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The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Letterbook (1869-1872) of George Hull, Livingston County, Michigan, farmer and businessman, relating to his grocery business, and letters (1888-1899) to his son Lawrence then attending Lawrenceville School in New Jersey relating to the family's fruit farm at Pleasant Lake; papers of Lawrence's wife, Eliza Darling Hull, student at the University of Michigan; papers of Lawrence and Eliza's son Leroy relating to World War I service; papers of Lawrence and Eliza's daughter Isabelle MacFarlane Hull; diaries of Leroy's wife, Frances Ball Hull, 1915-1919 and 1947-1957; papers of Leroy and Frances's son George M. Hull; papers of Leroy and Frances's daughter Jean Hull Ruhman; photographs; and scrapbooks.

The Hull Family Papers consists of nine series: Family Materials, George L. Hull and Isabelle M. Hull, Lawrence C. Hull and Eliza Darling Hull, Isabelle MacFarlane Hull, Dr. Leroy Hull and Frances Ball Hull, George M. Hull, Jean Hull Ruhman, Audio-Visual Materials, and Scrapbooks. The collection contains letters, diaries, photos, clippings, and ephemera. The strength of the collection lies in its documentation of life in nineteenth-century southern Michigan, the World War I correspondence of Dr. Leroy Hull, the World War II correspondence of George M. Hull, and the 1950s travel correspondence and photographs of Jean Hull Ruhman.