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This collection is made up of the incoming and outgoing correspondence of Amelia Lippincott Williams of New York City and her husband, Esek Hartshorne Williams of Red Bank, New Jersey. The bulk of the collection is comprised of 15 letters that Esek wrote to Amelia during their courtship and while traveling for business reasons during the first few years of their marriage. Amelia and Esek received the remaining 7 letters from friends and family members in New York and New Jersey.

This collection is made up of the incoming and outgoing letters of Amelia Lippincott Williams and her husband, Esek Hartshorne Williams. Esek wrote 16 love letters to Amelia during their courtship and early married life. Amelia also received 2 letters from friends and 1 from a niece named Mary. Esek received 1 letter from Amelia, 2 from his brother George, and 1 from a friend.

Amelia Lippincott was living in New York City when she received 7 letters from Esek H. Williams of Red Bank, New Jersey, between April 22, 1833, and November 10, 1834 (including 1 undated). His letters are affectionate and flirtatious, and often refer indirectly to the couple's romantic relationship. Esek Williams shared news from Red Bank, occasionally mentioned his work in a local store, and, on November 4, 1834, joked about Amelia's political awareness and her support of the Whigs.

After their marriage, Esek wrote 9 letters to his wife while he traveled west for business reasons; he sent 6 of these letters from Michigan in the winter of 1840-1841. He described his experiences near Fredonia, New York (December 13, 1840); Cleveland, Ohio (December 19, 1840); and Kankakee, Illinois (February 14, 1841). He mentioned his lodgings and modes of travel, and often remarked about his love for his wife and children, who remained in New York City. He spent much of his journey in southeast Michigan, where he had financial interests, and provided Amelia with news of his arrival and activities in Detroit (January 1, 1841, and January 10, 1841) and Ann Arbor (March 7, 1841). He discussed financial matters, including his difficulties with state-issued currency, "Michigan money," which he referred to as the only currency in regular circulation in Ann Arbor (March 7, 1841). On a later trip to Michigan, he noted the economic conditions in Detroit (January 1, 1843). On July 2, 1848, he composed his final letter, written from Marshall, Michigan; he expressed his intent to sell his farm in Ann Arbor. Two of his letters have pencil sketches of horses.

Amelia Lippincott Williams received dated personal letters from R. Montgomery, who shared her thoughts on fashionable hats (May 26, 1835), and a woman named Catherine Lent, who hoped Amelia could soon visit (October 1, 1835). Undated letters include 3 from friends and acquaintances, including one in which Amelia's niece Mary mentioned an outbreak of measles and a large social gathering in Shrewsbury, New Jersey. Esek H. Williams received two brief personal letters from his brother George.

The Augustus F. Smith bills and receipts are comprised of financial records pertaining to Smith's household and everyday expenses. The invoices, bills, and receipts concern purchases of foods, alcohol, articles of clothing, services and labor, and other goods.

The Augustus F. Smith bills and receipts are comprised of 78 financial records pertaining to Smith's household expenses, concerning foodstuffs, goods, and services. Each series has manuscript and partially printed invoices and receipts from firms and individuals; postage stamps are affixed to a majority of the items. Most of the documents are dated at New York City, and a few refer to Smith's office at 31 Nassau Street.

The Household (Non-Culinary) Expenses series (22 items) contains itemized invoices and receipts for purchases of various goods and, less frequently, services and labor. Smith and his family purchased items such as clothing, fabrics, ribbon, patterns, gloves, jewelry, and cutlery. The receipts also reflect gas fixture repairs, carriage repairs, plumbing work, and painters' labor. A document from the Harlem Gas Light Company shows Smith's gas usage between August and October 1866. The sole item not addressed to Augustus F. Smith is a paid invoice between E. B. Adams and L. T. Downes for corn, oats, a broom, and other items, dated at Westport, [Connecticut] (April 2, 1859).

The Culinary Expenses series (22 items) contains 21 receipts to Augustus F. Smith and 1 to his wife. The Smith family purchased meats such as lamb, beef, chicken, liver, and duck; alcoholic beverages such as sherry, port wine, champagne, and whiskey; and other foodstuffs such as oysters, butter, apples, confections, chocolate, and ice.

Smith's Horse Care Expenses (15 items) includes feed, straw, bridles, a harness, and a saddle. Smith also paid to have his horses reshod. William McDonald's invoice of March 20, 1866, relates to the costs of driving a wagon to Harlem, "drawing" a boat from a river, and other travel.

The Other Expenses series (19 items) pertains to a variety of goods and services that Smith obtained in the 1860s. For example, Augustus F. Smith hired Dodworth's Band (January 20, 1866), paid Augustus Woodruff Brown for dental work (January 1, 1866, and January 1, 1867), supported his son's education at the Select Classical and Mathematical School (3 items, 1866), and paid for piano lessons (February 21, 1866). He also rented pews at the Church of the Intercession (June 20, 1866) and at the First Congregational Church (July 1, 1866). The receipt for a bill dated June 23, 1866, is addressed to both Augustus F. Smith and his law partner, Isaac Martin. Two items are addressed to other persons: a receipt for Benjamin Bernhard's premiums due to the National Fire Insurance Company (May 11, 1864), and a document from the County of New York Surrogate's Office about the estate of Edward Henriques (August 24, 1865).

This minute book contains administrative and logistical information related to the Blooming Grove Horse Thief Detective Society of Blooming Grove, New York, between 1866 and 1883. The minutes are a record of changing board members and positions, routes, riders, report submissions, the use of telegraphs, poster printing, and directions for leaving descriptions of stolen horses at stations, ferries, and livery stables.

This minute book contains administrative and logistical information related to the Blooming Grove Horse Thief Detective Society of Blooming Grove, New York, between 1866 and 1883. The minutes are a record of changing board members and positions, routes, riders, report submissions, the use of telegraphs, poster printing, and directions for leaving descriptions of stolen horses at stations, ferries, and livery stables.

Calvin Mehaffey's letters to his (unnamed) mother document two periods of Mehaffey's Civil War service in the 1st U.S. infantry regiment. They especially provide coverage of parts of the Peninsular Campaign (March-June, 1862), as well as the period of time in which he was posted near Vicksburg, in the Teche Country, and in New Orleans (August-November, 1863).

Calvin Mehaffey's letters to his mother represent only a small percentage of a once voluminous correspondence. From the eighteen letters that survive, it seems clear that Mehaffey wrote home regularly. The collection documents two periods of Mehaffey's Civil War service, providing excellent coverage of parts of the Peninsular Campaign (March-June, 1862), as well as the period of time in which he was posted near Vicksburg, in the Teche Country, and in New Orleans (August-November, 1863). The remainder of Mehaffey's service is essentially undocumented.

Mehaffey's correspondence reflects the frenetic activities and experiences of a junior staff officer, shouldering administrative responsibility rather than muskets, and the letters provide a number of detailed, fleshed-out stories illustrating the duties and activities of staffers. Among the descriptive masterpieces in the collection is an outstanding account of Mehaffey patrolling the James, confiscating boats and securing supplies, and a novel-like account of the Teche country operations of October 1863. Although Mehaffey describes little in the way of military engagements in this letter, his stories of the local scenery, citizenry, and the movements of troops are engaging and important for conveying, if nothing else, a sense of the logistical demands confronting the federal army in the deep South. In other letters, his encounters with the brothers of George McClellan and ex-President John Tyler, and with the father of Ulysses S. Grant, provide unusual insights into those men.

Mehaffey's comments on Yorktown during the Peninsular Campaign are packed with details about the condition of the city after the Confederate departure and the response of federal officers. From a narrowly military perspective, the letter written in the wake of the Battle of Malvern Hill may be even more interesting. In it, Mehaffey provides a furious sketch of the confusion in federal forces after the battle, the pain of the wounded and the presence of shell shock among many of the survivors. His involvement in assisting in the organization of field hospitals and ferrying the wounded, and the palpable swing in mood from his previous admiration of McClellan to his dread at enduring the humiliation of retreat are equally noteworthy.

In a different vein, Mehaffey's position with the Provost Marshal put him in a unique position to see and comment upon the administration of military justice. Two letters are particularly valuable in documenting an incident in which a slave, Lightfoot, allegedly exacted revenge on the family of his slave master by tying them to a tree and raping the women. Tried and convicted, Lightfoot was himself tied to a tree overnight to await public execution. He escaped, however, setting in motion a full scale search.

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

• Woman doing laundry/ holding washtub
• A person on horseback
• A building [bearing a similarity to John Setley's storefront]
• Woman holding a key next to a door marked "East," beside a small anthropomorphized quadruped
• Male performer or dandy
• Red and blue block text, "UNION"
• Ships in the shape of a horse, with men holding spears and shields
• Hunter aiming a gun at a stag
• Hunters shooting at elephants
• American sailing ships
• People and anthropomorphic creatures
• Man fleeing from dark-skinned persons armed with spears and other weapons
• Shipwrecks
• A lifeboat
• A storefront with a sign reading "JOHN SETLEY" listing flour, seed, and other dry goods
• Sidewheel steamboat
• One page of caricatures, anthropomorphic beings, women, witches, and devils
• Self-portrait, "The names of my valentines Squirt irish women & the Laundry women & to a Zouvave [Zouave] stingy man & the gallent [?]ing the [queshten?] grocer & long shanks"
• Self-portrait and building
• Sketch of a woman with a pipe in her teeth, labelled "IRISH WOMAN". On the same page is a pencil sketch of what may be a quilt block design.
• Performers, possibly for a circus or side-show

A few of the pencil and watercolor illustrations appear to relate to a story of hunters, possibly in Africa, their encounters with indigenous peoples, and a subsequent shipwreck.

This journal is Edward Nicholas Heygate's illustrated, narrative account of his travels in Canada, the United States, and the Caribbean from May 1853 to February 1855. Heygate, an Englishman, described the stops on his itinerary as well as his modes of transportation, life in the Bahamas, and return to London. An Index of Illustrations contains additional information on visual works within the Heygate journal.

This volume (approximately 80 pages) contains Edward Nicholas Heygate's narrative account of his travels around Canada, the United States, and the Caribbean from May 1853-February 1855. Ink drawings appear throughout the journal.

Edward Heygate composed his narrative based on a diary he kept while traveling from England to North America, living in the Bahamas, and returning to Liverpool. The first section, entitled "Notes and Illustrations on America" (pp. 99-145), covers April 28, 1853, to July 17, 1853. During that time, Heygate recorded his experiences on his journey from Liverpool to the Bahamas. Following his arrival in Canada in mid-May, he visited Boston, New York City, Niagara Falls, Charleston, Montreal, and other locations. Heygate recorded his impressions of the major cities and attractions, giving particular attention to his modes of transportation, which included steamboats, railroads, and carriages. He also noted his general impressions about Americans and local culture. Among other leisure activities, Heygate attended several chariot races and a lecture by Lucy Stone on women's rights (June 18, 1853). The account ends upon Heygate's arrival in Nassau, Bahamas, in July 1853.

The second section of the journal, "Notes on the Island of Nassau. Bahamas. 1853" (pp. 149-169), recounts Heygate's life in the Caribbean, including his description of Nassau and a recapitulation of his visit to Havana, Cuba. These passages are dated from July 18, 1853-February 1855, and conclude with his arrival in Liverpool, England. This portion of the volume begins with regular diary entries, though Heygate wrote less frequently as time went on.

Heygate interspersed ink drawings throughout his account, and captured images of many of the sights he witnessed during his travels. He also composed ink and watercolor maps of North America and the Caribbean, which he annotated to show his traveling routes (pp. 6-7), and of New Providence, Bahamas (p. 13). Two items are laid into the journal: a pencil sketch and notes on Heygate's modes of transportation.

An Index of Illustrations (.pdf) contains additional information on visual works within the Heygate journal.

Elizabeth H. Schuh ("Lizzie"), possibly of Lime Rock, Pennsylvania, kept this composition notebook as a 12-14 year-old student, between 1891 and 1893. The volume includes short essays on etiquette and behavior, nature-related topics (such as bees and oranges), natural science, and geography. A portion of the notebook focuses on forms of correspondence and financial receipts. Other essays focus on prominent figures in the history of the United States, such as Andrew Jackson, Washington Irving, and Daniel Boone.

Elizabeth H. Schuh ("Lizzie"), possibly of Lime Rock, Pennsylvania, kept this composition notebook as a 12-14 year-old student, between 1891 and 1893. The volume includes short essays on etiquette and behavior, nature-related topics (such as bees and oranges), natural science, and geography. A portion of the notebook focuses on forms of correspondence and financial receipts, grammar, and memorization. Other essays focus on prominent figures in the history of the United States, such as Andrew Jackson, Washington Irving, and Daniel Boone.

The etiquette compositions include "How to Be Polite", with general behaviors, such as being kind and unselfish, not standing behind people writing or reading, etc. Remarks on modesty include statements such as "Do not talk about dress" and "Do not soil your tongue with slang."

Content on letter writing includes her exercises in drafting generic correspondence, notes for seeking employment, and copies of letters that she may have sent out on relationships, and management of business and the household.

The volume has color, printed covers showing three students at desks in a classroom, one writing with a dip pen; its title is "Hawthorne Composition. No. 774. 'U.S. Mail' Series", J. C. Blair Manufacturing Stationer Huntingdon, Pa. A blackboard on an easel shows a trotting horse, marked "Composition on the HORSE". The inside covers include a printed biography of Nathaniel Hawthorne.

This collection is made up of 26 letters (59 pages) from George Anson to William Lee, while the men served in the British Army between 1789 and 1795. Anson largely wrote while serving as an officer in the 16th Light Dragoons and 20th Jamaica Light Dragoons. He wrote primarily from Shugborough in Staffordshire, England, and Spanish Town, Jamaica (1792-1794). His letters pertain to recruiting for dragoon regiments, the dangerous climate of Jamaica, the jarring death of a friend from fever, horses in military service, promotions, jocular banter, and the movement of troops to Santo Domingo as part of British involvement in the Haitian Revolution. He wrote candidly and crudely about sexual activity, London prostitution and brothels, prostitution at Spanish Town, Black women in Jamaica, and the sexual and alcohol-related exploits of his recipient and friends also serving in dragoon regiments. Two letters reference Elizabeth Weldon and Viscount Dungarvan in early 1791.

This collection is made up of 26 letters (59 pages) from George Anson to William Lee, while the men served in the British Army between 1789 and 1795. Anson largely wrote while serving as an officer in the 16th Light Dragoons and 20th Jamaica Light Dragoons. He wrote primarily from Shugborough in Staffordshire, England, and Spanish Town, Jamaica (1792-1794). His letters pertain to recruiting for dragoon regiments, the dangerous climate of Jamaica, the jarring death of a friend from fever, horses in military service, promotions, jocular banter, and the movement of troops to Santo Domingo as part of British involvement in the Haitian Revolution. He wrote candidly and crudely about sexual activity, London prostitution and brothels, prostitution at Spanish Town, Black women in Jamaica, and the sexual and alcohol-related exploits of his recipient and friends also serving in dragoon regiments. Two letters reference Elizabeth Weldon and Viscount Dungarvan in early 1791.

Please see the box and folder listing for descriptions and details about each letter in the collection.

The George A.C. Barnett papers consists of a set of letters written to a woman named "Dotty" between November 30, 1864, and December 25, 1864, while Barnett was serving as 1st Lieutenant in the 17th New York Veteran Volunteer Infantry.

The correspondence of George A.C. Barnett consists of a set of 27 letters written to a woman named "Dotty" between the dates of November 30, 1864, and December 25, 1864. The letters were written from Chattanooga, Tennessee. Just as Barnett arrived in Tennessee, the railroad was cut, making it impossible to send or receive mail. As a result, Barnett collected his daily correspondence, numbered each page, and eventually sent the batch of letters as a collected work. The letters, totaling 192 pages, describe Barnett's daily activities, thoughts, and feelings.

A small printed etching of the Three Graces is affixed to the November 30th letter. Pen and ink drawings illustrate the letters of December 18th (a man in tall boots), 19th (a pair of elegant "breeches"), and 20th (a horse).

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.