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The C. E. DuBois photograph album contains photographic prints taken in and around Hoboken, New Jersey, circa 1870s. Many of the pictures are group portraits and views of building exteriors, including firefighters posed with a hose carriage, and the Hoboken Yacht Club.

Collection Scope and Content Note:

The C. E. DuBois photograph album (27cm x 34cm) contains 42 photographic prints taken in and around Hoboken, New Jersey, circa 1870s. The prints range in size from about 5.5cm x 6.5cm to 21cm x 13cm. Many are framed with hand-drawn, colored borders, sometimes with decorative or floral designs; one border has small drawings of an anchor and United States flag and one has small drawings of firefighters' equipment. Four items' borders include captions: "A Votre Santé" (a group of men sitting around a table with drinks), "H.Y.C." (Hoboken Yacht Club), "Oceana Hose" (horse-drawn firefighters' hose carriage), and "Martha Institute." The album's green cloth cover has a plate with the name "C. E. Dubois" in block letters.

The majority of photographs show individuals or groups of people and building exteriors, including urban residential and commercial buildings. The first seven pictures are studio portraits of unidentified individuals, and the album contains 13 additional photographs of two or more people on a porch and in gardens. Images include two men playing a game of chess on a porch, a group of men relaxing and drinking on the same porch, and a group standing on the dock at the Hoboken Yacht Club. The remaining pictures focus primarily on other subjects. Fifteen are images of homes, commercial buildings, gardens, a gazebo, and a view of the Cranford (New Jersey?) train station, and the Martha Institute of Hoboken. The album contains four views of the Hoboken Yacht Club in which ships' masts are sometimes visible. The final two photographs are related to the "Oceana Hose" firefighting company a picture of a horse-drawn hose carriage and a view of the firehouses for "Oceana" and "Excelsor" alongside a saloon and another business. Firefighters in top hats appear in both of these photographs. Also of note is a photograph of a group of women on a porch viewing a photograph album.

This volume contains biographical information about members of the Grand Army of the Republic (G.A.R.) Post No. 228, which was named after Colonel John A. Koltes and located in Philadelphia, Pennsylvania. Biographical sketches include information about veterans' dates and places of birth, as well as details of their Civil War service, such as their dates of enrollment and discharge, unit numbers, and participation in battles.

This volume (382 pages, of which 186 are blank) contains biographical information of about 190 members of the Grand Army of the Republic Post No. 228, located in Philadelphia, Pennsylvania. Biographical sketches include information about veterans' dates and places of birth as well as details of their Civil War service, such as dates of enrollment and discharge, unit numbers, and participation in battles.

Louis [Bergdoll] presented the volume, entitled "Personal War Sketches," to the John A. Koltes Post (No. 228) in 1892. The information is entered in manuscript on previously printed pages, which include sections for general post information, individual biographies, burial records, and additional supplementary information. The pages are accompanied by printed illustrations that depict soldiers, cannons, navy ships, and other military paraphernalia.

The biographical sketches (pp. 7-196) are organized in rough order alphabetically by surname. Each printed page includes sections for information on the soldier's birthdate and birthplace, military experience, and Grand Army of the Republic membership. Most of the post's members were born in various regions of Germany and in Philadelphia, though others came from Denmark (1 member), England (1 member), France (1 member), New Jersey (1 member) South America (1 member), and Switzerland (3 members). Many of the soldiers served in the same companies and regiments; specific enlistment data is included for each man. Some entries include additional notes about soldiers' participation in major battles, wounds sustained, time as prisoners of war, and close friends in the military, as well as the most important aspect of each man's army service. Burial information for some soldiers also appears on pages 369-373, covering the years 1874-1901.

Items laid into the volume include preprinted sheets on which soldiers responded to questions about their military service and personal histories. Two birth certificates for Wilhelm Lanert West, who was born in Philadelphia, Pennsylvania, in 1902, are laid into the volume between pages 92 and 93; each is dated June 22, 1964.

The I. Boggs Smith receipt book contains receipts, invoices, and correspondence related to Smith's purchases of goods from Philadelphia merchants between 1864 and 1867.

The I. Boggs Smith receipt book (approximately 100 pages) contains receipts, invoices, and correspondence related to Smith's purchases of goods from Philadelphia merchants between September 1864 and March 1867. The majority of items have revenue stamps affixed to them. In addition, the volume contains a small number of manuscript receipts and correspondence pertaining to Smith's finances.

I. Boggs Smith purchased items such as fabrics, dishes, shoes, oil, hardware, sugar, and fish. A few invoices pertain to publications by the American Baptist Publication Society. Many of the receipts bear illustrated letterheads. Those of A. H. Franciscus & Co. and John Doll have logos that incorporate the United States flag, and others depict objects such as stoves and oil lamps. A 2-page list of soldiers who served in Pennsylvania regiments during the Civil War is laid in the receipt book.

The Northwest Territory Celebration letters chronicle the daily experiences of a group of re-enactors who traveled from Ipswich, Massachusetts, to Marietta, Ohio, by ox-driven Conestoga wagon and self-made flatboat in 1937-1938 to mark the 150th anniversary of the establishment of the Northwest Territory.

The 64 Northwest Territory Celebration letters chronicle the daily experiences of a group of 36 historical reenactors who traveled from Ipswich, Massachusetts, to Marietta, Ohio, by ox-driven Conestoga wagon and self-made flatboat in 1937-1938, commemorating the 150th anniversary of the establishment of the Northwest Territory.

The party produced letters en route almost daily from December 3, 1937-January 20, 1938; weekly from January 20, 1938-March 29, 1938; and almost daily from March 29, 1938-April 7, 1938. These letters were sent to subscriber Fred G. Olson of Fulton, Illinois, and contain reports about towns in Massachusetts, Connecticut, New York, Pennsylvania, and Ohio. At some stops, local Boy Scout troops or other groups staged reenacted attacks by Native Americans; at other times, the travelers faced difficulties when crossing snowy landscapes and the Allegheny Mountains. The travelers mentioned their oxen, "Tom" and "Jerry," and other animals, such as horses and dogs. While at West Newton, Pennsylvania, they discussed their efforts to construct 18th-century flatboats for the final leg of their journey (February 10, 1938-March 29, 1938).

The Northwest Territory Celebration Commission authorized the journey, and postage was free. Each of the letters was folded, addressed, and sealed with wax in the style of 18th-century post. The address on each is accompanied by an illustration by party member Milo Scott. The illustrations depict scenes of the journey and of pioneer life.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"