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Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials related to preparing food for or with children, dating from 1905-1998.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials related to preparing food for or with children. A number of publications from flour companies, such as Gold Medal and Pillsbury, focus on baking; while fruit companies such as Ocean Spray and the California Tree Fruit Agreement promote fruit or fruit-juice recipes; and a handful of publications feature a broader array of recipes. A few publications promote healthy food choices for children. Three items in box 307 are picture books from the 1920s promoting Royal Baking Powder and Royal Gelatin, which also include recipes using those products. Materials date from 1905-1998, with most items dating from the 1920s-1950s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to fruits, vegetables, and nuts. Publications date from 1885-2003, with most materials from the 1920s-1980s.

Forms part of the Janice Bluestein Longone Culinary Archive. This collection includes promotional materials relating to fruits, vegetables, and nuts in fresh, dried, canned, frozen, and juiced forms. Publications date from 1885-2003, with most materials from the 1920s-1980s. Although a few vegetables appear, such as corn, potatoes, and mushrooms, the bulk of this collection consists of publications promoting fruit (especially cranberries, bananas, citrus fruits, pineapple, and raisins), and nuts (especially coocnuts, almonds, pecans, walnuts, and peanuts).

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Letterbook (1869-1872) of George Hull, Livingston County, Michigan, farmer and businessman, relating to his grocery business, and letters (1888-1899) to his son Lawrence then attending Lawrenceville School in New Jersey relating to the family's fruit farm at Pleasant Lake; papers of Lawrence's wife, Eliza Darling Hull, student at the University of Michigan; papers of Lawrence and Eliza's son Leroy relating to World War I service; papers of Lawrence and Eliza's daughter Isabelle MacFarlane Hull; diaries of Leroy's wife, Frances Ball Hull, 1915-1919 and 1947-1957; papers of Leroy and Frances's son George M. Hull; papers of Leroy and Frances's daughter Jean Hull Ruhman; photographs; and scrapbooks.

The Hull Family Papers consists of nine series: Family Materials, George L. Hull and Isabelle M. Hull, Lawrence C. Hull and Eliza Darling Hull, Isabelle MacFarlane Hull, Dr. Leroy Hull and Frances Ball Hull, George M. Hull, Jean Hull Ruhman, Audio-Visual Materials, and Scrapbooks. The collection contains letters, diaries, photos, clippings, and ephemera. The strength of the collection lies in its documentation of life in nineteenth-century southern Michigan, the World War I correspondence of Dr. Leroy Hull, the World War II correspondence of George M. Hull, and the 1950s travel correspondence and photographs of Jean Hull Ruhman.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, etc." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, &c." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, etc." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, &c." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.