manuscripts include three letters from Lewis Cass and two to John C. Calhoun.

The bulk of the Ogden family series consists of the legal papers of the brothers, David A. and Thomas L. Ogden. Approximately 9 linear feet of materials relate to cases tried by David Ogden in upstate New York, or by his brother Thomas L. Ogden in the vicinity of New York City. The legal records include a complete index of litigants, and a vast quantity of material relating to Indian reservation lands in western New York and other property transactions, as well as the dealings of the Ogden Land Company, the Holland Land Company, and the St. Lawrence Turnpike Company. Personal and family correspondence is made up primarily of letters addressed to David A. and Thomas L. Ogden.

The Holland Land Company (HLC) materials include extensive correspondence between the Ogdens and Paul Busti, general agent for the HLC, as well as legal files from cases in which the company's disputes were adjudicated. Once the HLC decided to sell its three million acres west of the Genesee River to individual landholders rather than to proprietors, the HLC became involved in a wide variety of other pursuits. In order to attract settlers to western New York, the company financed the construction of mills and other crucial commercial ventures; it promoted the construction of the Erie Canal, employing David A. Ogden's political influence in Albany and donating 100,000 acres of land to help pay for the canal's construction; and it tried to facilitate the availability of credit to prospective land owners.

Because he was one of the most prominent lawyers in New York City, Thomas L. Ogden represented some of the city's most powerful merchants and land owners in a variety of court cases that illuminate both the economic arrangements that permitted the rise of commercial capitalism and the legal instruments through which those arrangements were made. Finally, the documents from Thomas L. Ogden's law practice also reveal much about the law's effect on more ordinary matters, from the settlement of estates to the pursuit of actions for defamation of character.

The Gouverneur Ogden manuscripts consist mostly of outgoing correspondence relating to business concerns in western New York and land transactions.